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rob sparx wrote:Hehehe I was trying to get the post in b4 midnight but got carried away needed to get a few things off my chest loljam1 wrote:Posted: Thu Apr 01, 2010 1:08 am
April fools...?
Im gonna stop whining now and get on a beat anyway...
rob sparx wrote:Hehehe I was trying to get the post in b4 midnight but got carried away needed to get a few things off my chest loljam1 wrote:Posted: Thu Apr 01, 2010 1:08 am
April fools...?
Not joking I'm sure Doctor P/Cuntfase/Barenoize etc are nice ppl etc but your music is absolute shit and I cant tell the difference between any of you
Im gonna stop whining now and get on a beat anyway...
rob sparx wrote:all but all this drunk wobble portamento albinoish wobbly basses sliding all over the place like a plastered hobo, the bitcrushed doh-doh's borrowed straight from the most disposable kind of DNB or worst of all the clowny stupid vocals just b4 a drop
loooooolThat's not true, Sweet Shop stands out from the rest because it's extra annoying.rob sparx wrote:Not joking I'm sure Doctor P/Cuntfase/Barenoize etc are nice ppl etc but your music is absolute shit and I cant tell the difference between any of you..
a lot of people have been saying these things, you just do it in a less subtle wayrob sparx wrote: your music is absolute shit and I cant tell the difference between any of you
YOU TAKE THAT BACK!♫♪♫ wrote:Footcrab? Seriously?
Coki anyone?datilt wrote:Rob Sparx is right, mostly wobbles are used in a very cheesy way. IMO Rob Sparx is one of only a few producers who is able to produce interesting wobble tunez.
no fucking about haharob sparx wrote:Not joking I'm sure Doctor P/Cuntfase/Barenoize etc are nice ppl etc but your music is absolute shit and I cant tell the difference between any of youjam1 wrote:Posted: Thu Apr 01, 2010 1:08 am
April fools...?
Over7hink wrote: **....kick kick kick kick kickickickickkkkkkkkkk LET'S ROCK!!!!! waaaaaampwompwompwawawaawawawaaaaaaaaaaSUCKMYDICK!wompwompwaaaaa**
I dont get it,ive listend 2 ur tunes and they sound like what u are moanin about???rob sparx wrote:Ok I know I've stood up for midrange a fair bit on here in the past and ill hold my hand up to writing the odd turkey but looking at the VINYL chemical weekly sales chart over the last few days has been fucking depressing. Ok all you new producers want to make an impact on the scene and understand that the doors of many established labels are well and truly closed so are going for a real loud in your face sound to get yourself noticed but does it really have to sound SO FUCKING STOOOOPID??
Then theres established names still doing the same old crap as well that sounds pretty fucking stoopid too, I mean I don't have a problem with harsh sounds at all but all this drunk wobble portamento albinoish wobbly basses sliding all over the place like a plastered hobo, the bitcrushed doh-doh's borrowed straight from the most disposable kind of DNB or worst of all the clowny stupid vocals just b4 a drop - big he-man 'huhs' or stupid laughs, real fucking retarded kids TV shite that makes me cringe listening to it as its not even funny
Is there any chance some of you guys can learn some new tricks before you fuck this scene so hard up the arse that it bleeds to death?
I think Rob's tunez are a bit different to the standard wobble stuff, because he always combines the wobble with some nice melodies. Luv trax like Casino and Windscreen Sniper.steppa4ever wrote:I dont get it,ive listend 2 ur tunes and they sound like what u are moanin about???rob sparx wrote:Ok I know I've stood up for midrange a fair bit on here in the past and ill hold my hand up to writing the odd turkey but looking at the VINYL chemical weekly sales chart over the last few days has been fucking depressing. Ok all you new producers want to make an impact on the scene and understand that the doors of many established labels are well and truly closed so are going for a real loud in your face sound to get yourself noticed but does it really have to sound SO FUCKING STOOOOPID??
Then theres established names still doing the same old crap as well that sounds pretty fucking stoopid too, I mean I don't have a problem with harsh sounds at all but all this drunk wobble portamento albinoish wobbly basses sliding all over the place like a plastered hobo, the bitcrushed doh-doh's borrowed straight from the most disposable kind of DNB or worst of all the clowny stupid vocals just b4 a drop - big he-man 'huhs' or stupid laughs, real fucking retarded kids TV shite that makes me cringe listening to it as its not even funny
Is there any chance some of you guys can learn some new tricks before you fuck this scene so hard up the arse that it bleeds to death?
but Smash Mouth sells more records than you, and with this logic, are better than you.funtcase wrote:think its a bit harsh me doc p and bare noiz are aimed at, as we do actually have a different sound.
im not gonna rant back, feel its stupid, you do what you do i do what i do...but youve definetely aimed this at me as im currently number 1 in chemical, which to me sounds like its keeping the scene healthy
ELLFIVEDEE wrote:wait dude....you've got a bit of....yeah on your nose....yea...nah it's still there...datilt wrote:Rob Sparx is right, mostly wobbles are used in a very cheesy way. IMO Rob Sparx is one of only a few producers who is able to produce interesting wobble tunez.
sorry I couldn't resist, have no real input the put into this thread except....
...stop whining about how shit everything is and make more non-shit to balance it out?
couldnt of said it better, if you dont like it you dont have to lay into it so hard, just let the people that do like it get on with it