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Posted: Sat Sep 29, 2007 6:12 pm
by bob crunkhouse
Joe C wrote:War sucked.
I dont get these half arse "loop a reggae tune with an out of place wobble" tunes...
I was lovin the sample but then it was just a crap synth sound underneath it, and that was it...
Spot on! i liked it on the first listen though..
Posted: Sat Sep 29, 2007 6:48 pm
by corpsey
gravious wrote:UmkhontoWeSizwe wrote:
War wasn't even wobble. And to be fair, it is just a re-edit really, not a full on "new tune". it is also stupidly weighty.
Still, I know what your getting at about wobble under reggae loop tunes, there does seem to be quite a few of em about, and I don't find them wildly thrilling for the most part.
War was good and some of these wobbly reggae ones are okay but it seems like every one of them is pretty much the same wobble tune with a vocal tacked onto it.
Posted: Sat Sep 29, 2007 7:05 pm
by unlikely
War is a really well made and evocative remix
this is not
Posted: Sat Sep 29, 2007 7:59 pm
by jim
This is actually one of the worst things I've ever heard.
Posted: Sat Sep 29, 2007 9:03 pm
by benjybars
er.. i like it.
Posted: Sat Sep 29, 2007 9:20 pm
by 7"
c'mon people, lets sing along...
bam bam, ey, what a bam bam,
bam bam dilla, bam bam
bam bam dilla, bam bam
'ey what a bam bam, seh what a bam bam
happy family.
Posted: Sat Sep 29, 2007 9:48 pm
by fractal
unlikely wrote:War is a really well made and evocative remix
this is not
serious
Posted: Sat Sep 29, 2007 10:16 pm
by Tombones
Cant really make my mind up about this one. need to hear a bit more than the boomkat sample. at first listen it really appeals but maybe thats because its pluggin in to the whole familiarity thing/ samples a good tune. i don't know. file under novelty record i guess/ break dubstep to the uninitiated crowd device.
Posted: Sat Sep 29, 2007 10:28 pm
by jim
It sounds like it was made by a drunk four year old. The wobble just seems completely random and the drum programming is utter muck.
Posted: Sat Sep 29, 2007 10:54 pm
by Tombones
mmmm its bot quite that bad, unless your talkin about an extremely precocious 4yr.
Posted: Sat Sep 29, 2007 10:56 pm
by shonky
jim wrote:This is actually one of the worst things I've ever heard.
You not heard Michael Bolton's version of "Sitting on the Dock of the Bay" then I take it?
Posted: Sat Sep 29, 2007 11:00 pm
by jim
Granted it's no "Soul provider" or "How can we be lovers" but it has a laid back, soulful vibe that I can dig.
Posted: Sat Sep 29, 2007 11:21 pm
by shonky
jim wrote:Granted it's no "Soul provider" or "How can we be lovers" but it has a laid back, soulful vibe that I can dig.
I bet Otis wished he'd thought of adding a guitar solo and screaming like a wounded moose too. Shame he didn't live to hear it

Posted: Sat Sep 29, 2007 11:29 pm
by jim
Planes and musicians don't mix.

Posted: Sat Sep 29, 2007 11:36 pm
by shonky
True
Who ever would have thought that when he was singing "every day it's a getting closer" he was actually referring to the ground. Prophetic words.
Posted: Sun Sep 30, 2007 12:00 am
by linedamage
Anyone heard Bass Clefs version of Bam Bam complete with Theremin and trumpet? Hoping to see it in his next album
Posted: Sun Sep 30, 2007 2:29 am
by vinyleater
Crapped myself when I saw it listed on Boomkat, but the sample was a big letdown. Love Sister Nancy, but you're right, this
is muck.
They're not related, similar idea of course, but War001 still stands for me as one of my favourite dubstep records, and a massive dubstep twelve that has stood the test of time. Doesn't deserve to be mentioned alongside this Bambam001 tune.
Generally speaking, "re-editing" reggae tunes is easy and uninspiring. But to do it well, so few have done. This includes the more popular DnB versions of reggae tunes. Minimal effort. That Damian Marley "Jamrock" dnb white that's circulating at the minute; the reggae tune's a beastin classic; the re-edit is shite.
I was mixing today at home, and started playing Haunted. Such an early dubstep tune and it's still better than a lot of the stuff coming out now (I say a lot, not all) There does seem to be this urge to keep audiences interested through obvious re-edits/samples/new plug-ins etc, but it doesn't work (most of the time...) So few producers, I think, are writing simply good dubstep tunes - most are concerned about fascinating the audience with extremities in dubstep too, when the concern should be with just being a good songwriter. Caspa, who I love, has that same obscene bass sound in more and more of his more recent dubs now. Stunning sound, but over-relied on.
Still, as long as producers like Cluekid, Burial, Appleblim, Pinch, Mala and a small host of others who seem to really focus on clever dubstep songwriting, the future should be bright after all. But who knows? Maybe I'm too ripped and just talking out my arse.
Rant over

Posted: Sun Sep 30, 2007 4:05 pm
by incyde
Got to be honest, just listened to the clip, and it's pretty terrible.
Posted: Sun Sep 30, 2007 5:00 pm
by whineo
I would also like post a comment about this tune being wank
Posted: Sun Sep 30, 2007 7:17 pm
by le_hardcore_chiefus
its just got no gut wrenching urrghh factor has it