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I don't know if this is what you're talking about, but I've been dabbling in creating am entire soundscape that isn't really for dancing, just a ton of different sounds that flow into each other (and obviously a lot of melody too)...sort of like a movie score. The idea occurred to me when listening to "1000 lost cities" by Kryptic Minds. So far my soundscape is 10 minutes long
Sorry if that isn't what you're talking about - it doesn't have anything to do with hardware or that stuff - but it is something interesting and different, at least for me.

mks wrote:

cmgoodman1226 wrote:I wish more dj's would do more stuff like this when they play out.

Sheeiiit. Playing instruments and performing your own songs live is not DJ'ing. You need to get the vernacular right.

Anyways, this is a major thread derailer, and this is a cool thread.

EZ

Are you kidding me man? when did I say it was? My grasp of what dj'ing is is fine, it's your grasp of what I said that's wrong.

latest pd synth:



lfo all the things!

next project i hope to make some kind of z-plane morphing filter thingy. might have to learn how filters work first though.

Gonna take it(producing) easy until the 20th of this month when I get my new desktop
In the mean time i've been working on props, designs, and costumes for 2 show's in may(non-music related).
Also gonna be heading to Los Angeles in 2 weeks, for my friends brother's album release party
I'm Excited!

Am looking for the tallest building in my area that will allow me to hang my bare ass over the edge of the roof and unleash an opiate hardened foot and a half long stool onto an unexpecting C800g at max gain thirty floors below. Definite Whitney mid-career retrospective potential there.

wormcode wrote:I'd love to be out there recording during a storm, but electronics don't really allow that. I was looking into waterproofing one of my recorders though.

You know the condom trick for turning a normal mic into a hydrophone?

Sonika wrote:I don't know if this is what you're talking about, but I've been dabbling in creating am entire soundscape that isn't really for dancing, just a ton of different sounds that flow into each other (and obviously a lot of melody too)...sort of like a movie score. The idea occurred to me when listening to "1000 lost cities" by Kryptic Minds. So far my soundscape is 10 minutes long
Sorry if that isn't what you're talking about - it doesn't have anything to do with hardware or that stuff - but it is something interesting and different, at least for me.

Do you listen to other music?
You should broaden your horizons.
KM isn`t want comes to mind when thinking of Soundscapes

only interesting thing iv done is i completed an FM (phase modulation) synth this year which surprisingly is very useful to me since im able to make new sounds with it.
it allows the user to draw their own waveform on each of the 6 oscillators, or can switch any oscillator into a multi osc with 100 standard & custom waveforms.
the synth has a low pass filter and res control on each part of the FM matrix for more control over the sound and the fun part is the user can randomise specific parts of the synth, eg a line of the FM matrix, or the waveform if using any multi oscs.
the synth is actually done now & i spent days/weeks bringing the CPU useage to a lower level (uses half the cpu of massive, fm8 etc).. but im currently redoing the whole GUI to make it look a lot better. i will be releasing a free cut down version in future only missing the FM filters and fewer oscillators.
heres a pic, some things are missing and looks messy since its not the latest image, but it has no bugs or anything since iv been using this and making presets for a month.

Been building cables and connectors a lot recently because I'm in the process of remodeling my in home setup I've got going now.
It's fun to do some handy work and get my eyes off a screen once in a while.

I've also been recording a lot of random little things. The other day recorded myself closing my car door and later turned it into a chunky little snare!

Also @ Gurnumsbug, where in LA?

sunny_b_uk wrote:only interesting thing iv done is i completed an FM (phase modulation) synth this year which surprisingly is very useful to me since im able to make new sounds with it.
it allows the user to draw their own waveform on each of the 6 oscillators, or can switch any oscillator into a multi osc with 100 standard & custom waveforms.
the synth has a low pass filter and res control on each part of the FM matrix for more control over the sound and the fun part is the user can randomise specific parts of the synth, eg a line of the FM matrix, or the waveform if using any multi oscs.
the synth is actually done now & i spent days/weeks bringing the CPU useage to a lower level (uses half the cpu of massive, fm8 etc).. but im currently redoing the whole GUI to make it look a lot better. i will be releasing a free cut down version in future only missing the FM filters and fewer oscillators.

very cool, man. how did you go about building this? also, why phase modulation rather than frequency modulation?

