Dubstepforum.com

garethom wrote:Swear down people act like there's an official naming ceremony or something.

Somebody started a thread, explained the sort of sound he was on about, everyone in that thread knew what the thread was about then.

Folk more interested in slagging arbitrarily assigned names than discussing the tunes...

Soz mat8 jus tryin to follow what the discussions about, didn't mean to start an interweb hate war

garethom wrote:I think its more a certain group of people that would rather just try and antagonise everyone else in the thread rather than join in the discussion about the tunes, nothing to do with the tunes themselves.

pshh, that is is perhaps the cheapest cop-out i've ever read on here tbh.

like i've said before, if the beats were banging, ppl would appreci8.
the majority aren't doe therefore u get 3 pages of drivel and ridiculous statements such as

bennyfroobs wrote:130 > 90% of dubstep produced in the last 6 years (

urgh pressed enter too fast brb with edit

Not sure I got the argument here (can't be arsed to read the whole thing), are you saying that the term 130 is from this forum and no one really knows it elsewhere? Because that would obviously be wrong. Got to any purported 'bass music' night (basically deep house nights with novelty grime tunes thrown in so the promoters can claim they were on it since day) and people are talking about that 130 as a genre name. Inanely boring, but reflects the creative period of uk dance music well.

pete bubonic wrote:Not sure I got the argument here (can't be arsed to read the whole thing), are you saying that the term 130 is from this forum and no one really knows it elsewhere? Because that would obviously be wrong. Got to any purported 'bass music' night (basically deep house nights with novelty grime tunes thrown in so the promoters can claim they were on it since day) and people are talking about that 130 as a genre name.

back_beat wrote:wtf is 130, thought thats what everyone was calling house like 9 months ago fuckin labels

this is what you're on about.

(unless guize are now gonna say that deep house dj's are spinning the names mentioned on the past couple of pages. )

pete bubonic wrote:Inanely boring, but reflects the creative period of uk dance music well.

nah brah coz

bennyfroobs wrote:130 > 90% of dubstep produced in the last 6 years (

TopManLurka wrote:like i've said before, if the beats were banging, ppl would appreci8.
the majority aren't doe therefore u get 3 pages of drivel and ridiculous statements such as

Check this thread mate, plenty of people in there seem to appreci8. People doing their best to get around the bait criticisms of an unofficial name plenty of people were fine with to share some tunes they're feeling. Just has to be someone in any thread around the emerging sound that is more interested in slagging a quick-fitted name rather than discussing the tune.

From what I've heard of Dusk & Blackdown's night, plenty of people appreci8d, so hopefully that can go on and spread the sound a little more. Wen, Beneath, etc. all seem to have plenty of appreci8ion and there's plenty of "smaller" names that are beginning to get a little more heard and getting more label attention.

The majority on here can at least appreci8 some of the stuff coming out of the Dusk & Blackdown lot. Personally, I think Epoch has made the most, if not the only, interesting dubstep-y type stuff for at least a couple of years now.

You won't find anybody else on here that tries to antagonise people that are just trying to discuss music as much as you. Ever notice how drivel and ridiculous statements seem to follow YOU around a lot? Perhaps you shouldn't instigate it with your endless drivel. We get it man, you're cooler than the rest of us, you can see things for what they really are, you've freed the realness that the rest of DSF is blind to...

^u tried hard

http://www.dubstepforum.com/viewtopic.p ... 0#p3428864

scroll down you absolute melt to see if i was anywhere near this topic of convo.

that's how uno that paragraphed post of yours is just held up online frustration
hashtag pain

Where did I say you were involved, you utter fucking bore?

We're talking about people derailing valid MUSICAL conversation by moaning about names, and you said that people would talk about the tunes if they were any good. I gave you the perfect example of people trying to chat about the music with a minority trying to derail shit.

Oh shit, I used paragraphs, what a pussy.

Most of time man, I'm not even sure why you want to post here.

stop backtracking m7. you're definition of a musical conversation sounds about as lively as speaking to the deaf / dead.

it's now someone disliking something = someone derailing a thread. them ones where you misread a thread but u hold so much online resentment that you couldn't keep it in lululu. certified melt.

also dubstepforum, where if you don't rate something x likes, you're now antagonistic.

garethom wrote:Most of time man, I'm not even sure why you want to post here.

smh, 'llow it. even doe i troll sometimes, i'll happily hold a perma-ban if it turns out i contribute less to general discussion than you or the rest of the sycophants on here.

lol

dididub wrote:

jsml wrote:I've never heard anything from breen, epoch, rabit or bloom that's really impressed me.

steady.

