Dubstepforum.com

Nevalo wrote:

Sonika wrote:
Haha yeah, I feel that

Have you watched/read tutorials?

a handfull.... but i use all freeware vsts/fx, which there are fuck all tuts on haha

watch tutorials for other synths, it doesnt really matter, they're all basically the same. a square wave is a square wave, an lfo is still an lfo, a lowpass filter is still a lowpass filter, an envelope is an envelope, etc, no matter what synth youre using. as long as you can grasp basics like that, those skills will translate to every other synth.

Phigure wrote:

Nevalo wrote:

Sonika wrote:
Haha yeah, I feel that

Have you watched/read tutorials?

a handfull.... but i use all freeware vsts/fx, which there are fuck all tuts on haha

watch tutorials for other synths, it doesnt really matter, they're all basically the same. a square wave is a square wave, an lfo is still an lfo, a lowpass filter is still a lowpass filter, an envelope is an envelope, etc, no matter what synth youre using. as long as you can grasp basics like that, those skills will translate to every other synth.

but im so dumb

no you're right, i just need to sit the fuck down & burn it into the back of my mind

Nevalo wrote:

AxeD wrote: I'm studying audio engineering at SAE too mang. In Amsterdam.
Great school, can't comment on other locations though. Maybe I'll see you at one of the Berlin trips or something

thats why im interested in SAE, its that international stature!

Definitely, I'm in a class with 6 different nationalities.

“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
― Ira Glass

IMO a universal theme in the production forum is people getting too caught up in the technicals instead of just writing tunes, find a balance between those two and you'll be good.

Shum wrote:IMO a universal theme in the production forum is people getting too caught up in the technicals instead of just writing tunes, find a balance between those two and you'll be good.

i got so caught up in that for like a whole year and managed to write absolutely nothing worthwhile the entire time. people have been making brilliant tunes for decades without getting all this overly technical stuff

Shum wrote:IMO a universal theme in the production forum is people getting too caught up in the technicals instead of just writing tunes, find a balance between those two and you'll be good.

This so much. 90% is people asking how to make a particular sound but that's like a tiny part of the work.
I know how to make the sounds I want, but then actually producing a tune

I've been producing for about a year and a half now and for a long time i was caught up in all the technical stuff and trying to make a certain sound and kept getting pissed off at how bad the stuff I was making was, at some points I've really wanted to give up but now I've realised that I should just have fun making music and not get bogged down with the technicals.

herbs wrote:i agree to a point, but I think people that are passionate about vinyl wanna declare their love and support for it.

I also think that, if you declare it all vinyl, it says "I loved all these tunes enough to pay lots of money for them"...and where it's DJs that get sent lots of tunes (empefrees), it's saying "I'm not just playing any old shit someone cool just sent me ten minutes ago that I haven't really listened to yet".

A declaration of quality control. On the most part.

Idk, I still buy rap CDs and use them for DJing, but if I declared that I was doing an all CD set I'd rightfully look like an asshole.

do it one time, just for a laugh:

DJ kidshuffle (all CD set)

100% CD-RW's!!!

I dropped out of MAINZ (audio engineering) in my first year

mostly because I had already taught myself most of the shit we were learning by age 18 anyway.
I think our first practical test was to turn on the computer and open logic.

some of the sound theory was interesting though


still got my student loan..


shoulda spent that 5k on a studio.

i just want to add a +1 to the TUNA thread, if if your just starting out, forcing yourself to get something together in a weeks time can really help you learn your shit

Dr S Gachet wrote:my cold calls are so cold I just froze someones ear off

cold calls are the worst..

How incredibly popular was organ music in the 50s/60s so that 90% of all records at bookstores/thriftstores are organ albums?

People must've been mesmerized by these amazing synthesizing musical machines

edit: trying to sample this album, dude keeps switching between piano and this horrible sounding organ pissing me off

like beautiful saxophone parts ruined by this organ underneath

Scrolling through the electronic explorations mixes/podcasts on iTunes, I come across 3 labels as dubstepforum hedz! Part 1, 2, and 3, respectively. What's this? I'm downloading them now, after the 18 other EE mixes I'm downloading

What's the story behind them?

rayman612 wrote:How incredibly popular was organ music in the 50s/60s so that 90% of all records at bookstores/thriftstores are organ albums?

People must've been mesmerized by these amazing synthesizing musical machines

edit: trying to sample this album, dude keeps switching between piano and this horrible sounding organ pissing me off

like beautiful saxophone parts ruined by this organ underneath

Literally every time I go digging anywhere there will be Klaus Wunderlich Hammond/Wurlitzer lp's involved.

my boss (hes like 50) goes on plenty of fish all the time when hes bored at work, and sometimes i like to hear his tourettes guy-eque comments.

long story short, we came across this lady. guess her age.

43

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