time for people to forget about genre and just make whatever man, enough of this post and future bullshit
Re: Post-Dubstep and Future Garage
Posted: Thu Nov 15, 2012 5:08 am
by NinjaEdit
ehbrums1 wrote:
jonahmann wrote:I've been digging this sound. These are the similarities I've noticed which might help define it, and convince that it isn't garage generically, but actually a sub-style of it.
- Overall dark sound. It lacks a certain very-high brightness, and has present but not dominating subbass, which implies the bias of vinyl record.
- Wooden percussion. The kick is often synthesised, possibly because of its subby nature, but the percussion tends to be natural wooden samples and not metal. Hihats often aren't present at all, and aren't a main feature like the shuffly hats in dubstep. The hits also sound like they could have been sampled from vinyl. The loops don't follow a strict 2-step or four-to-the-floor backbeat feel; they have more convoluted hits, and sometimes a snare on the 4.
- Live pads, like strings, orchestras or choirs rather than synth pads. Not a strict rule.
- Emotional themes, often about intimacy.
- Consistant structure, rather than drops and break downs.
Your really over complicating this stuff man....
You can be a real tnuc sometimes. Give us your simple definition.
Re: Post-Dubstep and Future Garage
Posted: Thu Nov 15, 2012 5:20 am
by glottis5
jonahmann wrote:
ehbrums1 wrote:
jonahmann wrote:I've been digging this sound. These are the similarities I've noticed which might help define it, and convince that it isn't garage generically, but actually a sub-style of it.
- Overall dark sound. It lacks a certain very-high brightness, and has present but not dominating subbass, which implies the bias of vinyl record.
- Wooden percussion. The kick is often synthesised, possibly because of its subby nature, but the percussion tends to be natural wooden samples and not metal. Hihats often aren't present at all, and aren't a main feature like the shuffly hats in dubstep. The hits also sound like they could have been sampled from vinyl. The loops don't follow a strict 2-step or four-to-the-floor backbeat feel; they have more convoluted hits, and sometimes a snare on the 4.
- Live pads, like strings, orchestras or choirs rather than synth pads. Not a strict rule.
- Emotional themes, often about intimacy.
- Consistant structure, rather than drops and break downs.
Your really over complicating this stuff man....
You can be a real tnuc sometimes. Give us your simple definition.
a dialectical reaction to brostep
Re: Post-Dubstep and Future Garage
Posted: Thu Nov 15, 2012 11:54 am
by ehbes
jonahmann wrote:You can be a real tnuc sometimes. Give us your simple definition.
When did I ever say simple. The fact is your over analyzing this shit and typing out very thing that's on your fucking mind to try and convince people here that you know shit. The fact if the matter is, is that your wrong. The kicks don't sound synthesized at all first off. I won't go into any more of your "analysis" because I don't want a fucking brain aneurysm. Instead of trying to deeply analyze and going on about this that and the other thing, try reading his fucking interviews...