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Re:
Posted: Fri Sep 18, 2009 5:29 am
by FSTZ1
terekete wrote:there's bass in there?
depends on the mic...
when I fart into my Nuemann, It's kinda flat
prolly U use a steadman to keep from the shrapnel hitting the mic
I'll be doing vocals a few days later and wonder why the mic smells like ass
Re: Creating "Dark & Heavy & Dirty" Bass
Posted: Fri Sep 18, 2009 2:55 pm
by gravity
corpu5 wrote:gravity wrote:havent bothered to listen to the clip but i assume you mean twisty/growly/talky sort of noisia/spor/broken note/etc. basses
the key is resampling. you make sort of crazy noises and the fuck them up with filters, distortion, choruses, whatever really, then sample them and do it again and repeat and layer and experiment ad nauseum until you get something really cool, takes a lot of time and tweaking, but if you keep at it you will get there, its not like some kind of magic plugin or nothing.
no, not quite....it's literally a bass that sounds like someone's guffed. A very stinky bass fart. no twist or growl but fart.
in that case farting into a mic would probably be a good start
Re: Re:
Posted: Fri Sep 18, 2009 2:56 pm
by gravity
fstz wrote:terekete wrote:there's bass in there?
depends on the mic...
when I fart into my Nuemann, It's kinda flat
prolly U use a steadman to keep from the shrapnel hitting the mic
I'll be doing vocals a few days later and wonder why the mic smells like ass
try it with a d112
Re: Creating "Dark & Heavy & Dirty" Bass
Posted: Fri Sep 18, 2009 3:52 pm
by corpu5
ok i kinda worked it out, it's pretty much a reese bass sound and pitched reese bass sound for variation, just resampled with a lot of distortion and mucho's densitos addititios por favor ariba ariba
its a good idea to put a low pass filter on it so you get a deeper bassy sort of fart. You could add saturation i geuss, but you could also put your finger up my bum.
Re: Creating "Dark & Heavy & Dirty" Bass
Posted: Fri Sep 18, 2009 6:15 pm
by 68.artist
Quote - "Sounds similar to Borgore's basslines. I thought he used detuned metal screams or something, but I asked him and apparently its's formant modelling, hence the vocal sounding timbre. He modulates distortion and bit reduction with the same LFO he uses for the filter cut off which gives it the raspy quality. It wouldn't surprise me if this was made in the same or similar way." << hope it helps
good luck