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Jurkhands wrote:CapturePt, you realise there's a distinct difference between shaping the structure and aesthetics of techno in interesting ways and forms to create something innovative - Headhunter, Martyn, 2562 stuff, early Hessle, Mala's Neverland - and buying some analog gear, fiddling around with it and produce some overly compressed garbage? I have absolutely nothing against some good techno-y tunes, quite the opposite is the case. but Osiris just isn't accomplishing anything noteworthy with their take on whatever you want to call it.

all imho ofc

ghosttown wrote: [...] Si mixes things up. His collab EP with Killawatt shows they are trying something different, which is welcome in a time which the music (Dubstep) is generally in a rut IMO. Apart from a few artists like Gantz and Commodo who are making some great for thinking music.

bennyfroobs wrote:

Jurkhands wrote:CapturePt, you realise there's a distinct difference between shaping the structure and aesthetics of techno in interesting ways and forms to create something innovative - Headhunter, Martyn, 2562 stuff, early Hessle, Mala's Neverland - and buying some analog gear, fiddling around with it and produce some overly compressed garbage? I have absolutely nothing against some good techno-y tunes, quite the opposite is the case. but Osiris just isn't accomplishing anything noteworthy with their take on whatever you want to call it.

all imho ofc

aye bang on point imo tbh m8

ghosttown wrote: [...] Si mixes things up. His collab EP with Killawatt shows they are trying something different, which is welcome in a time which the music (Dubstep) is generally in a rut IMO. Apart from a few artists like Gantz and Commodo who are making some great for thinking music.

lol

lolol

personally, in hindsight, this year has been pretty good for 140, one of the best for a while imo (i guess 2012 was good too). you're just looking in the wrong places mate. this show is a tiny snippet of how fruitful things have been: https://soundcloud.com/joenicedj/joenice_dec_2013_subfm


uninspired its-been-done-before techno isn't helping the dubstep scene at all

bennyfroobs wrote:

Jurkhands wrote:CapturePt, you realise there's a distinct difference between shaping the structure and aesthetics of techno in interesting ways and forms to create something innovative - Headhunter, Martyn, 2562 stuff, early Hessle, Mala's Neverland - and buying some analog gear, fiddling around with it and produce some overly compressed garbage? I have absolutely nothing against some good techno-y tunes, quite the opposite is the case. but Osiris just isn't accomplishing anything noteworthy with their take on whatever you want to call it.

all imho ofc

aye bang on point imo tbh m8

ghosttown wrote: [...] Si mixes things up. His collab EP with Killawatt shows they are trying something different, which is welcome in a time which the music (Dubstep) is generally in a rut IMO. Apart from a few artists like Gantz and Commodo who are making some great for thinking music.

lol

lolol

personally, in hindsight, this year has been pretty good for 140, one of the best for a while imo (i guess 2012 was good too). you're just looking in the wrong places mate. this show is a tiny snippet of how fruitful things have been: https://soundcloud.com/joenicedj/joenice_dec_2013_subfm


uninspired its-been-done-before techno isn't helping the dubstep scene at all

bennyfroobs wrote:well yea if ur listening to boring kryptic minds rip offs and dungeon i can see why you would think that

ghosttown wrote:I pretty much think Jurkhead or what ever his name is had a hand in it.

Jurkhands wrote:

ghosttown wrote:I pretty much think Jurkhead or what ever his name is had a hand in it.

you realise that I'm the one vibing to all the new sounds the likes of Wen, Logos, Gantz, LAS, Livity fam, MssingNo, Plata, Chord Marauders or, to some extent, System blessed us with whilst you keep defending guys who are relying on their fanboys to buy their bland "techno" records, right?

mate, you're free to listen to the Spice Girls for all I care. but please don't call blatantly average and poorly executed takes on techno "something different". and most certainly don't do it right before neglecting all the exciting changes that dubstep and its derivates have been going through during the last year or two.

ghosttown wrote: Hopefully your positive outlook will help move Dubstep forward.

bennyfroobs wrote:anyway

u say theres no progression in dubstep (lol)

but how is this osiris techno any different from what british murder boys et al were doing aaages ago?

ghosttown wrote: You keep banging on about poorly executed, bait etc etc, but out of that list only Gantz and System are doing something different. So if you think the rest are going to move Dubstep forward, then you're in trouble.

Marcus wrote:

150Grams wrote:

Be-1ne wrote:

Jurkhands wrote:

pissedone wrote:I lost interest in KM & Osiris a while ago.... this is probabaly a good thing...

this^10

dubfonik wrote:

Laszlo wrote:Well this is sad but it hasn't left me wondering why. I suppose when two paths cross and make such good music eventually the divide will appear when different directions are perused. So the partnership has dissolved, but they will always, for me, be part of the chosen few that made a real impact in the Dubstep world - they wont fade to nothing and the release on Chestplate certainly is a glimpse of hope.
Leon, i'm sure Kryptic Minds was much more than just a stepping stone for you but I admire you for now going at it alone - you are a badman, no more no less

dem puns...

wub wrote:

BlueyTeamTom wrote:badman vip release killed KM.

What makes you say that?