Dubstepforum.com

triplets 2 = definately the one! I hope that's the one yr playing![/quote]

I've been thinking of opening my set this weeking w/ some old bass-heavy 2-step...some sticky, some wookie dub beats..a bunch of stuff i haven't touched in ages.

yeah thats the one

III is good too, and the vocal mix (things we do?)

Don't think i know it - i though 3 was the tubby t one (or is that what yr on about?)

necta selecta wrote:Don't think i know it - i though 3 was the tubby t one (or is that what yr on about?)

Which is the Sticky tune with the cockney knees up piano on it btw?

Had the feeling it was called Jaws, but couldn't quite figure out why it would be?

Shonky wrote:Been scanning a few old bits at Juno, still some nice stuff there if you can take the time to look - bought this one a few years back, and still killer, and they still got it http://mp3.juno.co.uk/MP3/SF86508-01-02-01.mp3

What's that tune, sounds fab...

2step = best dance music ever IMO

Grievous Angel wrote:

Shonky wrote:Been scanning a few old bits at Juno, still some nice stuff there if you can take the time to look - bought this one a few years back, and still killer, and they still got it http://mp3.juno.co.uk/MP3/SF86508-01-02-01.mp3

What's that tune, sounds fab...

2step = best dance music ever IMO

Think they put it the wrong way round on Juno - it's "Watch Dis" by DJ Masey-O - should point out the b-sides a bit rubbish though. Picked up some well nice stuff there and at Chemical Records, there's still quite a lot of back catalogue stuff to browse through.

That tune I stuck up though, I've never really heard anywhere, so I don't know if it was that famous. Like I said, undiscovered gems still out there (don't even get me started on e-bay, shit I never should have got on there my wallet hates me)

And yeah, I think it was the best dance music ever too - got that slinky female/feline angle to it, and bass sickness - all good

And you can find it here http://www.juno.co.uk/search.php?q=dj+m ... column=all

They put the wrong clips up for each side though, but if you want it, there it is

unlikely wrote:Its becomin a bit of a trademark in my sets now (just in case that is)

was that what you played at the end of last dubpressure? that was AMAZING

Shonky wrote

Which is the Sticky tune with the cockney knees up piano on it btw?

Had the feeling it was called Jaws, but couldn't quite figure out why it would be?

Fyrus - Jaws one of the first (if not the first) releases on social circles i think.

Dunno if I'd really call it a cockney knees up piano though but it must be the same tune.

it's just a London ting

necta selecta wrote:Dunno if I'd really call it a cockney knees up piano though but it must be the same tune.

Dunno, remember doing some back to back dj'ing with a mate, and he was mixing Chas'n'Dave with some garage tune I was playing, and he knocked that one in later - was quite off me tits though, so may have had aura of cockney about it

Corpsey wrote:Everything's slowed down gabba

this is true. every thing seemsto be "trying" to "be" gabba...

i think of dubstep as garage shrapnel or dis-integrated garage "sometimes"...

monkeytek wrote:

Corpsey wrote:Everything's slowed down gabba

this is true. every thing seemsto be "trying" to "be" gabba...

i think of dubstep as garage shrapnel or dis-integrated garage "sometimes"...

Liking the "use" of speech marks there - "impressive" (?)

All music comes from gabba originally, it's pretentious and wrong to think otherwise

"indeed"! this just in...

"it's just a London ting"

Shonky wrote:
All music comes from gabba originally, it's pretentious and wrong to think otherwise

reminds me of wileys cool track....lets face it, its a new branch of electronic music that i personnally feel has so many of the strength elements of genres defined before, i can feel the noddin' beatnology of hip hop, the icy depth and mixability of detroit techno or electro, the bassline damage of garage or drum and bass, the spiritual factor of dubs and it still sounds new...on a technical level the production of a heavy dubstep tune feels different....bass freqs hitting parts others haven't reached and haven't even mentioned grime yet.....i fucking love grime and hope the grime artists and dubstep artists work more together to push thing forward....yeah, grime gots its image probs and its carrys the darker history of this urban sound but they are like the dark/light side of the force......i.e. the same thing...... check the difference (and similarities) between a tunes like say mark one/slaughter mob/dizzee and say skream or digital mystiks....so diverse.....most of the artist repping this sound i bet are steeped in whats gone before but didn't want the same old, same old......to get back on point, i think this question is answered in that wiley track, artists of genres gone before having the rugs pulled beneath them and feeling the strain of getting away with making electronic music that stuck to ridgidly to formulas for too long and hopefully this is a kick in the arse to all formulaic dance music....what do you call it..who cares...shake your ass, nod to the beat, feel the pressure, its the future, get used to it...p.s. i'm sure they play dubstep/grime in the mos eisley cantina after dark

hera wrote:i was never really that into garage. tried a little more after hearing dubstep, but listening to garage feels like im perpetually waiting for the bass to drop.

evil girl

Digital wrote:

arghhhhhhhhhhhhhhhhhhhh

what can you say to that ?

How about fuck off cuntface or similar? Followed by a swift toe-punt to the shin before the ryu-esque uppercut.

Thats what I'd do. Definately.


[/quote\