Re: Today's electronic music
Posted: Wed Jul 10, 2013 10:27 pm
worldwide dubstep community
https://www.dubstepforum.com/forum/
Not me. I'm not expecting a lot out of it but I am agreeing that there has been a greater emphasis placed on sound design particularly on bass sounds but as much on basslines which falls into the compositional aspect. But then again, I'm a bass player and have been a musician my whole life long before I started producing and dj'ing which automatically makes me an anomaly in the electronic music scene it seems.claudedefaren wrote:But yo, as much as I agree that there is overall a lack of "caring" about MUSIC from a lot of bro-y producers today, I feel like you're expecting more out of this stuff than you should.
claudedefaren wrote: What's wrong with a one-note bassline?
Shit, if I wanted that I would go listen to Mahavishnu Orchestra.claudedefaren wrote: Music is the change in sound over time, not "as many notes as possible."
Sorry, but that's not a good example. I've been a deep house head since about 2000 and there are chords and harmony in that music.claudedefaren wrote: But look at deep or minimal house. There's a beauty in the musical simplicity and repetition.
Yep. https://soundcloud.com/daleri/epic-mashlegfragments wrote:Relabel it today's Beatport Top 10.
But yea, I'm sick of the sound design circle jerk.
Maybe the music is dumbed down these days, I'm only 22 so I guess I don't have the greatest perspective on this issue. To be honest I don't really go to clubs for dubstep that often, my friends are all into trance tbh... so I don't really know what kind of stuff goes on at dubstep shows. And I don't usually pay attention to other people... I'm kind of in my own world at the club, lol! It's more the experience for me than it is actually listening to the music.fragments wrote:I get you, but a lot of popular dance music is just really, really, dumbed down these days. But you can ignore me as I'm an old geezer who doesn't go out to clubs anymore and is pretty much done with "the scene". So, for me, I'm wanting some at least a little sophisticated in my beat oriented music ;pAdd9 wrote:Maybe I'm alone on this but I don't think that all music has to have intricate melodies or complicated chords in order to be worthwhile.
I mean there's plenty of electronic music that does have these elements, it's just that the popular stuff is for clubs, and people who are dancing care more about the beat than about how many different notes the baseline is made out of. You gotta know your audience. I mean it's not like all these people are going to the club so they can try and hear when the neopolitan chord comes up or to marvel at clever tritone substitutions or anything like that.
I had been going to a weekly for a while, but I got tired of the younger kids who immediately abandoned the dance floor when someone wasn't playing a (stupid) filthy banger. I'd see their faces, some of them would get all disgusted and pissed. Meanwhile, the older folks hung around for everyone's set no matter what they were playing.
Either things are really different or I need to start doing hard drugs again.
I didn't say that there were no chords or harmony in deep house. And i don't think anyone could kid themselves into thinking there's no chords or harmony in most beatport top tunes.mks wrote:Not me. I'm not expecting a lot out of it but I am agreeing that there has been a greater emphasis placed on sound design particularly on bass sounds but as much on basslines which falls into the compositional aspect. But then again, I'm a bass player and have been a musician my whole life long before I started producing and dj'ing which automatically makes me an anomaly in the electronic music scene it seems.claudedefaren wrote:But yo, as much as I agree that there is overall a lack of "caring" about MUSIC from a lot of bro-y producers today, I feel like you're expecting more out of this stuff than you should.
claudedefaren wrote: What's wrong with a one-note bassline?
Nothing, if the song is good I like it.
Shit, if I wanted that I would go listen to Mahavishnu Orchestra.claudedefaren wrote: Music is the change in sound over time, not "as many notes as possible."![]()
Sorry, but that's not a good example. I've been a deep house head since about 2000 and there are chords and harmony in that music.claudedefaren wrote: But look at deep or minimal house. There's a beauty in the musical simplicity and repetition.
A fair point, except most at that time had never heard anything like that. Now, everyone has heard "techno" at some point. If only inserted into some form of pop culture.Genevieve wrote:It can't be worse than the acid house days. A Roland drum machine playing a four-to-the-floor + a 303.
Music always has the tendency to be formulaic and predictable. Music's just more accessible now so you hear more of it at once.
Our generation would blame that on Moby - Play, I guess.fragments wrote: everyone has heard "techno" at some point. If only inserted into some form of pop culture.
Also, that one Fat Boy Slim album ...can't be arsed to look it up, You've Come A Long Way, Baby or whatever. But Moby - Play for sure.wub wrote:Our generation would blame that on Moby - Play, I guess.fragments wrote: everyone has heard "techno" at some point. If only inserted into some form of pop culture.
Or one note.mromgwtf wrote:I'm not saying that A LOT OF NOTES = good music, and a little notes = bad music.
You can make a fucking amazing melody with like 5 or 6 notes or so.
I remember buying all of these tattered old guitar pedals — they were so cheap about 12 years ago — and running keyboards through them. Everyone would be saying, 'You can't do that. Those are for guitars,' but I'd say, 'Listen to it. It sounds great.' Anyway, at least a lot of my teachers encouraged me while the traditional jazzers were freaking out. [The students] would be focussing on their playing ability while I'd be sitting around, reading how my heroes like Brian Eno were saying, 'I'd rather hold one note for an hour and modulate it so that it means something than play 3,000 notes in 15 seconds.' I'd repeat stuff like that to people and they'd say, 'That's just wrong.' I'd say, 'No, it's not. Music is supposed to be a catalyst for expressing emotion, and that's what I want to learn about.'