Dubstepforum.com

Battle Gong wrote:no, please, dont let it happen. not more novelty ethnic dance music shit.

Battle Gong wrote:

Blackdown wrote:Sorry to be dull but people need to be a little careful with what "Arabic" means. India is not the same as Pakistan is not the same as Iran, China, Palestine, Morocco etc etc

too right

so assuming this is actually a thread about stuf from the indian subcontinent, not arabic stuf...

www.myspace.com/acandterra

check 1st tune. not dubstep, but a kind of grime/desi crossover

and the stuf on the cyrus LP is exactly what i meant by kebabshop influence. a tired, uninformed pastiche of 'ethnic' music. dont mean 2b so offensive cyrus, not a critique of yr musical talents, just think ppl shud stick to what they know, or at least get to know well b4 hand

Blackdown wrote:

RANDOM TRIO wrote:But ye, in a way your right. Im not not asain so i shouldn'd use them influence's in my music.

dont take that crap from him cyrus! should only black people use influence from dub? Nah.

people can and should use influence from whatever cultures they want. and the more they do, the more different cultures have common ground, understanding and tolerance.

Plus Indian Stomp is a sick tune, part indian-influenced, part dubstep, ex-garage, dub bass... but yet far greater than the sum of its parts.

KIRK wrote:

Battle Gong wrote:

Blackdown wrote:Sorry to be dull but people need to be a little careful with what "Arabic" means. India is not the same as Pakistan is not the same as Iran, China, Palestine, Morocco etc etc

too right

so assuming this is actually a thread about stuf from the indian subcontinent, not arabic stuf...

www.myspace.com/acandterra

check 1st tune. not dubstep, but a kind of grime/desi crossover

and the stuf on the cyrus LP is exactly what i meant by kebabshop influence. a tired, uninformed pastiche of 'ethnic' music. dont mean 2b so offensive cyrus, not a critique of yr musical talents, just think ppl shud stick to what they know, or at least get to know well b4 hand

Wat a fuckin mug.
The people with the biggest mouths always have the least to say.
Im not being funny but ur rhythems arnt exactly dubplate material.

squarewave wrote:http://www.myspace.com/nasharecords

theres a few tracks up on this page with an arabic/eastern vibe

the Digital Mystikz anthem 'Earth a Run Red' snatches that snippet of Ritchie Spice's roots classic, stripping away the rest of his conscious poetry. The second Dub Police 12" contains a handful of standard dancehall hype samples -- all serving as surface gloss to contextualize it as dub, soundclash, virile macho, whatever fantasy patois boasts alight in the collective imagination of their target audience. I could go on; these are just 2 examples among many. There is no agency, the black voice is used as spice... These structural cliches bore me in breakcore, and they bore in me dubstep. Wiley isn't boring, even when he's examining boredom (ennui, wot u call it?)

sully_shanks wrote:On a purely sonic level anything goes, but the most interesting artists run a bit deeper than just sonics...

epithet wrote:

sully_shanks wrote:On a purely sonic level anything goes, but the most interesting artists run a bit deeper than just sonics...

Whats deeper than sonics ?

ITS ALL ABOUT THE FREQUENCY VIBRATION OF THE CRIMINAL INNIT !!!!

sully_shanks wrote:

epithet wrote:

sully_shanks wrote:On a purely sonic level anything goes, but the most interesting artists run a bit deeper than just sonics...

Whats deeper than sonics ?

ITS ALL ABOUT THE FREQUENCY VIBRATION OF THE CRIMINAL INNIT !!!!

sonics are signifiers of wider cultural idioms.
have u been talking with ozols man?

guerillaeye wrote:would Dysfunktion fall in line with this Shonks?

spooKs wrote:yess darkside..indian stomp is such a tune, one of my most wanted records of all time