its the sound at 1.26-1.27. kinda sounds like an AR on burst fire.
That is a kick and a bass played fast together.
Try to write it in midi, it shouldnt be too hard.
Re: Help Me Make That Sound - August 2011
Posted: Wed Aug 10, 2011 4:34 pm
by dj Cappa
the sound right after the drop, one note then comes back at 0:17
also the sound right after the first sound 0:14
greatly appreciated
Re: Help Me Make That Sound - August 2011
Posted: Wed Aug 10, 2011 5:32 pm
by MCstanglDubstep
Alright lads? I have been scouring these forums for over a month now trying to find something to point me in the correct direction of making a fat, crunchy, harmonically rich, and almost reese like bass used in KOAN sound-Blue Stripes. I have been very close to creating this sound, but I am not satisfied. In advance, thank you for any help, feedback, and tips that I will receive. http://www.youtube.com/watch?v=TiHiM947W90
Re: Help Me Make That Sound - August 2011
Posted: Wed Aug 10, 2011 9:14 pm
by Augment
MCstanglDubstep wrote:Alright lads? I have been scouring these forums for over a month now trying to find something to point me in the correct direction of making a fat, crunchy, harmonically rich, and almost reese like bass used in KOAN sound-Blue Stripes. I have been very close to creating this sound, but I am not satisfied. In advance, thank you for any help, feedback, and tips that I will receive. http://www.youtube.com/watch?v=TiHiM947W90
Want to know this too
Have been kinda close, but I don't get them as nice sounding
How to make this HUGE filthy wobble bass sound?
Posted: Thu Aug 11, 2011 11:52 am
by Darkow
So I have been listening to Ajapai lately and fucking hell, how the fuck do you create such a HUGE wobble bass? It comes in at 00:42
Anyone know what sort of arpeggio used in this? Not the sound but the actual notes/chords
Re: Help Me Make That Sound - August 2011
Posted: Thu Aug 11, 2011 4:50 pm
by dj Cappa
@captainplanet
i made it with NI massive
osc1:deep throat, wt position at 4 o'clock, pitch -12.00
osc2: melofant, wt position at 10 o'clock, pitch-12.00
filter1:lowpass 4, cutoff at 2 o'clock
fx1: dimension expander, size at 9:30 and dry/wet at 12 o'clock
eq: high shelf at 1:30
lfo:ratio at 1/24 or 1/16, modulate filter cutoff so green is on right and grey fully covers left, make top curve triangle uni and bottom curve sawtooth with xfade centered.
insert1: parabolic shaper, dry/wet full and drive about 2:30.
gl! add some distortion for extra grittyness
Re: Help Me Make That Sound - August 2011
Posted: Thu Aug 11, 2011 9:18 pm
by GothamHero
00:00 - 00:20
That bright, Electro House synth. Great for chords and riffs. I've done all the basic two saws, detuned, lowpass, envelope modulation, and still nothing. What am I missing? I really need to buy Sylenth1, I hear it's great at such synths.
Re: Help Me Make That Sound - August 2011
Posted: Thu Aug 11, 2011 9:51 pm
by Gurnumsbug
Anyone know if KOAN Sound uses a vst for their guitar riff that starts at :55? if so then how in the bloody hell would you start shaping a guitar like sound?
Re: Help Me Make That Sound - August 2011
Posted: Fri Aug 12, 2011 12:49 am
by GothamHero
GothamHero wrote:
00:00 - 00:20
That bright, Electro House synth. Great for chords and riffs. I've done all the basic two saws, detuned, lowpass, envelope modulation, and still nothing. What am I missing? I really need to buy Sylenth1, I hear it's great at such synths.
Also this
00:57, that flat, mid ranged synth used in chord form.
1:10, that little riff too, I think that's it again with a different filter cut off angle.
Re: Help Me Make That Sound - August 2011
Posted: Fri Aug 12, 2011 2:39 pm
by cmgoodman1226
Gurnumsbug wrote:Anyone know if KOAN Sound uses a vst for their guitar riff that starts at :55? if so then how in the bloody hell would you start shaping a guitar like sound?
it's not a vst, it's a guitar sample.
Re: Help Me Make That Sound - August 2011
Posted: Fri Aug 12, 2011 10:24 pm
by _TraX_
That sound at 1:35, some sort of Reece Bass? How do you make that?
How can I get this tone? I've been trying for a while, but the weird modulations keep throwing me off. Is it an envelope, or an automation, or some sort of detuning effect? I'm really stuck
Re: Help Me Make That Sound - August 2011
Posted: Sat Aug 13, 2011 6:54 pm
by jrisreal
Ben, its a combination of detuning saws and automating notch filters. Takes some practice to be able to make neurofunk reeses like that
Re: Help Me Make That Sound - August 2011
Posted: Sat Aug 13, 2011 7:15 pm
by [asterisk]
Hey guys, wanted some insight into the design of the main bassline in Helicopter Showdown's - The Wrestler (the bass with the vocal samples incorporated after the drop, not the distorted mid-range hits in the bridge) if anyone has any ideas. Thanks!
jrisreal wrote:Ben, its a combination of detuning saws and automating notch filters. Takes some practice to be able to make neurofunk reeses like that
I assumed it was a reese, but I can't seem to figure out how to keep both the high end and the low end intact while keeping the modulation still noticeable. Do I route all the oscillators to the notch, or just one? Are there any effects added? I've noticed with my other reeses, a phaser seems to give nice modulation but strips the sound of a lot of the aggression.