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oh hell yeah!! One good turn desreves another... BuMp!

For that grime bass sound, there's a preset on Proteus X called pop square. Think it's basically two slightly detuned squares with a bit of chorus. If you layer that with a heavy sub, should be Wileying away like nobody's business.

Nice One untold.
Big ups.
p.-

purecain wrote:if someone walked you right through the bass sound development technique youd end up making bass that sounded similar and that isnt going to help dubstep to keep original and ever evolving.

that's the fucking truth!

i cnt seem t get grip of this. im al gud til i gotta make tht "wah" sound! its more like a long drown gettin louder and cnt seem t shorten it! im a right newb so probly sound high. any help wud be propa appreciated

hamilton wrote:The subject when exposed to a 10 ?T 50 Hz square wave magnetic field for 40 min together with a radioactive pulse, showed a marked increase in amino acid uptake into intact roots. A more modest increase was observed with a 100 ?T 50 Hz square wave. An increase in media conductivity at low field intensities from 10 ?T 50 Hz square wave, 100 ?T 50 Hz sine wave, and 100 ?T 60 Hz square wave fields, indicated an alteration in the movement of ions across the plasma membrane, most likely due to an increase in net outflow of ions from the root cells. Similarly, marked elevation in media pH, indicating increased alkalinity, was observed at 10 and 100?T for both square and sine waves at both 50 and 60 Hz. Our data would indicate that low magnetic field intensities of 10 and 100 ?T at 50 or 60 Hz can alter membrane transport processes in root tips.

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if you are using the ms20 vst, use the legacy cell and use two ms20's. one just set to either the pure triangle and no filter, or for a more dense sound, use one saw wave and turn the filter all the way down. this will give you a good solid bass foundation. then use the other ms20 with both oscillators mixed in and detuned. either saw or square or if your feeling saucey, use the second oscillators ring mod. I dont have the software version, but from what I remember it can do pwm on the square wave, even though a real ms20 cant. if thats the case use it. highpass filter brought up enough to clear room for the other ms20's deep bass and then bring up the env depth on the second ms2o's lowpass filter to make it open and close. that should get you into the ballpark and then season to taste. try setting the second ms20s oscillators to different octaves or even different pitches, like a fifth apart or something. the great thing about the legacy cell is that you can apply effects to the two signal paths individually within a single patch that can be saved and recalled.

Thanks a lot Untold, very straight forward guide there, nice one!

Respek,

P-Note

Hi people, I've just finished and uploaded my 13 video tutorial series in Dubstep bass.

I'm posting it here as I decided to put the series together as there isn't really any concise info on bass for this genre and what is there is fragmented and spread out over the net.

The videos are based on the use of Massive in Ableton Live 8 and anyone wanting to learn the colossal synth will learn a lot in this series regardless of which genre they choose to produce with it.

Please post your comments for feedback on the relevant videos and I hope they are useful for some people.

They are donation-ware so please donate a little something to help me fund any future tutorial videos I will create. You can do this via the links in the video information box's.

http://www.youtube.com/thesoundtutor#g/ ... 26FA49A855