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good diagram, thanks for sharing Maccaronimacc wrote:Saw this and thought of you lot;
Note the impact on arrival times/wavefront coherency. This is why it is important.
Niiiice. Love vintage shit. They really cared about fidelity in the 70's. A lot of that stuff is great and cheap. I have cans from the early 80's and a sub from the 70's. Would love to have some tops and an amp.Depone wrote:I have actually moved onto using some vintage KEF 103 late 70's studio monitors (handmade in briton, and bought from oxfam for £20!) and placed them upright. Now i have some amazing sounding monitors that sound great vertically. i did have the rubicons on their sids because i felt it helped with the bass. but now looking at that diagram, i can see that i was potentially messing up my mixes. cheeeeeers - Dep
