Dubstepforum.com

brasco wrote: +robot vomit noises x by 5 hours... and you have quite the night

You forgot lil wayne accapellas... which in my opinion are even worse for aggro stuff then the fact that everyone is biting the fuck out of what was one mans unique style...

But.

This is not going to become a brostep vs. deep debate because theres a few pages of chat happening. Im sick of that in every multi-page thread.

Seriously though...

If were on the subject of double drops, what about double drops and then bar to bars... you know, jump fader right, jump fader left, bleh bleh bleh...

If you thought double wobble drops were bad. How bout idiots doing bar to bar cuts between midnight request and aggressive reso, ect.

Its reso... but every 4 bars... they stop to hit the bowl.

Basic A wrote: This is not going to become a brostep vs. deep debate because theres a few pages of chat happening. Im sick of that in every multi-page thread.

yep lets keep on topic.

it annoys me when a dj starts cutting before locking a mix in, so they miss key notes and the tracks sound slightly off.

i had a mix cd someone left in a vinyl shop. EVERY MIX was chopped, and most double dropped... i should dig it out as a 'what not to do'. Yeah show off your skills, but like using effects in mixes.... dont over do it

i triple drop once or twice

actually i quintuplet dropped once too





i was off my fucking nut

Done that on occasion myself

I want to start DJing. Need to practice more though, probs need decks too as VDJ/laptop is only useful so far.

What does everyone think of Serato 2.0?

Just wanted to share my experience of learning to dj, which has either been 1 or 2 years in the making (its all a blur!).

I was initially getting very frustrated just clanging away between tunes for a few months but it paid off, rather than a steady learning curve one day it just seemed to click, obviously didn't become mr superstar dj overnight but I just started to hear it.

I'd say its 80-90% training your ear when learning to beat-match, learning to seperate the tunes in your head, assess whether its too far behind or forward and at what speed its going of sync.

I've now switched over from touching the platter to riding the pitch, just as it makes a mix sound smoother and I believe more accurate, this is a process I am still perfecting. I'm no N-Type or Youngsta, and that is what I'm stuck on now, I can hear when its out but not quick enough (or maybe I'm just not patient enough when matching in the headphones?) just to keep it perfectly synced throughout the mixing process. It will always be danceable but just bit off here and there, this is not acceptable! I do not understand how the big names can just keep it locked throughout, its as if they peer into their crystal ball perched under the decks and forsee when it will go out. Where does one purchase this crystal ball? Anyway I'm rambling, enjoy my lulzy representation of my interpretation of the dj learning curve:

colours wrote:Just wanted to share my experience of learning to dj, which has either been 1 or 2 years in the making (its all a blur!).

I was initially getting very frustrated just clanging away between tunes for a few months but it paid off, rather than a steady learning curve one day it just seemed to click, obviously didn't become mr superstar dj overnight but I just started to hear it.

I'd say its 80-90% training your ear when learning to beat-match, learning to seperate the tunes in your head, assess whether its too far behind or forward and at what speed its going of sync.

I've now switched over from touching the platter to riding the pitch, just as it makes a mix sound smoother and I believe more accurate, this is a process I am still perfecting. I'm no N-Type or Youngsta, and that is what I'm stuck on now, I can hear when its out but not quick enough (or maybe I'm just not patient enough when matching in the headphones?) just to keep it perfectly synced throughout the mixing process. It will always be danceable but just bit off here and there, this is not acceptable! I do not understand how the big names can just keep it locked throughout, its as if they peer into their crystal ball perched under the decks and forsee when it will go out. Where does one purchase this crystal ball? Anyway I'm rambling, enjoy my lulzy representation of my interpretation of the dj learning curve:

Yeah I like to ride the pitch fader. It sounds better. I learned by touching the platter tho and when I get to drinking I starting fingering up the control vinyl.

BastionMusic wrote:What does everyone think of Serato 2.0?

I am still not quite convinced it is worth the sticker price. I actually had the opportunity to get it at cost and it was still too expensive! They are really gouging everyone including the stores. I can't imagine those boxes cost all that much for them to make?

Yeah I like to ride the pitch fader. It sounds better. I learned by touching the platter tho and when I get to drinking I starting fingering up the control vinyl.

Haha I know exactly what you mean, just giving that spinning thing a poke is such a quick fix, old habits die hard an' all that

I'm gonna send my tracks to cats in this thread... hope that's ok!

... is a dj

.... needs dubs

.... hates crap ones

grooki wrote:I'm gonna send my tracks to cats in this thread... hope that's ok!

They'd be lucky to have 'em...


Heads up - Grooki makes beautiful tracks. Don't sleep.

Mad EP wrote:

grooki wrote:I'm gonna send my tracks to cats in this thread... hope that's ok!

They'd be lucky to have 'em...


Heads up - Grooki makes beautiful tracks. Don't sleep.

Okay 1 yeah grooki's dubs are awesome and I can attest they are tons of fun to mix (with your late time kicks n shit... wierdo... )

And 2... Its nice to see this thread is serving purpose still. Big up community vibe.

im a dj
working on vinyl, and i want to be able to record my mixes in good quality but i dont know how or what i need, could someone tell me??

Just run the output from your amp or mixer straight in to your laptop, download audacity for free and record in that, it's dead easy.

ResetTheAtari wrote:Just run the output from your amp or mixer straight in to your laptop, download audacity for free and record in that, it's dead easy.

i got audacity but it doesnt seem to be picking up my mixer if that makes sense?? i tryed like 3 months ago and it just wasnt picking any music up so i gave up lol :/

I only got into production through DJing, I haven't been doing it much recently but gearwise I've got: 2 Numark 1650s and a Numark M2 Mixer and an M-Audio MIDI mixer which I occasionally use through the mic input

Holda wrote:

ResetTheAtari wrote:Just run the output from your amp or mixer straight in to your laptop, download audacity for free and record in that, it's dead easy.

i got audacity but it doesnt seem to be picking up my mixer if that makes sense?? i tryed like 3 months ago and it just wasnt picking any music up so i gave up lol :/

Make sure you have got it going into the right port on your computer - the line in. Go into your computer audio settings for recoring and make sure the box below the line in is ticked.

big up the dj thread !