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work with female vocalist. theyre sexy and hopefully good in bed after the studio session.

im doing 'epic' (Ughhh!) 'we both are lost' style tunes, and some technoey surgeon meets dubtep stuff ATM.

Getting well into loads of real instrument samples and building 'music'



thinking trying to learn a instrument would be useful as all samples can be a nightmare to fit together.

FSTZ wrote:I'm on some headnod shit right now

thanks to the help of a couple of collaborators, it's a little bit different vibe for me

I should have those samples for you by the end of the week at the latest FSTZ... you want a weird off-timey loop or something more straightforward? Ive got most of the sounds down, just want to add a few more random FX and flesh out the loop I have at the moment... you gots some sounds fo me yet doggie?


My production time ATM is split between getting my style down for straight up dancefloor bangers and figuring out how the hell Jamie Vex'd did the Twitch remix for Scuba. God damn I love that song. Really feeling that stretchy, unquantized-sounding-but-really-still-perfectly-on-time, squeetchy vibe tunes.

Also been thinking about how I can make tunes that sound like the Runnin and '93 remixes with a Dilla type workflow - and/or how to make a tune like that into a rolled out banger.

Essentially been thinking about producing a lot more than actually producing... which isnt such a bad thing IMO. I used to just turn Live on and hope something would happen. Now Im thinking through tunes a lot more and figuring out how to do the things I want before even sitting down at the computer so I have a more coheisive idea from the get.

I have a work schedule change going into effect on Monday which will give me far more time to produce, so hopefully will be turning these ideas into sound soon.

deep and throbbing, like king tubby meets leftfield in a dalston crack lounge

manray wrote:All over the place honestly. I've been trying to tailor my sound but I can't stay still for very long. My tracks come out different all the time. I think I'm going to give up soon and just be happy making the music.

All the big producers seem to have a certain sound that they stick too. How important do you think that is?

I've been through stages where i've been trying to find a signature sound, but actually, I've come out thinking that there's no point artificially searching for it, if you make music that's really 'you' then other people will recognise that sound. Your tunes might all sound different to you, but other people will be looking for similarities rather than differences.

remember reading a loefah interview that said that he didn't really know what people meant by the 'loefah sound'...

B-LAM wrote:I've been through stages where i've been trying to find a signature sound, but actually, I've come out thinking that there's no point artificially searching for it, if you make music that's really 'you' then other people will recognise that sound. Your tunes might all sound different to you, but other people will be looking for similarities rather than differences.

remember reading a loefah interview that said that he didn't really know what people meant by the 'loefah sound'...

Yeah I think it has to come naturally. For me music is something I enjoy doing and so when I make a track it's really only for myself... if that means my tunes are all different well that's all that matters.

Now that I've got a decent amount of the basics down and I can make stuff that doesn't sound completely gash, I've just started revisiting all of the music I've loved over the years (mainly a LOT of 90s hip hop at the moment) to try and pull out all the little influences that make things sound like "me".

It's even harder than learning all the techy shit, frankly!

my music is starting to turn a bit darker lately. i blame christmas.

also, i've been writing lyrics for my vocalist... just wait until you hear this girls voice. doing lyrics is way harder than i thought it was going to be but really fun at the same time.

manray wrote:

Serox wrote:btw, whats with the ATM? (ass to mouth) lol

at

the

moment

you sick fucker. ass to mouth... lol.

HAHA!!!

I lol'd in the office

Serox wrote:Do things as quick as possible and forget about spending ages trying to EQ and make things fit perfect.

This was actually how i used to go about my tunes, thinking - do all this shit later, all that happened was i'd have a whole song of shit sounds and i wouldnt be arsed fixing it. Now i try and do things bit by bit - I'll get my drum patterns right then fix up the sounds, then move on to the bass etc.

Most of your tweaking is done continuously anyway I find.

theme park music.

you know, C, G, C, G, C, G, C, G, C, G on the bassline
and ridiculous melodies over the top

i don't make a lot of dubstep. i like making silly music.
although, if you listen to 'backwards' on the flip of '9 samurai' its got a theme park music bassline...put it on 45 and it becomes a lot more apparant

The "swing" function on FL.
Atlantis VST synth (this is unbelievable).
Bass distortion.
Broken 4x4 beats.
Reconsidering my wobblephobia.

I don't have one, I just sit down and it just comes out aha, could be anything, wouldn't have it any other way

DROKKR wrote:also, i've been writing lyrics for my vocalist... just wait until you hear this girls voice. doing lyrics is way harder than i thought it was going to be but really fun at the same time.

I'd love to hear this stuff when it's ready..

At the moment been doing more musical stuff with fast pace, energy and oldskool sounding chords and leads.

All twisted and ever changing.

Recently been chopping up house and garage vocals and assigning the different random bits to the keyboard, a LOT of fun.

Tried it with an old nina simone accapella, pitched it up and it sounded wicked.

Classical music, sampling alot, (Mezzo TV ftw for idea's i'd say) and some vst stuff. Also some IDM bassline stuff with weird effects etc.

peace

Got some meditation going on at the mo.

Serox wrote:btw, whats with the ATM? (ass to mouth) lol

hahahahahaha gone, thanks boring afternoon

Trying to introduce some real dark textures to my music at the moment without it sounding to obvious......or like burial.

Can be a bit of a challenge.