worldwide dubstep community
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KONFLICTultraspatial wrote:yeah but all the good no u turn stuff was released up until 1997. started going downhill after torque and ed rush went on to do virus which was/isRKM wrote:yeah i fucking love ed rush, trace, nico stuff, more the no u turn stuff than the virus period
i find ragga jungle can be a bit annoying
best thing no u turn spawned after that was the turn u on records by horsepower
you can't criticize electronic music scenes for being too same-y. it's just how it happenshubb wrote:ultraspatial wrote:lol yh one track each
ffs m8 - you know i'm always slightly joking. I have to. I've warmed up for both limewax and current value btw.
But... I mean aesthetically or in essence skullstep tracks are just very samey - it's not even an oppinion it's just the nature of it. Which is fair to comment on. And it's imo too safe or formularic compared with all the ideas exchanged throughout some of the other subgenres. Like the reese samples they go for, were figured out by other people in other sub genres. This does become trainspotting quickly, but:
They have to have some inventing going on.. which someone like current value could be an example of. He breaks some barriers sometimes. It's just such a shame how niche it was from the beginning and very difficult to build on when the 'rules' are so tight.
oh nothing just the up until 97 bit and how great it is ... had to mention them.ultraspatial wrote:what do konflict have to do with no u turn or virus?
cool man and yeah definitely ... it's even good that you and me like different stuff coz we're talking about it now and stuffultraspatial wrote:you can't criticize electronic music scenes for being too same-y. it's just how it happenshubb wrote:ultraspatial wrote:lol yh one track each
ffs m8 - you know i'm always slightly joking. I have to. I've warmed up for both limewax and current value btw.
But... I mean aesthetically or in essence skullstep tracks are just very samey - it's not even an oppinion it's just the nature of it. Which is fair to comment on. And it's imo too safe or formularic compared with all the ideas exchanged throughout some of the other subgenres. Like the reese samples they go for, were figured out by other people in other sub genres. This does become trainspotting quickly, but:
They have to have some inventing going on.. which someone like current value could be an example of. He breaks some barriers sometimes. It's just such a shame how niche it was from the beginning and very difficult to build on when the 'rules' are so tight.
i get what you're saying tho. but i think it's got more to do with the fact that there's very few people involved - i mean there's probably loads of dudes making this stuff, but there's only a handful that are big, and they collab a lot, share the same labels etc. it's bound to end up like that
but it's pretty varied imo, at least looking at the way it changed over time. you got the tech-y amen shit at first, the hard techstep stuff tech itch is still up to, technoid/techno dnb, hard halfstep stuff, and all the hardcore/crossbreed stuff
yeah konflict were great. peak of neuro imohubb wrote:oh nothing just the up until 97 bit and how great it is ... had to mention them.ultraspatial wrote:what do konflict have to do with no u turn or virus?
+ Them being a good example of something unmistakenly non jungle at that time.
or dnb OCD lol maybe
Indeed, this is why more women need to free bleed.ultraspatial wrote:tampon use = rape. everybody knows that
yeah that's a bit shit tbhRKM wrote:yeah perhaps
but what he's talking about is a protest against tampons being taxed vat, they're no longer classified essential items which like...they are
if everyone was protesting being forced to wear a tampon the vat increase on them wouldn't really matter