Dubstepforum.com

MacPhellimey wrote:I pre-ordered it from cargo and got an e-mail last night saying it had been dispatched.

In fact, it's now arrived.

MacPhellimey wrote:In fact, it's now arrived.

as in u received it in your hands?
groovy!

Need this one...

Whhaaaatt!?
Boomkat still says "Shipped in 3 days"

boomkat have had delivery problems beyond there control.

Not meaning to rub it in, but it's absolutely wicked!

I've been told the 29th by RPM, they've been told its been delayed...oh man I want it now

Jesus, I just want it to get on bleep... in my hands NOW.

MattDV wrote:I've been told the 29th by RPM, they've been told its been delayed...oh man I want it now

yeah, stuck in france. but i swear if boomkat are getting some by thursday rpm can too. tell em to get on to cargo.

how hipster is rpm these days?

Amazing stuff, been on ratation constantly in the car.

boomnoise wrote: yeah, stuck in france. but i swear if boomkat are getting some by thursday rpm can too. tell em to get on to cargo.

how hipster is rpm these days?

RPM aint actually too bad, nice selection of music as ever.

Check out this review from Cargo Records.... deep shit.



'Burial' - the album - explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of 'Distant Lights' is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub's resident vocalist, The Spaceape, unravelling his cryptobiography. 'Burial' is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint. The first of many 5 star reviews appears in the May issue of IDJ : "Burial dares to move forward by moving two steps backwards... aiming for Rhythm & Sound's singularity and getting amazingly close in the process. Most Jungle producers fetishized the sheen of 'Blade Runner', yet tunes like 'Forgive' actually capture the clammy, heat haze of the movie's rain sodden future world... it's enticing tunnel vision rivals Sakamoto for beauty and Boards of Canada for drift... an absurdly addictive sonic opiate for lovesick drifters. Breathtaking."

Which of the London shops are going to be carrying this, Blackmarket?

I want to go buy a copy and have it in my hand, not order it online if I can help it!

Crazydave wrote:Check out this review from Cargo Records.... deep shit.



'Burial' - the album - explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of 'Distant Lights' is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub's resident vocalist, The Spaceape, unravelling his cryptobiography. 'Burial' is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint. The first of many 5 star reviews appears in the May issue of IDJ : "Burial dares to move forward by moving two steps backwards... aiming for Rhythm & Sound's singularity and getting amazingly close in the process. Most Jungle producers fetishized the sheen of 'Blade Runner', yet tunes like 'Forgive' actually capture the clammy, heat haze of the movie's rain sodden future world... it's enticing tunnel vision rivals Sakamoto for beauty and Boards of Canada for drift... an absurdly addictive sonic opiate for lovesick drifters. Breathtaking."

well the first part of that is just a regurgitated version of the press release. and the IDJ review, well... not deep imho.

Logos wrote:Which of the London shops are going to be carrying this, Blackmarket?

I want to go buy a copy and have it in my hand, not order it online if I can help it!

dunno if bm will have it right away. they're not very good at getting in the cd releases. maybe tho.

i'd check down berwick street. selectadisc / sisterwray probably a good bet.

sisterray & selectadisc for sure

as above, check berwick st, soho

Good idea...thinking about it soul jazz have always carried hyperdub plates so they might have it also.