RKM wrote:tears in the rain and euphoria baaang although i could not tell you which is which
tears in rain = blade runner sample
euphoria = pitched up gil scott heron "I saw the thunder" sample
Re: ZOMBY
Posted: Fri May 30, 2014 8:01 pm
by No_Long_Ting
abs wrote:jesus christ scubas music is so shit
what the fuck is this..
after a quick browse he still seems to be just as bad as he was back when dubstep was about, how he's so big i don't understand
He has been around for a while and has built up relationships (arse kissed) with the right people and he isn't afraid to step on toes and heads to get to where he wants to be.
Re: ZOMBY
Posted: Fri May 30, 2014 8:03 pm
by back_beat
sixs wrote:wwui92 has jams, no denying that. It's just a pity that it flows like a playlist of radio rips
so ur sayin that triangulation is better than wwui92 on th basis that triangulation flows better.
come on fam.
(i no this is a silly debate tho lol)
Re: ZOMBY
Posted: Fri May 30, 2014 8:16 pm
by ultraspatial
it is a silly debate. cause triangulation is a thousand times better
Re: ZOMBY
Posted: Fri May 30, 2014 8:23 pm
by back_beat
Re: ZOMBY
Posted: Fri May 30, 2014 9:06 pm
by sixs
back_beat wrote:
sixs wrote:wwui92 has jams, no denying that. It's just a pity that it flows like a playlist of radio rips
so ur sayin that triangulation is better than wwui92 on th basis that triangulation flows better.
come on fam.
(i no this is a silly debate tho lol)
Yes, the album with fully realised tracks which flow together as a cohesive piece is better than a handful of half made jungle tunes and a shit daft punk mix.
Tears in the rain etc are all sick tunes, just saying triangulation is a better album
Re: ZOMBY
Posted: Fri May 30, 2014 9:17 pm
by back_beat
I think that discounting trax over the fact theyr short is a fallacy, the tracks don't need to be long 2 qualify as good or even 'finished' tbh.
In the context of the record and related to one another they r well judged, deliberately paced and not over indulgent - personly I keep going back to that album to listen as a whole because it just works, there's a journey.
Triangulation on the other hand, n I do like it, I don't feel like it has a mission statement or intent. It's a bunch of tracks that could be in any order and mostly sound extremely similar.
Re: ZOMBY
Posted: Fri May 30, 2014 10:01 pm
by garethom
RKM wrote:tears in the rain and euphoria baaang although i could not tell you which is which
fuck, I've only just clocked that they're the same beat
Re: ZOMBY
Posted: Fri May 30, 2014 10:46 pm
by bennyfroobs
lazy tnuc since day right
lol
like objectively triangulation might work better as an album
but its still crap
wwui92 isnt exactly grounsbreaking either (its not terrible) especially since i could easily just go and listen to some of my actual hardcore and jungle records which are millionsnsns better
Re: ZOMBY
Posted: Fri May 30, 2014 10:47 pm
by bennyfroobs
actually nah i thjink the concept with that album was to use same loops, like making his own breakbeats or something like ppl used the amen
Re: ZOMBY
Posted: Fri May 30, 2014 10:57 pm
by Lye_Form
Yeah the whole lp is basically made with a think break.
The hate stuff > wwui92
Re: ZOMBY
Posted: Fri May 30, 2014 11:09 pm
by ultraspatial
Lye Form wrote:The hate stuff > wwui92
this
and also fair enough you don't like scuba, but triangulation is far from a shit album
definitely his best work. there's something really haunting about that album
Re: ZOMBY
Posted: Sat May 31, 2014 10:36 am
by bennyfroobs
Lye Form wrote:Yeah the whole lp is basically made with a think break.
The hate stuff > wwui92
is it the think break? i remember him sayin somewher ehe wanted to invent his on break loops and use those repeatedly through the whole album
Re: ZOMBY
Posted: Sat May 31, 2014 11:05 am
by RKM
i did like the album a lot, putting those sorts of breaks into dubstep feel tracks felt pretty fresh and it had a theme running throughout tying it together, much more of an 'album' than most of the other dubstep ones
swear every tune used that old rave break that goes like he-oh (the one in johnny l hurt you so i think)