Re: OSMUK 018 vs OSMUK 019 : Problems exposed
Posted: Sat Jun 30, 2012 3:52 pm
ultraspatial wrote:Killawatt's one of sickest new producers around. End of.
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ultraspatial wrote:Killawatt's one of sickest new producers around. End of.
Sorry if I was a bit harsh here man, it's just comments like the one you made on the new coki tune that really get under my skin. I think it's a bit of a stretch to say tunes sound amazing on earbuds, but agreed, lots of tunes sound good on a nice pair of speakers as well as the club. I'll try to keep cool with you in the future, as you say, we are here for the same common interest.Cornbreadddd wrote:Are you serious............dsprainman wrote:Always for the last 6 months you've been listening to dubstep? lol. And now you're talking about tunes that are good on a system when you usually rag on "system tunes"... Give me a break.Cornbreadddd wrote:Agreed.baddis98 wrote:seriously what's your point? you don't like that kind of direction people like killawatt are taking with their tunes, fine! but why the comparison with that KM techno bit? what are you trying to say? that techno is the new dubstep? that KM should focus on that type of tunes in the future? why don't you listen to techno, if that's what you're looking for? i like 'breach', but just because it might be the first tune of that kind by KM, it doesn't mean it's anything revolutionary or special.
Also, I'm right there with you to an extent, I'm sick of hearing the same shit as well. However, I don't think Killawatt was necessarily the best example. Have you listened to the free EP he just gave away? It's by no means an EP which consists of "just some more dungeon tunes." His sound is so distinct, and so energetic. Listen to that tune "Locked In" on a system, the bass weight is incredible. On top of that, unlike a lot of dungeon producers, Killawatt actually has a lot of variations in his tunes, it's not the same loop for 6 minutes straight, there are lots of transitions and changes within the tunes, and that's something I appreciate immensely. I've always supported Killawatt and I always will.
I always rag on tunes that only sound good on a huge system, these tunes aren't that. They sound amazing on the system that I have in my car or even earbuds. It's the tunes that people say only sound good on a thousand dollar rig that I have a problem with, but thanks for your concern.
Again, the issue at hand is not how long I've been listening to dubstep, but instead how long I've been listening to Killawatt, because after-all, that's specifically who I was mentioning in this case. Perhaps you should read peoples statements more thoroughly before making such brash and mindless comments. Yes, I have been listening to Killawatt since before he put out his first Wheel-N-Deal EP, so I believe I can say that I have "always" liked Killawatt.
I have no idea why you feel the necessity to be a dick when I have said nothing that concerns you,and on top of that, I'm simply stating my appreciation for an artist, yet you manage to find something wrong with that, incredible. People like you are responsible for the ubiquitous negativity in this community and on this forum. I know, I know, I was at one point a very obnoxious mongrel on this forum but since then, I've tried to be a little bit more respectful on this board. It makes no sense for everyone to be so negative, including myself, when we're all here and we all share a common interest, you would think that everyone would get along much better, but it's unnecessary and condescending comments such as this that perpetuate this omnipresent negativity. It's not the first time either, you always have something nasty to say about every comment I make, why? Is this some sort of insecurity of yours?
Marcus wrote:ultraspatial wrote:Killawatt's one of sickest new producers around. End of.
joeki wrote:^^ ugh again those kicks.
it's not a bad track by any means. But needs more palette for me to stay interesting. I've been hearing these same kicks for literally half a decade. I need movement, flow, direction. I suppose that's what was the core of this thread. Rather have above average tracks trying something new, than the same old safe stuff. But a lot of the labels that have moved on, have done so in a more light-hearted fashion (hotflush, hyperdub...). Hessle are somewhere in between still, but I would like it if OSMUK kept it's dark vibe but moved into new interesting pastures.tomre wrote:joeki wrote:^^ ugh again those kicks.It's when you fixate on them. Still I like that track very much.
what's osiris not giving a fuck have to do with anything, furthermore if I was trying to change their minds (but that's the entire point of the thread, THEY ALREADY HAVE APPARENTLY), DSF would be the last place to start. Keep trying. No need to confirm Ozzie stereotypesfoxtrot wrote:pity you aint curating the label then aye, you got all the ideas. Im sure osiris doesnt give a fuck mate.
dsprainman wrote:I'll try to keep cool with you in the future, as you say, we are here for the same common interest.
lolfoxtrot wrote:pity you aint curating the label then aye, you got all the ideas. Im sure osiris doesnt give a fuck mate.
wtf?joeki wrote:what's osiris not giving a fuck have to do with anything, furthermore if I was trying to change their minds (but that's the entire point of the thread, THEY ALREADY HAVE APPARENTLY), DSF would be the last place to start. Keep trying. No need to confirm Ozzie stereotypes