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AL4228 wrote:

Genevieve wrote:Hey, thanks a lot everyone for helping me out with the 'reese'. I'm gonna try it out and see what I can do.

The reason why it may not even BE a reese is simply because legend has it, that the whole album was created using samples. DJ Shadow style. But to me it sounded tooo 'perfect' to be based on samples and sample mashing alone.

lol legend has it... if it's a sample, it's a sampled 'reese'... which is a reese lol. a 'sample' doesn't have a distinct sound like a reese, hoover, wobble, etc has. it's a sample of a sound recorded from your synthesiser... in this case, it would be a recorded reese (if in fact they sampled their reese)... just try what i said and you'll be at the sound. tweek some parameters and call it a day.

Durrr, yes. That's what I assumed in my original post. Someone just posed that it may not be a reese and I was adding on to that.

Genevieve wrote:

AL4228 wrote:

Genevieve wrote:Hey, thanks a lot everyone for helping me out with the 'reese'. I'm gonna try it out and see what I can do.

The reason why it may not even BE a reese is simply because legend has it, that the whole album was created using samples. DJ Shadow style. But to me it sounded tooo 'perfect' to be based on samples and sample mashing alone.

lol legend has it... if it's a sample, it's a sampled 'reese'... which is a reese lol. a 'sample' doesn't have a distinct sound like a reese, hoover, wobble, etc has. it's a sample of a sound recorded from your synthesiser... in this case, it would be a recorded reese (if in fact they sampled their reese)... just try what i said and you'll be at the sound. tweek some parameters and call it a day.

Durrr, yes. That's what I assumed in my original post. Someone just posed that it may not be a reese and I was adding on to that.

if you already knew how to create it then why ask?

AL4228 wrote:

Genevieve wrote:

AL4228 wrote:

Genevieve wrote:Hey, thanks a lot everyone for helping me out with the 'reese'. I'm gonna try it out and see what I can do.

The reason why it may not even BE a reese is simply because legend has it, that the whole album was created using samples. DJ Shadow style. But to me it sounded tooo 'perfect' to be based on samples and sample mashing alone.

lol legend has it... if it's a sample, it's a sampled 'reese'... which is a reese lol. a 'sample' doesn't have a distinct sound like a reese, hoover, wobble, etc has. it's a sample of a sound recorded from your synthesiser... in this case, it would be a recorded reese (if in fact they sampled their reese)... just try what i said and you'll be at the sound. tweek some parameters and call it a day.

Durrr, yes. That's what I assumed in my original post. Someone just posed that it may not be a reese and I was adding on to that.

if you already knew how to create it then why ask?

I did not say that I knew how to create it (or how to create it exactly, I just noticed it being a Reese and heard chorus/lpf cut-off modulation).

Genevieve wrote:

AL4228 wrote:

Genevieve wrote:

AL4228 wrote:

Genevieve wrote:Hey, thanks a lot everyone for helping me out with the 'reese'. I'm gonna try it out and see what I can do.

The reason why it may not even BE a reese is simply because legend has it, that the whole album was created using samples. DJ Shadow style. But to me it sounded tooo 'perfect' to be based on samples and sample mashing alone.

lol legend has it... if it's a sample, it's a sampled 'reese'... which is a reese lol. a 'sample' doesn't have a distinct sound like a reese, hoover, wobble, etc has. it's a sample of a sound recorded from your synthesiser... in this case, it would be a recorded reese (if in fact they sampled their reese)... just try what i said and you'll be at the sound. tweek some parameters and call it a day.

Durrr, yes. That's what I assumed in my original post. Someone just posed that it may not be a reese and I was adding on to that.

if you already knew how to create it then why ask?

I did not say that I knew how to create it (or how to create it exactly, I just noticed it being a Reese and heard chorus/lpf cut-off modulation).

just read my easy 1 step tutorial and call it a day (it's the general sound your looking for).
people needa learn to open a synth, be creative, and not ask for everything (not directed towards anyone). how do people expect to be innovative

AL4228 wrote:people needa learn to open a synth, be creative, and not ask for everything (not directed towards anyone). how do people expect to be innovative

"The 'help me make this sound!' thread"

Get out of it.



Oh and, why are you assuming everybody is going for the same goal as you? That is, being innovative.

How do I make this bass without using Ham VST

http://www.youtube.com/watch?v=UDf1wFiOnwY

It comes in at 0:27 seconds and also at 0:55 and 3:12

No Ham VST dou, I wanted to know how t make it without Ham
Thx Futures

kejk wrote:

AL4228 wrote:people needa learn to open a synth, be creative, and not ask for everything (not directed towards anyone). how do people expect to be innovative

"The 'help me make this sound!' thread"

Get out of it.



Oh and, why are you assuming everybody is going for the same goal as you? That is, being innovative.

Rawr, so aggressive, cute i must add...

Asuming everyone going for my goal? Asuming you think you know what my asumption was? Think buddy... Please... Dont take my statement out of context.

And btw I did help someone ^^ I just like to add little side notes!

Love,

-Kaza

AL4228 wrote:Love,

-Kaza

I'm listening on shitty laptop speakers so I can't actually hear proper bass. The only thing I hear at the times you mentioned are an arpeggiator which is easy to program.

The arp is a squarewave alternating between two notes up & down. This is easiest to do if you have a synth that has a built in arpeggiator. Set the arp to 'up' and the arpeggio range to a couple of semitones, then play your tune holding dow each note to allow the arp to do its bit.

