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deadly habit wrote:i used to love making it, hell the label that owes me money (shift) used to be at the forefront of us dancefloor stuff
was so fun making this

yea ive heard a few of your tracks, im trying hard to get into it, i just cant replicate anywhere near the flow in their drops. hence this thread...

like i said make a melody then spend a week warping the sound
as i recall most of my commercial stuff had sep projects for basslines

deadly habit wrote:like i said make a melody then spend a week warping the sound
as i recall most of my commercial stuff had sep projects for basslines

so did you follow the 1 preset with a load of variations formule? or a load of presets that just work together?

i made a patch then variations in a sep project then added the bouncdowns to the main tune ith drums and all
it was also due to shit cpu power, but it got me in a good mindset
and yes it mainly was a one preset made and fucked with in a sep file with many variations

deadly habit wrote:i made a patch then variations in a sep project then added the bouncdowns to the main tune ith drums and all
it was also due to shit cpu power, but it got me in a good mindset
and yes it mainly was a one preset made and fucked with in a sep file with many variations

yea i think writing the bassline in sine wave them making the sounds based off 1 massive patch then just moving them around until it fits must be the best way, though it wont get me close to the doctor p style where he uses 50million different patches all together!