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im not sure, i think my asshole made that sound once after eating too many tacos and drinking half a case of skunked out beer. Didn't smell to great either.

Two saw oscillators. Set the pitch of one up a fifth (probably). Both sent to a low pass filter. Add an envelope with no attack and a short decay with the decay level all the way down to the cutoff of the low pass filter. Turn the cutoff all the way down, and the modulation level on it to a little less than 3 o'clock.

That's at least a good starting place.

can u send me a picture of those settings on massive?

lol damn , want that on a silver platter, or a takeout box?

im not meaning to be rude.. i tried to follow what he was saying but i couldnt get it quite right.. if he doesnt want to he doesnt have too.. i just needed some help:/

I heard this in the n type basslaced podcast. I want to know how to make that atmospheric type synth that is coming in and out. I don't even know the name of the original track, but have heard in several mixes before. However, I think that this synth that he added over the top of it just really sets it off from the original. I use ableton with the sampler synth, operator, and massive.

here it is:

Soundcloud

http://snd.sc/quOKqY

trsreagan3 wrote:I heard this in the n type basslaced podcast. I want to know how to make that atmospheric type synth that is coming in and out. I don't even know the name of the original track, but have heard in several mixes before. However, I think that this synth that he added over the top of it just really sets it off from the original. I use ableton with the sampler synth, operator, and massive.

here it is:

Soundcloud

http://snd.sc/quOKqY

Soundcloud
Kinda like this sound ?

ya it does sound similar to that, maybe a little higher pitched, and a slower release on the filter to give it that airy feel. Maybe some subtle white noise but I can't seem to get anything close. How did you get that sound? I can use that as something to start messing with. Maybe I'll try sampling it and timestretching it and pitching it up and see what happens.

Do u have massive? I can give u the patch

ya massive is my primary synth! send it over and I'll see if I can work it out. Thanks!

The high pitched whiney synth that goes on throughout this track.

Any ideas?

trsreagan3 wrote:ya massive is my primary synth! send it over and I'll see if I can work it out. Thanks!

To everyone else that also want this
http://www.sendspace.com/file/vhzm65

btw, i put a short delay on the example i posted, 0:11 ms and about 10 o'clock dry/wet

hayze99 wrote:

The high pitched whiney synth that goes on throughout this track.

Any ideas?

Seems like a saw with a low pass filter with an envelope on the cutoff and some resonance to give it that whiny sound. And some automation on the pitch to bring it up or down an octave each measure.

LucazMusik wrote:Anyone know how i create the kind of bass that kicks in at 0:55 ??

Sounds like massive to me. Just play with the oscs.

Lol I thought you were a paraplegic dying on the floor and all you had was a laptop. Post it in the help me make this sound thread . And make your own sounds, don't die over other people's sounds, so Down the road you'll see threads like " how the hell does iramsubstep make the sound?"

iramdubstep wrote:can u send me a picture of those settings on massive?

Wow.

Il try have a look at this when i get home if i have time mate and il send you a pic or a patch if i can get anything decent.

Thank you very much BevOh and Heartless

iramdubstep wrote:can u send me a picture of those settings on massive?

whats the rush?

Bass comes in at :55

To be more specific about what I've tried on this. Two separate instances of massive. One for subs, 2 sines slightly detuned from each other, eq boosted pretty high at about 60 hz. Another instance of massive for mid range, 2 oscillators set to scrapyard, one set to bend + and one set to bend +/- both detuned an octave with some slight detuning from there. I've got an LFO on both wavetables modulating them slowly. I'm running that through some EQ, compression, and distortion. I'm using Trash, but if anyone could give me some decent settings for ohmicide to achieve this sound, that would be cool. Really want to figure this out. I'm having difficulty getting my sub to be as punchy as theirs, I'm also not sure how I should be modulating the sound I have. What are they doing to modulate this? I read their Q&A on DOA which came out a few years prior to this track and back then they said they really like using Nord gear. I'm having a hard time replicating this, any help would be greatly appreciated.