Re: brostep / brostepforum.com
Posted: Fri Nov 27, 2009 3:02 am
I'm bored. Wonder if my man is down for a Brojob... 

worldwide dubstep community
https://www.dubstepforum.com/forum/
seckle wrote:you obviously never went to dmz in the early days. DMZ 1st birthday 2006, it was easily 3 to 1 women to men.blazey wrote:it was more upfront hype tunes that attracted more chicks to Dubstep,
geoff wrote: what was the name of that Joker rip-off tune you made recently?
there's more people in general, but trying to say there's more of one side now , because of a certain sound is hot air. if you want to argue this more we can go to photos from 2006 that prove my point.blazey wrote:seckle wrote:you obviously never went to dmz in the early days. DMZ 1st birthday 2006, it was easily 3 to 1 women to men.blazey wrote:it was more upfront hype tunes that attracted more chicks to Dubstep,
Come on fam, dont try and tell me there were more chicks in dances back then than there is now, its utterly blatant
lol im not denying Jokers been influencing a few of my beats recently but he didn't invent arpeggios and analogue synths did he? DJ Hazard was doing something similar in 2003 and we all played computer games when we were kids so you can hardly say he created that sound although he has definately pioneered it - there was plenty of 8bit glitchy stuff about b4 Joker anyway it just wasn't done as well.geoff wrote:what was the name of that Joker rip-off tune you made recently?rob sparx wrote: Dunno how a label thats responsible for Chasing Shadow's Amirah can be accused of releasing just "wobble crap" - ppl shouldn't judge a label based on the few releases they've actually heard, some labels do suprise by not putting out the same style of music all the time. I mean I know theres good tunes on Hyperdub despite them releasing tons of shit that just sounds like computer game music etc
Geeks standing on their own on their own in rooms full of men listening to techno at 140BPM stroking their chins is the real brostep if you ask me or should that be geekstep? I mean its great to listen hear music with a deep bass played on a good quality soundsystem but not all night long - clubbing should be about going out to have a party and interact with other ppl not standing around like a bunch of autistic muppets!
Lets not mess about, what labels would you classify as geekstep?
lol I was at a few of the old DMZs thats not what I seen! Great nights but that press article from back then about the only women in dubstep being the DJs girlfriends wasn't that far off the mark...seckle wrote:you obviously never went to dmz in the early days. DMZ 1st birthday 2006, it was easily 3 to 1 women to men.blazey wrote:it was more upfront hype tunes that attracted more chicks to Dubstep,
I was there. I remember a lot of women. Nowhere was it 3 to 1.seckle wrote:you obviously never went to dmz in the early days. DMZ 1st birthday 2006, it was easily 3 to 1 women to men.blazey wrote:it was more upfront hype tunes that attracted more chicks to Dubstep,
that is a gud ratio for any kinda electronic music event or possibly any kind of public event period outside of like lady gaga or some boyband bullshit. jus da way it is bro. ill tell ya when deep music is on around where i am at the wimenz are scarce. dey like da masculine filf 4 rill. aint jus bros on the floor. da deep stuff is great for opening set imo.USTD wrote:I was there. I remember a lot of women. Nowhere was it 3 to 1.seckle wrote:you obviously never went to dmz in the early days. DMZ 1st birthday 2006, it was easily 3 to 1 women to men.blazey wrote:it was more upfront hype tunes that attracted more chicks to Dubstep,
More like 0.75 women to 1 man.
sad to argue that a style of music is better in some way when there is a higher girl to guy ratio. GO TO AN IDM NIGHT- there are no such thing as girls. As dubstep has progressed to more of the mainstream, thats when girls will begin to increase in numbers... I wouldn't even put credit to the style of the music whether it be any genre of dubstep, its the catchiness or the popularity of the genre as a whole. If you lot are in it for pussy go down to a Taylor Swift concert or something....seckle wrote:there's more people in general, but trying to say there's more of one side now , because of a certain sound is hot air. if you want to argue this more we can go to photos from 2006 that prove my point.blazey wrote:seckle wrote:you obviously never went to dmz in the early days. DMZ 1st birthday 2006, it was easily 3 to 1 women to men.blazey wrote:it was more upfront hype tunes that attracted more chicks to Dubstep,
Come on fam, dont try and tell me there were more chicks in dances back then than there is now, its utterly blatant
Lawl at the definition I saw that shit awhile ago classic.
danrev wrote:It's a really American sounding term (like douche bag, what a shit insult)that isnt as good as a very British term - Midrange Cack
Midrange Cack > Brostep
onique wrote:danrev wrote:It's a really American sounding term (like douche bag, what a shit insult)that isnt as good as a very British term - Midrange Cack
Midrange Cack > Brostep
As an american perhaps I should address this. The name is inherent to the people who generally listen to it. Thus we must first define the "Bro"
Bro:
An alpha male idiot. This is the derogatory sense of the word (common usage in the western US): white, 16-25 years old, inarticulate, belligerent, talks about nothing but chicks and beer, drives a jacked up truck that’s plastered with stickers, has rich dad that owns a dealership or construction business and constantly tells this to chicks at parties, is into extreme sports that might be fun to do but are uncool to claim (wakeboarding, dirt biking, lacrosse), identifies excessively with brand names, spends a female amount of money on clothes and obsesses over his appearance to a degree that is not socially acceptable for a heterosexual male. The female equivalent of the Bro is the Bro Hoe. Bro Hoes are Bro groupies that hang around bros, many of whom are actually quite hot and are thus spared the scorn that is heaped on Bros.