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nowaysj wrote:^ "what does the sound of a door closing taste like?"

A line I wrote many years ago before I found out about this phenomenon.

^ I see sounds as color.

EYENSEE wrote:

Ketamine wrote:

nowaysj wrote:^ "what does the sound of a door closing taste like?"

A line I wrote many years ago before I found out about this phenomenon.

^ I see sounds as color.

i see shapes moving when i hear sounds..

Tell your mum to cross her legs, I can smell her from here ffs.

EYENSEE wrote:

Ketamine wrote:

nowaysj wrote:^ "what does the sound of a door closing taste like?"

A line I wrote many years ago before I found out about this phenomenon.

^ I see sounds as color.

i see shapes moving when i hear sounds..

I SEE DEAD PEOPLE

EYENSEE wrote:

Ketamine wrote:

nowaysj wrote:^ "what does the sound of a door closing taste like?"

A line I wrote many years ago before I found out about this phenomenon.

^ I see sounds as color.

i see shapes moving when i hear sounds..

And I see gaping rotten vagina's crawling with maggots



....this is some bad acid!

send to a bus and highpass. then add some saturation and a little reverb. possibly some subtle delay too.

nowaysj wrote:I think much of the work is to be done in the synth w/ waveforms and wat not.

I definantly second this. I think layering oscillators is key.

watch the Rusko producer masterclass, because as much as people may or may not like him(i like him by the way). you can't knock the mans production. and in there along with aload of other good tips he shows you how he makes one of his basses.

but after that i think its always good to process them. i do it they same way as other people have already suggested, i.e distortion, compression, eq etc

something iv been experimenting with aswell is antares tube. i find it adds weight and a nice grit to the bass. im pretty sure there not selling it anymore but if you google it you'll probably find a cracked version.

i also saw a post that i think was on hear about sending a slight bit of the midrange to a reverb, seems to be having a nice effect on it.anyone else got any thoughts on that?

and i reckon you should always layer a pure sine wave under it for the sub, because i think you can't beat that for the "grab you in the stomach till you feel sick, BUT ITS OH SO GOOD" feeling.

just my 2 quids worth.

im probably gonna start a new post on this, but has anyone got any suggestions on some good saturation plugins?

Ketamine wrote:

nowaysj wrote:I have not made peace with bit crusher. Often ends up in a track, and then at some point, invariably, ends up coming out

HA HA HA same here

amen to that

dubstepz wrote:

Altered State wrote:I use a big fat button that says "insta wobble" - works wub wub every time.

cock

hahahha

Splitting the signal into separate bands, widening and putting some fast flange on the mids does the trick 4 me.
Also, working with group channels/FX channels helps to not destroy your original signal. Just send a part of it into a nice warm tube or fxs....then route all wet and dry in a bus and compress.

To get a super - gritty sound, I use albino's built in LoFi, and then use Acid's Crackle remover to make it a bit smoother without the uhh, crackles.

And also eq.

watch the Rusko producer masterclass, because as much as people may or may not like him(i like him by the way). you can't knock the mans production. and in there along with aload of other good tips he shows you how he makes one of his basses.

FUckin hell just watchin the first video, he's a right changhead!

watch the Rusko producer masterclass, because as much as people may or may not like him(i like him by the way). you can't knock the mans production. and in there along with aload of other good tips he shows you how he makes one of his basses.

FUckin hell just watchin the first video, he's a right changhead!

1 hi passed, 1 low passed

then drench in delay fat every time

Here's a good one: Spinaudio3Dchorus set the rate to 0, use 3 frequencies, tune them in to the bassline with high feedback then reduce feeback a bit and pan 1 frequency to the left and back a bit, 1 in the centre and 1 the the right and back a bit then turn down the wet level a bit so its not too loud. This will give your phatten up your wobble/throb/reece no end!