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Posted: Sat Apr 11, 2009 8:17 pm
by T_macabre
intro
corrupted crew- g.a.r.a.g.e [dj narrows remix] (red rose)
youngstar- formula 2 (ddjs)
bigshot- glitch (southside)
dj oddz- gangsta (white)
dizzee rascal- go (dirtee stank white)
jon-e-cash- war vip (blackops white)
slimzee and geeneus- log off (dump valve)
outlaw breaks- nissi (left recordings)
wiley- eskimo 2 (white)
so solid- dilemma 2 (white)
jammer- feedback (white)
danny weed- creeper (white)
dj wonder- 8th wonder (dump valve)
wiley- snowball (white)
bigshot- stomp (southside)
musical mob- pulse y (white)
dizee rascal- i love u (white)
dj wire- believe me remix (white)
roll deep- roll deep regular instrumental (white)
dj wire- the meltdown (white)
alias- heat (white)
musical mob- creeper refix (white)
musical mob- bad bongo (white)
mark one- tribesmen (texture)
end productions- are you really from the ends? [vip remix] (white)
dj narrows- saved soul vip (white)
musical mob- salsa (musical mob royale recordings)
dizzee rascal- hoe (dirtee stank white)
dj oddz- unknown (white)
roll deep/skepta- pulse eskimo


http://www.getdarker.com/gotdarker/file ... 12ebacc36/

go nutz

Posted: Sun Apr 12, 2009 12:28 pm
by ammo
bEErz wrote:footsie n tubby - it's war ( http://www.youtube.com/watch?v=fa9aSi4tdYc )
big tune

Posted: Sun Apr 12, 2009 12:48 pm
by beanhead
DJ Bossman (Essentials) - Perempay (The Funky Producer)
Davinche (Essentials) - Dee (The Funky Producer)
Flukes - One half of Crazy Cousins

Posted: Sun Apr 12, 2009 12:52 pm
by ammo
wana c wiley at fwd. ne1 remember wen he spat over shattered by coki on darkside's show? that was sick. ah the igloo days...

Posted: Sun Apr 12, 2009 2:22 pm
by b-lam
I think grime is in for a comeback...

the choppy rhythms are back with funky, and the dubstep sound is getting more 'colourful' in places.

Posted: Sun Apr 12, 2009 2:50 pm
by joe muggs
B-LAM wrote:I think grime is in for a comeback...

the choppy rhythms are back with funky, and the dubstep sound is getting more 'colourful' in places.
Definitely be a good thing - I think the whole mix-and-match approach of Starkey, Joker, the Scottish crews etc can only be good for grime producers.

But it'll only be a good thing if they remember grime's raw production and don't try and over egg it. That lo-fi but still tough vibe is what all bass music needs to counteract the drum&bass-style overproduction that can take over if producers don't watch themselves and start getting into too much studio wanking.