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Posted: **Wed Apr 25, 2012 2:28 am**

Massive..

Learn sound design and resampling.. bounce around your bass, pan it.. experiment is key.

Posted: **Fri Apr 27, 2012 4:57 pm**

Massive, Albino, experiment man!

Posted: **Thu Jul 05, 2012 7:54 pm**

subfect wrote:
xlyr wrote:uh learn synthesis? thats a good plugin i guess
^ this.

I've created dungeon sounds in Ableton's stock plugins, Massive, on my Virus TI, Sylenth1 (awesome for warm sounds), amongst others. Learn how to create sounds

How do make dungeon sounds mate? How do you make every tool versatile for you?

Posted: **Tue Aug 28, 2012 11:38 am**

so apart from 'reese and fuck with it' anyone got any tips? i haven't been trying to achieve that dungeon sound with a reese yet so this could be interesting.

generally im running Logic and use mainly Logic plugins (Es2 etc) and Massive for the occasional bits.

Posted: **Tue Aug 28, 2012 12:25 pm**

District wrote a deep tut on just this a while back.
He uses Massive but the fundamental ideas can be carried over to many synths.
It's all about Filter movement.

http://www.dubstepforum.com/viewtopic.p ... 6#p1988366

Posted: **Tue Aug 28, 2012 1:29 pm**

i didn't find that particularly helpful :/ His massive is either older or newer than mine cos i dont have certain things he does ('VA-PWM' and 'Pulse Width' on my OSCs. It seems there is no one who uses logic for this side of dubstep, starting blocks of a patch is all i want really.
Im not a noob, so sorry if i sound slightly moronic hah!

Posted: **Tue Aug 28, 2012 1:35 pm**

How can you not apply those hints to your own synths?
Take a look at the waveforms and find a similar waveform.
Or update your version of massive.

Edit - Like District said, it's all about filter movement which for the most part in that tut is done outside of Massive with Short Circuit.

Posted: **Wed Aug 29, 2012 11:09 am**

johney wrote:Dungeonizer 2.0

3.1 is out now lol

Just got ham

Posted: **Fri Aug 31, 2012 2:49 am**

Electric_Head wrote:
subfect wrote:
KoenDercksen wrote:Those dark, growly midrange sounds that you find in a lot of "dungeon" tracks, listen to some Biome or Distance for examples
lol, Biome.

Producer mate of mine found the bass sample Biome used for Propaganda. No FX (other that reverb) were added. And here I was thinking Biome created everything in his tunes...

Don't get me wrong, love Biome's work, but my respect for him as a talented producer went down a little when I heard that.
why??

Did you like the tune before you knew the sample was not his?
In the end it`s the result that matters.

Yeah who gives a fuck where the sound came from if the tunes good it's good. I don't personally use presets but who cares if he uses it, that comment sounds so snotty!

Posted: **Fri Aug 31, 2012 3:08 am**

dr_cryptic wrote:
johney wrote:Dungeonizer 2.0
3.1 is out now lol

Just got ham

Take all my money man! Gimme it

Posted: **Fri Aug 31, 2012 5:23 am**

reason 3's maelstrom and subtractor

Posted: **Fri Aug 31, 2012 5:28 am**

Marzz wrote:
subfect wrote:
xlyr wrote:uh learn synthesis? thats a good plugin i guess
^ this.

I've created dungeon sounds in Ableton's stock plugins, Massive, on my Virus TI, Sylenth1 (awesome for warm sounds), amongst others. Learn how to create sounds
How do make dungeon sounds mate? How do you make every tool versatile for you?

Practise. Once you know how to make sounds, you can use any synth and learn it's intricate characteristics.

Posted: **Fri Aug 31, 2012 5:35 am**

audiodamage eos in the send + any opto compressor, sidechain it to the kick, so much rhythm, so much space

Posted: **Sat Sep 01, 2012 1:11 am**

where the fuck can I get this... the flavor station and magic tab look promising.

Posted: **Sat Sep 01, 2012 1:19 am**

that actually exists and the .dll is floating around here somewhere

Posted: **Mon Sep 03, 2012 6:41 am**

Yes, Hamvst is the solution to everyone's problems.

Posted: **Mon Sep 03, 2012 7:07 am**

For some reason I think Pinch just uses FL's 3xOSC. This basically means any old synth can do it if you run enough instances.

What I did recently was crank some Pure Data (or another modular language). Just set up some sine waves to play different frequencies/amplitudes to get some non-traditional overtones. If you really want I can upload a patch.

Try running your sub bass (prefarably one that has harmonics) through some distorion, then lowpass.

Posted: **Mon Sep 03, 2012 12:04 pm**

IAmLocust wrote: It seems there is no one who uses logic for this side of dubstep, starting blocks of a patch is all i want really.

A lot of that scene use Logic?

Posted: **Mon Sep 03, 2012 2:34 pm**

lol it all has nothing to do with what you use
It's all about phrasing and sound design
I think the best dungeon-like sounds are made with a few instances of a similar patch, with careful phrasing
Aso automating attack and decay of a filter envelope to get multiple articulations out of one timbre.

Not a single listener is going to give a fuck whether or not you did it in logic

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