Dubstepforum.com

TeReKeTe wrote:wait a minute, someone was ignorant 'pon the interwebz????

adisize wrote:

UrbanNerd62 wrote: Secondly, Rusko's alright, but anyone who's chatted with me for more than 10 minutes about dubstep knows Im a fanatic for producers like Trolley Snatcha, Cookie Monsta, Stenchman, Cluekid, Bar9, and others like them.

Not being funny but the people who said "bet you like Rusko" would not be impressed by those artists they are all from the jump-up/Rusko/wobble school of dubstep just because they are more unknown does not make them any better, in fact Rusko has higher production values and so would be held in higher regard.

Personally don't really enjoy that kind of dubstep but not because it's commercial, it's because when I got into dubstep it was because it was dark, moody and the tunes weren't just trying to be harder or faster you could have slow tunes that weren't hype that were the biggest tune in the genre - and the wobblefest that's going on really isn't in line with that vision - the odd tune is fine, but none of this hype for 2 hours shit.

Okay, I get what you're saying, but I don't really see the point. Are you implying that people who like the more "wobblefest" type of dubstep arent as big of fans as people who like the "darker, moodier" tunes? Perspective takes a big role in music communities. Not everyones gonna dig the same styles, but that doesnt make them any less of a fan..

why cant we all just take pills/ket and listen to wobble and just get a long, thats what dubsteps all about right?

dubstee wrote:Dubstep in California is an abomination tbh.

LOL


I wanna know why you think or would say this when some of the more prolific and popular producers are out of Cali right now.

Antiserum, Babylon System, Roommate, OSC, DJG, Djunya, Jus Wan, Blackheart and a fuckload of other DOPE producers reside here.


I know it sounds cliche but 'to each their own.' I don't say shit to you because you like a different sound... I say shit to you because you're a fucking self-righteous tnuc about it like your musical preference is so much better than anyone elses.

I fully appreciate (and play) all different kinds of dubstep sounds. it sucks that other people can't appreciate the various sounds.. but hey... that's on you pigeonholing motherfuckers haha.

I'll be happy to skank out to some deep minimal subweight or some straight speaker ripping grinding basslines just the same.

UrbanNerd62 wrote:Not everyones gonna dig the same styles, but that doesnt make them any less of a fan..

dubstep is quickly becoming dnb and dsf doa internet wise

Deadly Habit wrote:dubstep is quickly becoming dnb and dsf doa internet wise

And you love it

abZ wrote:

Deadly Habit wrote:dubstep is quickly becoming dnb and dsf doa internet wise

And you love it

Deadly Habit wrote:

abZ wrote:

Deadly Habit wrote:dubstep is quickly becoming dnb and dsf doa internet wise

And you love it

rofl

Reptilian wrote:to me trolley snatcha, cookie monsta and stenchman bear absolutely no relationship whatsoever to what i originally liked about dubstep

NONE WHATSOEVER - it might as well be a totally different genre of music

haha

oh boy

i wouldn't worry about it man. there's always going to be ignorant people out there who don't understand you or your scene. Dubstep in California is quite healthy.

adisize wrote:

UrbanNerd62 wrote: Secondly, Rusko's alright, but anyone who's chatted with me for more than 10 minutes about dubstep knows Im a fanatic for producers like Trolley Snatcha, Cookie Monsta, Stenchman, Cluekid, Bar9, and others like them.

Not being funny but the people who said "bet you like Rusko" would not be impressed by those artists they are all from the jump-up/Rusko/wobble school of dubstep just because they are more unknown does not make them any better, in fact Rusko has higher production values and so would be held in higher regard.

Personally don't really enjoy that kind of dubstep but not because it's commercial, it's because when I got into dubstep it was because it was dark, moody and the tunes weren't just trying to be harder or faster you could have slow tunes that weren't hype that were the biggest tune in the genre - and the wobblefest that's going on really isn't in line with that vision - the odd tune is fine, but none of this hype for 2 hours shit.

i agree. cookie monster and rusko are virtually the same. constant crack head wobble.

Reptilian wrote:to me trolley snatcha, cookie monsta and stenchman bear absolutely no relationship whatsoever to what i originally liked about dubstep

NONE WHATSOEVER - it might as well be a totally different genre of music

what is your opinion of splitting into sub-genres?

drum syndicate wrote:

dubstee wrote:Dubstep in California is an abomination tbh.

LOL


I wanna know why you think or would say this when some of the more prolific and popular producers are out of Cali right now.

Antiserum, Babylon System, Roommate, OSC, DJG, Djunya, Jus Wan, Blackheart and a fuckload of other DOPE producers reside here.


