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time to black out no doubt

time to black out no doubt

tune was pretty ill

dont' remember caring about the rest

Wicked Sway wrote:I'm going to state that I Love dubstep...... Dubstep was a breath of fresh air for me when I was introduced to it. I knew the instance I fell in love with the djing of dubstep, ...as I enjoyed mixing it better then DNB... .Not to jump a bandwagon, but to be involved with what I love: Music, Djing, and Records.

*presicely.

flipw wrote:as long as its not just for cash/fame

Yeah, cause those two things are in abundance in the dubstep scene.

Parson wrote:time to black out no doubt

time to black out no doubt

tune was pretty ill

dont' remember caring about the rest

Yeh, that tune ace. The single had a mint remix on it too, with some guy reading out all the dictionary definitions of 'blackout'.

There's a well funny tune with some guy shouting out 'Murderah', but I played it at a party once, when the majority of folk were on mushrooms, and someone started shouting out 'Burger Bar' - this is in my head now whenever I hear that tune.

He also does a funny pastiche of the 'Godzilla' theme, called Toddzilla

right. that's why people from dnb are coming over to dubstep: Even though everyone makes a lot of money in dnb, there's FAR more to be made in dubstep.

I hate to break it to you but very few people are making alot of money in D+B or the music bus period.

Jtransition wrote:I hate to break it to you but very few people are making alot of money in D+B or the music bus period.

sad, but true.

Im stoked if i get free beer for playing out. Then i drink too much and my mixes suck and they never let me come back.

oh man thats my life story

So whats pulling this bandwagon then Shetland Ponies?

Parson wrote:

flipw wrote:

Parson wrote:fuck the talk of bandwagon

everybody wants the scene to grow but when it grows its all bandwagon

fucking nonsense is what that is

does everyone really want the scene to grow?
why?
for me that glass is half empty.....

Already for me there are the right amount of quality releases (just too many to reasonably afford without smoking less), and events.

On D&B producers and dubstep - as long as its not just for cash/fame this must surely result in some good tunes?

uhm people don't get rich and famous from dubstep or dnb. most people don't even make enough to quit their day job

uhm agreed there are limited opportunities but be fair, some dubstep dj/producers travel the country and world djing, have agents, make money selling records etc
I just meant that such success could be a motivation for people turning their production skills to dubstep.

and you didn't say why does everyone want the scene to grow?

you have to be a teenager to not want the scene to grow

any reasonably minded adult would understand why we want the scene to grow

this is not secret music for a handful of internet nerds

Parson wrote: this is not secret music for a handful of internet nerds

Fuck.

Parson wrote:you have to be a teenager to not want the scene to grow

any reasonably minded adult would understand why we want the scene to grow

this is not secret music for a handful of internet nerds

or alternatively you have to be a teenager to want this scene to grow?

maybe anyone older would have already experienced the demise of a good scene already and would not wish that on dubstep

sorry for being dumb but you want it to grow because?

^ i'm sure there's a difference in 'wants' depending on the region of the world in which you live. UK regions may NOT want it to grow, b/c it's prolly nice and comfy at the moment. ...BUT stateside, down under or eastward towards japan they may not be at the 'perfect' level, but in order for them to get there it has to grow, which means, inevitably, it will continue to grow in the Kingdom...maybe "too" much in the eyes of some....


2c.

i'm just not going to respond to you anymore flipw, sorry

if only nobody ever got to hear dnb, it would still be safe in some bar in london where the same 100 ppl could enjoy it properly without the rest of the world tainting it with their own take on it

also the legions of followers wouldn't ruin the producer's heads and force them to make crappy tracks

do i have to put an eyeroll emote here

oh no the demise of dubstep is right around the corner !!

guess i'll just go back to swangin' & bangin'.

Dubstep's going down bitch! An im gonna fuck it in the arse and run off with its wallet.

Already planned its destruction, about to unleash my own brand of tunes composed entirely of collages of Nelly acapella's over out of time 808 claps and percussive animal noises. Crucially there is gonna be absolutely no bass
so that the under 13 crew can play em out the loudspeaker of their mobiles as much as they want. I can hear the money rolling in from ringtone sales now! Im gonna be the dubstep crazy frog you cretins, show me the fucking money bitch!

i KNOW the dubstep community supremely outnumbers what's going on stateside. i know this. and maybe in the u.k. your beloved dubstep community is being swamped by so called "bandwagoneers". having said that, you may not want dubstep to grow just so you can hold on to your precious "scene", but we need it to grow stateside. i'm part of the dnb exodus and have no problems letting you know that. having been around dnb for some time now, stateside support for anything besides fall out boy is non existant and i see the same tired heads at every event and have since '99.

new blood is always good, gents. how can you fault someone for being down with something that you feel? you like it, why can't i? why can't i try my hand at a new challenge musicaly? this shit about watered down tracks is garbage. bad production gets exposed for what it is, so why worry about it? it's all about support fellas, so let's have a little for the bretheren in the u.s. and a.