Some great responses on here guys, love to see/hear about what you are all doing. Glad to see people creating outside of the box (not just outside of the comp but the mental box). Nothing sounds better in my eyes than mistakes through creation. Some of the responses have been really inspiring, especially the variety of projects people have.

Electric_Head wrote:

Sonika wrote:I don't know if this is what you're talking about, but I've been dabbling in creating am entire soundscape that isn't really for dancing, just a ton of different sounds that flow into each other (and obviously a lot of melody too)...sort of like a movie score. The idea occurred to me when listening to "1000 lost cities" by Kryptic Minds. So far my soundscape is 10 minutes long
Sorry if that isn't what you're talking about - it doesn't have anything to do with hardware or that stuff - but it is something interesting and different, at least for me.

Do you listen to other music?
You should broaden your horizons.
KM isn`t want comes to mind when thinking of Soundscapes

Sonika, sounds cool that you are doing soundscapes, not really what I am talking about... but if you had made them using tape loops, home-made reverbs, noise generators you had made or designed, then I'd say it fits the idea of this thread. Otherwise you are just making soundscapes, not exactly a novel idea. Cheers though keep on trying new things.

i draw what i see in my dreams...

http://curmee.deviantart.com/

collective wrote:Curious to hear about who is doing interesting things besides just making music in the box?

Anyone doing noise projects? Working with adruino building controllers? Doing experimental interactive media? Working in unique programming enivornments? Building equipment? Working with tape? Building modular units? Circuit Bending? Anything that isn't just the same tired old shit.


Would love to hear what everyone is getting up to. That being said, I am going to be posting a massive library of field recordings recorded to various tape formats here in a bit, and what to see what else is being done and by who on this forum?

Im really interested in the field recording, have you posted it anywhere yet???
i really want to do some of my own but the only way of doing it currently would be to walk about london with my laptop and audio interface so i can use my mic haha really good way to get robbed

Stuck a small condenser for tons / snares (those for live performances) on the other bottom of a cardboard tube. Put it closely to the monitors and record, great room reverb / harmonics. Got a bad / low quality pair of cables on one the outs of my interface, connected it to a korg kp3 and sent the out on the korg through a presonus bluetube, turn up tube drive and back to the interface input. Select radio filter in the kp3, draw a Z on the X/Y panel and you get a nice analog white noise swoosh. Don't know if it counts as something interesting.

JTMMusicuk wrote:

collective wrote:Curious to hear about who is doing interesting things besides just making music in the box?

Anyone doing noise projects? Working with adruino building controllers? Doing experimental interactive media? Working in unique programming enivornments? Building equipment? Working with tape? Building modular units? Circuit Bending? Anything that isn't just the same tired old shit.


Would love to hear what everyone is getting up to. That being said, I am going to be posting a massive library of field recordings recorded to various tape formats here in a bit, and what to see what else is being done and by who on this forum?

Im really interested in the field recording, have you posted it anywhere yet???
i really want to do some of my own but the only way of doing it currently would be to walk about london with my laptop and audio interface so i can use my mic haha really good way to get robbed

I will be posting the packs when they are done being chopped. I did field recording all over london, I wouldn't be afraid. I use a portable reel to reel, a microcassette recorder (dictator... which is actually my favorite), a walkman (with pitch controls... essential) and then various digital devices. The more lofi the better in my eyes.

Go pick up a walkman or dictator and use that to record, they are 25 dollars brand new, you could find one in a dollar shop for a couple bucks ez.

collective wrote:

JTMMusicuk wrote:

collective wrote:Curious to hear about who is doing interesting things besides just making music in the box?

