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Oh yeah, so is this part of the Baltimore sound they have been talking about? Can anyone shed some light on this?

Shane Says wrote:Oh yeah, so is this part of the Baltimore sound they have been talking about? Can anyone shed some light on this?

http://www.dubstepforum.com/viewtopic.php?f=36&t=243391

Derp

amazing track!

This tune is stupid.



But I love it

Does anyone else think this sounds cheap? It's energetic, I can see it working on the dance floor, but I'm not particularly impressed by this and I dare state that without the Night Slugs tag, this would fall into obscurity.

L-Vis 1990 remix is a bit better.

joeki wrote:without the Night Slugs tag, this would fall into obscurity.

Maybe that's a bit of insight into why Night Slugs might sign it... Bmore club music isn't really a big thing internationally and perhaps Bok and L-Vis wanted to push this track a little harder, and the CC series is the perfect platform for this kind of music. Plus if I were L-Vis and I had that edit sitting around I know I'd want to put that shit out as soon as I could.

Nice one Night Slugs!

I never understood the Baltimore thing. Maybe because this kind of energetic repetitive dance music is being played in Belgium on mainstream parties and even radio ever since the Nineties (I'm not saying exactly Bmore style, just similar). But when you put some nice and warm bass on it and elevate the production (like L-Vis has done), I could really enjoy this on a night out, I'll admit to that gladly.

do people not understand that this is a re-issue of an old, old, old track?

they probably included the original for two reasons:

1) b-more is awesome
2) to give some historical context to the l-vis remix

if people just saw the l-vis remix they would be all "LOLWUT WHO IS KW GRIFF DOES HE MAEK THE DERPSTEP? DOES HE HAVE A MYSPAEC?"

good point, though I personally still feel B-more is too much kitsch. I get an almost 'happy hardcore' deja vu when listening to it . But that is very personal of course.

Btw, if any one thinks they can change my mind, I've got an open mind and limited knowledge of the style. Always willing to learn and discover more.

joeki wrote:good point, though I personally still feel B-more is too much kitsch. I get an almost 'happy hardcore' deja vu when listening to it . But that is very personal of course.

Btw, if any one thinks they can change my mind, I've got an open mind and limited knowledge of the style. Always willing to learn and discover more.

check out this thread from a couple weeks ago, quality stuff in it
http://www.dubstepforum.com/viewtopic.php?f=36&t=243391

cheers man, I'll check that out.

Played the remix last night at a wobble-oriented jam to a younger crowd and it went off sick. Slipped it in with one of those new Kill Frenzy things on dirtybird, worked right in there.

Sick remix, tune is absolutely rough.

joeki wrote:Does anyone else think this sounds cheap? It's energetic, I can see it working on the dance floor

sounds like the kind of criticism people level at grime. the cheapness is part of the charm.

BRING IN THE KATZ!

cannot wait to play this out!

I fucking love club, jackmasters club special show on rinse was sick

this shit is fucking raw

everybody shut up

i love the original "bring in the katz" so much...i've been playing it in almost every set lately.

some people are gonna hate me for this, but if a beautiful korean girl ever asks you for that one k-pop song and you need to compromise...i got u

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