I know it sounds cliche but 'to each their own.' I don't say shit to you because you like a different sound... I say shit to you because you're a fucking self-righteous tnuc about it like your musical preference is so much better than anyone elses.

I fully appreciate (and play) all different kinds of dubstep sounds. it sucks that other people can't appreciate the various sounds.. but hey... that's on you pigeonholing motherfuckers haha.

I'll be happy to skank out to some deep minimal subweight or some straight speaker ripping grinding basslines just the same.

im pretty sure he was being sarcastic. (could be wrong though)

if everyone just listened to the music they enjoy rather than bitch about what other people are into, there would be no beef. So what if mans are into rusko/stenchman etc. I don't know whats best for the genre but surely being popular means that they've done something right, no? Personally, i can't stand some of the music me mam listens to, but i dont go and bitch about it to m'dad and tell him to low her off.

EVERYONE NEEDS A ZOOT AND A SIT DOWN. LOW THE BEEF>

Reptilian wrote:to me trolley snatcha, cookie monsta and stenchman bear absolutely no relationship whatsoever to what i originally liked about dubstep

NONE WHATSOEVER - it might as well be a totally different genre of music

correcto, in regards to the music splitting, as long as it doesnt get to the dnb stage where u can only play a set of identical tunes i think its good.

jus wan is a badboy. that is all

boy_arena wrote:can i ask what forum have you got that kind of response from?

^

UrbanNerd62 wrote:

adisize wrote:

UrbanNerd62 wrote: Secondly, Rusko's alright, but anyone who's chatted with me for more than 10 minutes about dubstep knows Im a fanatic for producers like Trolley Snatcha, Cookie Monsta, Stenchman, Cluekid, Bar9, and others like them.

Not being funny but the people who said "bet you like Rusko" would not be impressed by those artists they are all from the jump-up/Rusko/wobble school of dubstep just because they are more unknown does not make them any better, in fact Rusko has higher production values and so would be held in higher regard.

Personally don't really enjoy that kind of dubstep but not because it's commercial, it's because when I got into dubstep it was because it was dark, moody and the tunes weren't just trying to be harder or faster you could have slow tunes that weren't hype that were the biggest tune in the genre - and the wobblefest that's going on really isn't in line with that vision - the odd tune is fine, but none of this hype for 2 hours shit.

Okay, I get what you're saying, but I don't really see the point. Are you implying that people who like the more "wobblefest" type of dubstep arent as big of fans as people who like the "darker, moodier" tunes? Perspective takes a big role in music communities. Not everyones gonna dig the same styles, but that doesnt make them any less of a fan..

When did I ever say you weren't as big of a fan? who gives a fuck how much of a fan you are? I would rather talk to some one who just heard ramadanman and said oi mate this is wikid can you show me some new stuff than someone who had been listening to jump-up for 5 years - it's not "how much of a fan" you are it's if you like the same music as me.

Seriously though who even mentioned being less of a fan? I don't care how much of a fan someone is, if they show me music I like - I'm gonna appreciate there musical tastes.

Also I'm against sub genres because some wobble tracks are good, infact headhunter, jack sparrow and coki are on my top list of artists - It's just when there is 3 hours of metallic, mid range, trying to be the hardest, mind numbing shit on that I get pissed off

hpuk wrote:

dubstee wrote:Dubstep in California is an abomination tbh.

Go listen to some of these then :

Antiserum
Eskmo
Jus Wan
Roommate
Ripple
Quest

etc.

And if you can't appreciate them then I don't think ur in the right scene mate

I wasn't referring to California-based producers so much, more what the nights are like (some of the worst I've come across: very few decent clubs, closed minded crowds etc). Anyway, of the producers you mention I only really rate Jus Wan, and his sound certainly isn't repped at nights in Cali.

drum syndicate wrote:

dubstee wrote:Dubstep in California is an abomination tbh.

LOL

I wanna know why you think or would say this when some of the more prolific and popular producers are out of Cali right now.

Antiserum, Babylon System, Roommate, OSC, DJG, Djunya, Jus Wan, Blackheart and a fuckload of other DOPE producers reside here.

I know it sounds cliche but 'to each their own.' I don't say shit to you because you like a different sound... I say shit to you because you're a fucking self-righteous tnuc about it like your musical preference is so much better than anyone elses.

I fully appreciate (and play) all different kinds of dubstep sounds. it sucks that other people can't appreciate the various sounds.. but hey... that's on you pigeonholing motherfuckers haha.

I'll be happy to skank out to some deep minimal subweight or some straight speaker ripping grinding basslines just the same.

Again, that's not really what I was talking about. Same comment re: those producers though.