Posted: Mon Jan 08, 2007 7:03 pm
heny's ALWAYS there. usually on the bar side of the booth, or in the little corridor beside it.
Someone needs to redo "Garage Girls" you know....poax wrote: and can i just say that there aint never no "gash" in dmz , thems there are ladies gentlemen., 2007 monster monster!!
oh dear.Delendi wrote:heny's ALWAYS there. usually on the bar side of the booth, or in the little corridor beside it.
Ah yes, the post Radio nosedive into minimalism. I did a little rant about it here. In short, it'll be the end of dubstep creatively once the bass weight-ethos gets a too tight grip on the genre, resulting in every other release sounding like Loefah or Coki - Shattered (that's not meant as a diss to either of them).the947sw11 wrote: I suppose I was thinking more in terms of (ugh) psy-trance rather than the commercial stuff with those horrible big synth stabs etc. some of it is quite close to acid/minimal techno, and I know a few people that like both types of music, and I can imagine they'd like the stuff Pinch plays.
ys cotti, i kno u probably wont rememba, but at 1point(probs about 5?) u played this tune that made me switch moods from wasted n tired to hype an jumpin about an all that.Sounded like a squarewavey sorta bass with a dirrrty LFO workout...i asked u who made it an u said u an cluekid....anyway don't worry if u cant rememba, I'm sure I will stumble across it at sme point!4n general wrote:Me And Cluekid had fukin wicked time, Bless up to every one who stayed for our set even though we were last i still think we repped
bit of a long shot but it could have been hungarian skank by me. have a listen here:Ossia wrote:joe wrote:
Big up Deaps too! He looked so happy, how could you not enjoy the set?Heavy tunes dropped as well, of course. What was that nutty one with the massive snare? (Sounded like preverb applied *after* the hit.)
Yes, u rememba that 1 aswel!that tune was amazing!just shows that dubstep is still open 4 experementing really!
Safe
Ossia
I dont really get what you mean by bass weight 'ethos'? The term bass weight itself lends itself to many more types of tune than just Coki style rinse outs. I hear just as much bass weight in one of Shackletons tunes or Distance- delight for example. I think you're wrong, having bass as an underlying staple for this music is not a bad thing, after all its what makes it what it is, the problem comes when producers start mindlessly apeing the most hype and popular tunes around.Sand Leaper wrote:Ah yes, the post Radio nosedive into minimalism. I did a little rant about it here. In short, it'll be the end of dubstep creatively once the bass weight-ethos gets a too tight grip on the genre, resulting in every other release sounding like Loefah or Coki - Shattered (that's not meant as a diss to either of them).the947sw11 wrote: I suppose I was thinking more in terms of (ugh) psy-trance rather than the commercial stuff with those horrible big synth stabs etc. some of it is quite close to acid/minimal techno, and I know a few people that like both types of music, and I can imagine they'd like the stuff Pinch plays.
haha yeah i was wasted but i remember callin her GBH face and then laughin for ages at my own genius.Delendi wrote:oh herrrrrrrrrrrow short arseFarrah wrote:wicked night - first time ive seen pinch, absolutely large.
also - was it skream who dropped de la soul's me, myself and i? killer! can't remember... by that point i was pretty mashed... shouts to everyone i met - sorry if i was a bit all over the place!
and it's all about girls under 5 foot 6!how's zazoo's face gettin along? do u remember what u said about it? lol...
Wish it was, ram. I think Deapoh might know, though. He dropped it near the end of his set. Got a wheel. I texted my mate at the time so I can tell you it was 11:18pm.ramadanman wrote: bit of a long shot but it could have been hungarian skank by me. have a listen here:
http://www.digital-tunes.net/releases/d ... rian_skank
You miss my point, although we more or less agree. I never said that having bass as an underlying staple is a bad thing. That is after all what the genre builds itself upon. I was drawing a paralell between psy and dubstep minimalism because of one influential trendsetter. Let me break it down a bit:Jubscarz wrote: I dont really get what you mean by bass weight 'ethos'? The term bass weight itself lends itself to many more types of tune than just Coki style rinse outs. I hear just as much bass weight in one of Shackletons tunes or Distance- delight for example. I think you're wrong, having bass as an underlying staple for this music is not a bad thing, after all its what makes it what it is, the problem comes when producers start mindlessly apeing the most hype and popular tunes around.
The rant I mentioned in my previous post:Jubscarz wrote:Ok, I dont get the Psytrance reference points, I never listen to any.
A good example of things going wrong creatively due to one very influential trendsetter is what happened to goa trance when X-Dream (one of THE leading acts the scene has ever had) released the groundbreaking album Radio. It was full of minimal, dark and abrasive sounds and ideas, a radical opposite of the massively melodic extravaganzas the genre was known for in its early years. In its wake, a massive constituent of the entire scene shifted its focus to mimic X-Dream's minimalistic and technoid approach to goa.
The result was that the entire genre plunged itself into a creative cul-de-sac, where every rave was filled with the same mindnumbingly boring minimalism that was trying desperately (and failing miserably) to attain the same level of impact X-Dream had conjured up. The genre is still recovering from the backlash today.
Thanks Poax. And while we're on the subject, it's often been noticed that the men at dubstep events are very tall. The women on the other hand are the right size.poax wrote:
and can i just say that there aint never no "gash" in dmz , thems there are ladies gentlemen., 2007 monster monster!!