Posted: Fri Jul 17, 2009 8:01 pm
Well, I've a hell of a lot more DnB records, and it's still the bulk of what i buy, for better or worse... Personally i think it's unfortunate that Dubstep is currently repeating all the mistakes that DnB made, only in a shorter space of time...
What excited me about dubstep was the fact that there was finally a new style of urban sample based music that was more about the rollout and the sub bass and the subtle rhythmical changes than it was about the impact or the big drop, and the spotlight of publicity has changed that utterly; personally i blame the UK student night circuit, long a refuge for the worst variety of plastic predictable shite in DnB...
Having said that, I'm immensely grateful for the effect that Dubstep has had on DnB as a whole; it's ironic that just as Dubstep absorbed all the worst bits of DnB in the past 18 months - huuge drops, horrid midrange, Crissy Cris, "Pendulum Snares" etc that DnB has absorbed a load of the best bits of Dubstep, rediscovering elements that used to be part and parcel of the way things were done; space, dynamics, huge subs, minimalism as more than an excuse to just copy and paste a wack loop for 6 minutes...
Personally i think the future of the two genres is very much intertwined, and i think it's really interesting to what will happen to the rhythmical space between the two genres - I'd love to be able to start a set with Dubstep and progress up to DnB without having to make any really big tempo changes; when people start writing DnB at 145 or writing Dubstep at 155 and retaining the subtlety and the funk and the VIBES that are the hallmarks of both genres at their finest, that will be the way forward i think... Those Autonomic podcasts are only a hint of what's to come in my opinion...
Shouts to anyone keeping it real, no love to those who sold their souls...
What excited me about dubstep was the fact that there was finally a new style of urban sample based music that was more about the rollout and the sub bass and the subtle rhythmical changes than it was about the impact or the big drop, and the spotlight of publicity has changed that utterly; personally i blame the UK student night circuit, long a refuge for the worst variety of plastic predictable shite in DnB...
Having said that, I'm immensely grateful for the effect that Dubstep has had on DnB as a whole; it's ironic that just as Dubstep absorbed all the worst bits of DnB in the past 18 months - huuge drops, horrid midrange, Crissy Cris, "Pendulum Snares" etc that DnB has absorbed a load of the best bits of Dubstep, rediscovering elements that used to be part and parcel of the way things were done; space, dynamics, huge subs, minimalism as more than an excuse to just copy and paste a wack loop for 6 minutes...
Personally i think the future of the two genres is very much intertwined, and i think it's really interesting to what will happen to the rhythmical space between the two genres - I'd love to be able to start a set with Dubstep and progress up to DnB without having to make any really big tempo changes; when people start writing DnB at 145 or writing Dubstep at 155 and retaining the subtlety and the funk and the VIBES that are the hallmarks of both genres at their finest, that will be the way forward i think... Those Autonomic podcasts are only a hint of what's to come in my opinion...
Shouts to anyone keeping it real, no love to those who sold their souls...