hooded up b2b hollow b2b ...for life b2b bridge

b2b steppenwolf/that egptian stuff

b2b double dragon ep b2b plymouth/burnerz

b2b quartz b2b maze temple ep

Take back what I said about Breen actually, didn't mean to leave his name in there. I like hooded up. But a lot of these producers make perfectly "OK" music but are basically never gonna be as good as the few people who do it really well (beneath, visionist etc.) they just pale by comparison. Dusk + Blackdown played a tune on Rinse the other week that was just straight ripping off beneath, not even trying to hide it. and i'm sorry but wtf is it with rabit? I don't get it. did you hear that awful remix of that dj q tune? seems like there's a competition in this "style" where you just try to make an "eski" beat as rhythmically stupid as possible.

did you hear the Luke Benjamin showcase too? Now that's mediocre. couldn't believe dusk + blackdown were even going there. Listen to that and then the '38 EP' and you'll see what I mean, standards are slipping. (generally, not specific to keysound or anything else).

jsml wrote:

dididub wrote:

jsml wrote:I've never heard anything from breen, epoch, rabit or bloom that's really impressed me.

steady.

hooded up b2b hollow b2b ...for life b2b bridge

b2b steppenwolf/that egptian stuff

b2b double dragon ep b2b plymouth/burnerz

b2b quartz b2b maze temple ep

Take back what I said about Breen actually, didn't mean to leave his name in there. I like hooded up. But a lot of these producers make perfectly "OK" music but are basically never gonna be as good as the few people who do it really well (beneath, visionist etc.) they just pale by comparison. Dusk + Blackdown played a tune on Rinse the other week that was just straight ripping off beneath, not even trying to hide it. and i'm sorry but wtf is it with rabit? I don't get it. did you hear that awful remix of that dj q tune? seems like there's a competition in this "style" where you just try to make an "eski" beat as rhythmically stupid as possible.

did you hear the Luke Benjamin showcase too? Now that's mediocre. couldn't believe dusk + blackdown were even going there. Listen to that and then the '38 EP' and you'll see what I mean, standards are slipping. (generally, not specific to keysound or anything else).

Back in my day everything was better

TopManLurka wrote:

mIrReN wrote:

TopManLurka wrote:

garethom wrote:Folk more interested in slagging arbitrarily assigned names than discussing the tunes...

and that says everything about the level of beats then mate. everything.

sorry, but it says everything about the ppl discussing it

which is?

jeb ends m8

ppl slagging the "name" and generally acting like bitchy little girls; id say that says more about the ppl than it could possibyl say about anythin else. its a boring cyclical discussion that hs occured before has no resolve abd people would who werent massive dribblers wou ldnt propagate it. just people being nob s for the sake of it. poathetic and childish theres nthing else to say rly

id just rather talk bout somethign else, it doesnt make me mad or anything lol its the internet. but if ur having lots of lovely fun then ig uess its okay

mmmm delicious crayons

inb4 '6 years'

jsml wrote:there's a competition in this "style" where you just try to make an "eski" beat as rhythmically stupid as possible.

hahahha fair one

i enjoy that though

bennyfroobs wrote:jeb ends m8

ppl slagging the "name" and generally acting like bitchy little girls; id say that says more about the ppl than it could possibyl say about anythin else. its a boring cyclical discussion that hs occured before has no resolve abd people would who werent massive dribblers wou ldnt propagate it. just people being nob s for the sake of it. poathetic and childish theres nthing else to say rly

lol @ u calling anyone a bitchy little girl. two guys simply said '130 is so dull' and 'dungeon is even better' and you piped in with the below as if to say their opinion held no weight.

bennyfroobs wrote:u chomps cant be serious

130 > 90% of dubstep produced in the last 6 years (excluding brostep, cos obv that doesnt count). maybs thats cos ever1 produces dungeon

its vastly more interesting and lively than dungeon

u post like a bitch.

nomnomnomnomnom crayons

Clearly Dusk + Blackdown need to have a meeting and invite all of the artists they have been pushing and decide on a name. Or they could just leave it and let the music grow naturally in what ever direction it wishes to grow.

TopManLurka wrote:
also dubstepforum, where if you don't rate something x likes, you're now antagonistic.

Don't be such a sideman, anyone can voice their dislike of a tune, but some people are fucking determined to wind people up about it, they know they can get a rise because the topic deals with peoples passions. They're trolls and you know it.

Don't be that guy. Please.

Marcus wrote:\Or they could just leave it and let the music grow naturally in what ever direction it wishes to grow.

This was the whole idea. It just happens to be based around 130 bpm, and Blackdown happened to use the phrase "dark 130" in a blogpost (talking about wen, beneaths etc tunes) and a bunch of people jumped on it like it was gospel lol.
It doesn't have a name for a reason. llow it.
The point of this whole thing is to showcase new talent and to encourage people that listen to the radio show to start writing music.(Blackdown has said this himself a bunch of times)
You don't have to like it.
Please buy the tunes and go to the nights if you are feeling it.

Etches828 wrote:is "130" a genre now, i heard it was a bpm

BACK ON TOPIC

WUT

hey guys


sry if this was already posted and I didn't know