If you have to program it on the midi paino roll, just draw in two notes then copy and paste them to create a longer arp. Remember that the bottom note is the base note of the arppegio. It may be easiest to program to position the bottom note in your pattern as the note that 'plays the tune'.

Hope that makes sense

futures_untold wrote:I'm listening on shitty laptop speakers so I can't actually hear proper bass. The only thing I hear at the times you mentioned are an arpeggiator which is easy to program.

The arp is a squarewave alternating between two notes up & down. This is easiest to do if you have a synth that has a built in arpeggiator. Set the arp to 'up' and the arpeggio range to a couple of semitones, then play your tune holding dow each note to allow the arp to do its bit.

If you have to program it on the midi paino roll, just draw in two notes then copy and paste them to create a longer arp. Remember that the bottom note is the base note of the arppegio. It may be easiest to program to position the bottom note in your pattern as the note that 'plays the tune'.

Hope that makes sense

Thanks for the arp help anywaym too bad about the bass.
If I describe how it kinda sounds, is there a way you can point me in the right direction to achieve a similar result.

It sounds kinda subby, but driven, when I listen in my headphones.... ahh feck it.

I think it might just be his 'general, one for all synth' but played a couple octaves lower. I think I can manage that one.

team7even wrote:

futures_untold wrote:I'm listening on shitty laptop speakers so I can't actually hear proper bass. The only thing I hear at the times you mentioned are an arpeggiator which is easy to program.

The arp is a squarewave alternating between two notes up & down. This is easiest to do if you have a synth that has a built in arpeggiator. Set the arp to 'up' and the arpeggio range to a couple of semitones, then play your tune holding dow each note to allow the arp to do its bit.

If you have to program it on the midi paino roll, just draw in two notes then copy and paste them to create a longer arp. Remember that the bottom note is the base note of the arppegio. It may be easiest to program to position the bottom note in your pattern as the note that 'plays the tune'.

Hope that makes sense

Thanks for the arp help anywaym too bad about the bass.
If I describe how it kinda sounds, is there a way you can point me in the right direction to achieve a similar result.

It sounds kinda subby, but driven, when I listen in my headphones.... ahh feck it.

I think it might just be his 'general, one for all synth' but played a couple octaves lower. I think I can manage that one.

If you are talking about the bass and not the arp'd thingies, I'd say it's sine/square + noise on a low level. To get that crisp sound use tape saturation.

kejk wrote:

team7even wrote:

futures_untold wrote:I'm listening on shitty laptop speakers so I can't actually hear proper bass. The only thing I hear at the times you mentioned are an arpeggiator which is easy to program.

The arp is a squarewave alternating between two notes up & down. This is easiest to do if you have a synth that has a built in arpeggiator. Set the arp to 'up' and the arpeggio range to a couple of semitones, then play your tune holding dow each note to allow the arp to do its bit.

If you have to program it on the midi paino roll, just draw in two notes then copy and paste them to create a longer arp. Remember that the bottom note is the base note of the arppegio. It may be easiest to program to position the bottom note in your pattern as the note that 'plays the tune'.

Hope that makes sense

Thanks for the arp help anywaym too bad about the bass.
If I describe how it kinda sounds, is there a way you can point me in the right direction to achieve a similar result.

It sounds kinda subby, but driven, when I listen in my headphones.... ahh feck it.

I think it might just be his 'general, one for all synth' but played a couple octaves lower. I think I can manage that one.

If you are talking about the bass and not the arp'd thingies, I'd say it's sine/square + noise on a low level. To get that crisp sound use tape saturation.

Thanks mate, just banged it out on TAL Elek7ro

@ future thank you so much for this thread

i didnt look through all 60 + pages of it yet and im sorry if this has already been asked but i would love to know how to make the high pitched doctor P sound in sweet shop/ reasons? ive been trying to make the synth nero uses in innocence for since the song came out and i have a feeling the two sounds are related some how?

Benza wrote:@ future thank you so much for this thread

i didnt look through all 60 + pages of it yet and im sorry if this has already been asked but i would love to know how to make the high pitched doctor P sound in sweet shop/ reasons? ive been trying to make the synth nero uses in innocence for since the song came out and i have a feeling the two sounds are related some how?

Dont want to do this as a new guy but, many have already requested your request and you'll fin the answers in here.

http://www.dubstepforum.com/viewtopic.p ... t=doctor+p

Benza wrote:@ future thank you so much for this thread

i didnt look through all 60 + pages of it yet and im sorry if this has already been asked but i would love to know how to make the high pitched doctor P sound in sweet shop/ reasons? ive been trying to make the synth nero uses in innocence for since the song came out and i have a feeling the two sounds are related some how?

Why though? lol

One sound that I will never find any reason to want to make.

safe, hope people still look at this

what the fuck is this noise at 1.14



sorry for the lack of midrange cack here.

The sound at 1:14 is a short cymbal crash over the top of a filtered snare roll. Use a low pass filter and go from completely filtered (filter cutoff 100Hz) to completely unfiltered (filter cutoff 20kHz) over the duration of the drum roll.

The Bass also kicks in at that point with a long attack on the synth that produced that sound.

yeh, sorry i meant the bass. do you think its just a long attack that makes that? not some pitch modulation? how do you think the bass is made?

This is simply an overdriven sinewave, although using tube saturation instead of an overdrive distortion will give you a brighter tone to work with. Definately a long attack on the filter adsr with a low pass filter being used. Try a medium length attack, and short decay, sustain and release.