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atmosphere is in omnisphere
trillian is unique
the intricate bass shit is worth it alone

if you lowpass his track at 100 hz it still peaks at like -2 db. i think alot of it has to do with how its mixed. the bass takes up the majority of the dynamic range, and appears to be a pure sine

deadly: how do you think trillian would fare for midrange?

dubesteppe wrote:if you lowpass his track at 100 hz it still peaks at like -2 db. i think alot of it has to do with how its mixed. the bass takes up the majority of the dynamic range, and appears to be a pure sine

Would you say he side chains his kicks or just has bare sub down there ... this is a very helpful observation btw

rayman612 wrote:the perfect snare

every time

Anyone got any tips on how to go about making this kind of snare?

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Obviously theres some pitch shifting and maybe some layering slightly out of time to get the flam effect, but there's just something about it that I can't quite put my finger on that's just so satisfyingly crunchy and oozing with character that I hear in a lot of Mala/Digital Mystikz snares, and very few other artists seem to use it.

It's got some reverb. Maybe a transient shaper? And see how you EQ it.

EDIT: It might have a compressor after the reverb.

think its just layered/pitched, with a reverb with a long attack and short delay
and chorus

and varying degrees of delay. fuck I love dmz snares. all about the subtle automation

sample selection is key obviously


ps just got my plate of this back off someone thats had it for years.

mixed into I wait is incredible.