Anyone doing noise projects? Working with adruino building controllers? Doing experimental interactive media? Working in unique programming enivornments? Building equipment? Working with tape? Building modular units? Circuit Bending? Anything that isn't just the same tired old shit.


Would love to hear what everyone is getting up to. That being said, I am going to be posting a massive library of field recordings recorded to various tape formats here in a bit, and what to see what else is being done and by who on this forum?

Im really interested in the field recording, have you posted it anywhere yet???
i really want to do some of my own but the only way of doing it currently would be to walk about london with my laptop and audio interface so i can use my mic haha really good way to get robbed

I will be posting the packs when they are done being chopped. I did field recording all over london, I wouldn't be afraid. I use a portable reel to reel, a microcassette recorder (dictator... which is actually my favorite), a walkman (with pitch controls... essential) and then various digital devices. The more lofi the better in my eyes.

Go pick up a walkman or dictator and use that to record, they are 25 dollars brand new, you could find one in a dollar shop for a couple bucks ez.

oh right cool, thanks for the advice. Might have to invest, like david dickson would say cheap as chips

Wrigzilla wrote:

wormcode wrote:I'd love to be out there recording during a storm, but electronics don't really allow that. I was looking into waterproofing one of my recorders though.

You know the condom trick for turning a normal mic into a hydrophone?

Funnily enough yes, but I use handheld recorders and they are a bit big for a condom. Out there I use the h4n which has dual condenser mics. I don't think it would fit on the unit, but I could put the unit into a ziplock freezer bag and stick the condom on an external condenser. If I do that I should take a pic of myself looking like a total nutcase in the ocean with a dildo-looking microphone with a condom during a storm.

wormcode wrote:If I do that I should take a pic of myself looking like a total nutcase in the ocean with a dildo-looking microphone with a condom during a storm.

hahahahahahahahahah

collective wrote: I will be posting the packs when they are done being chopped. I did field recording all over london, I wouldn't be afraid. I use a portable reel to reel, a microcassette recorder (dictator... which is actually my favorite), a walkman (with pitch controls... essential) and then various digital devices. The more lofi the better in my eyes.

Go pick up a walkman or dictator and use that to record, they are 25 dollars brand new, you could find one in a dollar shop for a couple bucks ez.

I totally agree. I use a couple of new digital recorders purely for convenience and recording in questionable places, but the old tape is where it's at. What R2R do you use? I have an old Nagra and a big broken Ampex I've been wanting to repair someday. Do you have a good source for tape? I used to split tape costs with a friend who had a Space Echo and another weird tape echo but he sold it and the Roland has since died and repairs are costly.

Always wanted one of these. Portable James Bond business! They have always been crazy expensive though.
Nagra SN: http://www.ebay.com/itm/NAGRA-SN-REEL-R ... 901wt_1265

Hi Simple

Lately - figured out I can run multiple instances of reaktor to multiple outs... This is going to lead to an instance of reaktor on both sides of my DJ mixer, essentially live producing tracks and then mixing them traditionally on top...

Always doin tape edit stuff...

I wrote an album recently entirely orchestral, with no rhythmic section... Basically just alot of really maximal string compositions... Dedicated to my recently deceased gram.

Me n my friends started a band... I play oddball computer noises and run feedback loops, we have a jam-band kinda vibe, traditional 3 piece, no vocals, plus myself running electronics makes 4... Me n the drummer want to coordinate a breakdown into dnb... The idea is though we jam around the circle of fifths nonstop, we wanna end the band-break in between songs, treat it more as one would the arrangement of a DJ mix.

6000 wrote:might have to learn how filters work first though.

Well filters are just EQs. EQs work by feeding back an out of phase signal upon the original, which lowers the volume depending on the amplitude of the out of phase portion (DB/octave)