Re: Tips for introducing more energy into a track...
Posted: Mon May 30, 2011 4:53 pm
pharmaceutical thread up in dis muhfugga!!??
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Fairly simple in fact.EDN wrote:Wait... what?Ldizzy wrote:cosign.FuzionDubstep wrote:make the volume in the build up a few db less than the drop this will make it seem more powerful when it drops
That sounds technical and specific, I wanna know...!
Yeah cool, I already do that, I didn't realise there was a specific word for it. But true dat on having something else to automate the level on, that way you can adjust your master track without worrying bout tings.zerbaman wrote:Fairly simple in fact.EDN wrote:Wait... what?Ldizzy wrote:cosign.FuzionDubstep wrote:make the volume in the build up a few db less than the drop this will make it seem more powerful when it drops
That sounds technical and specific, I wanna know...!
Ensure that the drop is louder than the intro/breakdown. This is done by managing your tune's dynamics, something that should be done in every tune you make.
One way I do this, is automating a highpass filter to go 'up' a few (for me, no more than 4) bars before the drop, and slamming it 'down', so that the track is full again, and an increase in volume is felt/noticed.
You could quite simply just automate the gain level of the master to go down and then back up to normal. In fl, then "normal" level is at 80%. I normally do all other volume adjustments to the master track in the ParametricEQ2, so that automation can be done without too much fuss over "normal" level.
EDN wrote:I do it the other way around. Adjust it Parametric EQ. Because it doesn't show when you just use the master gain knob.zerbaman wrote:Fairly simple in fact.EDN wrote:Wait... what?Ldizzy wrote:cosign.FuzionDubstep wrote:make the volume in the build up a few db less than the drop this will make it seem more powerful when it drops
That sounds technical and specific, I wanna know...!
Ensure that the drop is louder than the intro/breakdown. This is done by managing your tune's dynamics, something that should be done in every tune you make.
One way I do this, is automating a highpass filter to go 'up' a few (for me, no more than 4) bars before the drop, and slamming it 'down', so that the track is full again, and an increase in volume is felt/noticed.
You could quite simply just automate the gain level of the master to go down and then back up to normal. In fl, then "normal" level is at 80%. I normally do all other volume adjustments to the master track in the ParametricEQ2, so that automation can be done without too much fuss over "normal" level.
I do the automations after I've bounced down to WAV and begin "mastering"
Yeah cool, I already do that, I didn't realise there was a specific word for it. But true dat on having something else to automate the level on, that way you can adjust your master track without worrying bout tings.
EDN wrote:Yeah cool, I already do that, I didn't realise there was a specific word for it. But true dat on having something else to automate the level on, that way you can adjust your master track without worrying bout tings.zerbaman wrote:Fairly simple in fact.EDN wrote:Wait... what?Ldizzy wrote:cosign.FuzionDubstep wrote:make the volume in the build up a few db less than the drop this will make it seem more powerful when it drops
That sounds technical and specific, I wanna know...!
Ensure that the drop is louder than the intro/breakdown. This is done by managing your tune's dynamics, something that should be done in every tune you make.
One way I do this, is automating a highpass filter to go 'up' a few (for me, no more than 4) bars before the drop, and slamming it 'down', so that the track is full again, and an increase in volume is felt/noticed.
You could quite simply just automate the gain level of the master to go down and then back up to normal. In fl, then "normal" level is at 80%. I normally do all other volume adjustments to the master track in the ParametricEQ2, so that automation can be done without too much fuss over "normal" level.
never noticed that, interesting.EDN wrote:I know it's dubstep but I noticed something that Skism did quite effectively in his remix of "boom" by excision/datsik.
http://www.youtube.com/watch?v=pr-5mgAAyKo
Listen after the initial wobs on the drop, there comes in a high pitched whine which is sidechained to one of the bass noises, it's pretty subtle but I reckon it adds a lot of energy to the track.
This is the most amazing thing i have ever seen in my life. EVER.jrisreal wrote:
i feel quite the opposite, i like the sound mentioned above. i think skism did an incredible job remixing this song. it sounds close to the original which i like, but it really does have a lot more energy. and the break downs are fucking dirty.Gewze wrote:never noticed that, interesting.EDN wrote:I know it's dubstep but I noticed something that Skism did quite effectively in his remix of "boom" by excision/datsik.
http://www.youtube.com/watch?v=pr-5mgAAyKo
Listen after the initial wobs on the drop, there comes in a high pitched whine which is sidechained to one of the bass noises, it's pretty subtle but I reckon it adds a lot of energy to the track.
Edit: the more and more i listen the more it sounds like it shouldnt be there.