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Man, I guess my PM the other day didn't get through Any chance of still being included in the set?
Here's the track:

Soundcloud

curmee wrote:yeap big thuuns eweryone!
btw nr 2-there were not allowed to use own samples

was scratching my head if i missed it somehow

anyway, just gotta to say thx to curmee for including the fireworks sample. Great idea! Think most people used it in some way or another. And big ups for putting the tracks up already Haack

surefya wrote:

curmee wrote:yeap big thuuns eweryone!
btw nr 2-there were not allowed to use own samples

was scratching my head if i missed it somehow

anyway, just gotta to say thx to curmee for including the fireworks sample. Great idea! Think most people used it in some way or another. And big ups for putting the tracks up already Haack

Yeah I'm confused about that extra vocal sample?

Just started listening to them through now
Shall send you a PM HAACK when done with my fav

Good job all!

high rollin-snare was guite stressing but owerall good mix
mediterranean night-noize is too static..
if-uuh flute modulation was great
monkey tennis-danced right away:)
pisslips-muddy as fuck
quit complaining-loop,loop and loop
unfinished imagination-too grazy in yhe end
my love goes to monkey tennis,loving it ...
big up .

ill get on the next one, just kinda touched this one for a second then got back into it tonight, kinda a shame i didnt pursue it but whatever. living been kinda hectic, school is bumming out expecially since i dont geterdone.

Yhe thinkin bout extending these, seems like deadline is too short for some people, anyways, probably will do somethin new for 22!

HAACK wrote:Yhe thinkin bout extending these, seems like deadline is too short for some people, anyways, probably will do somethin new for 22!

good idea! more time = more entries i think

Yea I reckon that's a good plan HAACK
Thinking about doing a review of the tracks this time.. I'll see how arsed I can be (Sorry, I'm a lazy tnuc )

wrexile wrote:Yea I reckon that's a good plan HAACK
Thinking about doing a review of the tracks this time.. I'll see how arsed I can be (Sorry, I'm a lazy tnuc )

Only 8 tracks this time...it's perfect for a lazymans review

Yeah, should make picking one a lot easier unless they're all stellar... (which would be fine too.)

surefya wrote:

wrexile wrote:Yea I reckon that's a good plan HAACK
Thinking about doing a review of the tracks this time.. I'll see how arsed I can be (Sorry, I'm a lazy tnuc )

Only 8 tracks this time...it's perfect for a lazymans review

My laziness knows no bounds surefya

Just fired off my vote to Haack the mack. Here's my notes if anyone's interested.
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High Rollin' ~ Sounds fine, builds to a little skank and nice use of the delicate sounds in the pack. Given that it's a 3 minute time limit I would've liked to have had my attention grabbed earlier because by the time the bass drops, you know the song's already halfway over - and if you're going to do that, you'd better make it worth the wait. There's a pretty nice sense of progression here... and when the dutty stuff finally makes an appearance, you wish the song had started at this energy level and gone from there. Missing some dynamic intensity for me, but solid production nonetheless.

Change Places ~ Opens with a quiet, mysterious vibe then unexpectedly tears off the raincoat and lets the big red clown shoes get their boogie on... liking the abstract offness of the beat. Bass sound not the most original thing I've ever heard but that's not a dealbreaker as long as it's done well. Curious about what this artist's other tracks sound like.

Mediterranean Night ~ Was beginning to think that people around here are really into their long intros, especially for a bunch of mofos with time constraints - when around 2:00 into this one I realized it was just that the whole song sounded like one long intro [to me] when I really wanted this to go somewhere, too. Will say, though, that the restraint in this one is admirable compared to all the maximalist jabberwocky in the mainstream right now. Like the fireworks ending a lot too, adds poignancy.

If ~ Interesting that none of the tracks have gone the big bad super-ugly tearout route: most of the songs have gone for more of a chill feel, at least initially. Feel like I can hear some influences in this one too, such as the more musical/melodic electronica from the late 80's & early 90's. This one was OK also but can't say it broke new ground either.

Monkey Tennis ~ Perhaps I'm wrong, but you used to (or still do) produce DnB, right? Nothing wrong with that, I'm an old junglist m'self; the song structure is almost textbook DnB, and if you raised the tempo without changing the pitch it'd be a good DnB song also. I think that at this tempo a little more variation is necessary and that doesn't always mean choppage or random SFX - sometimes, removing a hit here and a beat there achieves more than adding one. This one deserves to be worked on more. The production is also solid, and though it's a very good mix it could use some grit somewhere... too clean/sterile.

Pisslips ~ Most original sound so far, imho (yeah yeah - I know someone's gonna say "nah, that sounds just like _____" but I mean in relation to the other tracks here). Like the bass business and the attention to details. Feels like it almost might fall apart and then magically re-coalesces into a warm, crystalline liquid. Also deserves to be developed further imho because that ending's abruptness hurts. I think I like the use of the samples in this one best.

Quit Complaining ~ An anthem for the haters' choir here on the DSF? Heh. Alright, one more time, more economy would be nice; you've got 3 minutes to make your point, and if you just saunter in like you've got all the time in the world and make us wait to get to the point then you're going to lose us. This one's no exception to that or the general chilled-outness most of the tunes have this time around.

Unfinished Imagination ~ Like Pisslips, very good use of the samples - I like the sounds in this one. I also like the chaotic weirdness but it doesn't quite flow together as one song so much as a series of semi-related parts. It's a fine line (especially for someone going for the organic thing as you seem to be) between a composition that's alive, moving, & dynamic without losing focus, and a composition that's too focused at the expense of the "human touch" element. Keep working on it because you're on to something interesting and I'd like to hear more from you too. In fact, I think a collaboration between you and the producer of Pisslips would be very interesting indeed.

Not the kind of feedback i wanted but i understand music tastes vary. Nevertheless, thanks for reviewing the tracks

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OK, OK, I'm sorry... you don't have to tell me three times!

Heh. I try and be as constructive as possible without really dissecting every little thing, but would be happy to go into more detail if you like. And yeah, opinion is a subjective thing - I tend to look for songs that have well developed ideas, then production quality (in that order.) Others tend to listen for dancefloor numbers or tunes that'd fit well into certain kinds of DJ sets or... you name it.

alphacat wrote:OK, OK, I'm sorry... you don't have to tell me three times!

Heh. I try and be as constructive as possible without really dissecting every little thing, but would be happy to go into more detail if you like. And yeah, opinion is a subjective thing - I tend to look for songs that have well developed ideas, then production quality (in that order.) Others tend to listen for dancefloor numbers or tunes that'd fit well into certain kinds of DJ sets or... you name it.

Brilliant feedback, a great example of constructive criticism. No point going around like "bangin track"; doesn't help anyone!

Thumbs up from me, great post

Thx for the feedback alpha, pretty constructive i think. Might take you up on that offer for more details, but will first try to work on it some more.