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How the hell does he do this? I have mad respect for cyberoptics

You can probably find, a similar preset for this under some kind of datsik, excicision pack. I then processed it with some layering, spread out the mids and highs, added some reverb to the mids. Probably afters he bounced it down and chopped it up to get that kind of wub sound.

This including a mix of LFO as well

I think he may have compressed the lows so the midrange bass doesn't have a static sub bass

x ParaTroXic wrote:You can probably find, a similar preset for this under some kind of datsik, excicision pack. I then processed it with some layering, spread out the mids and highs, added some reverb to the mids. Probably afters he bounced it down and chopped it up to get that kind of wub sound.

This including a mix of LFO as well

I think he may have compressed the lows so the midrange bass doesn't have a static sub bass

what the hell is a static sub....

when a sub bass doesn't follow the mid range, it kind of just follows the midi notes without taking any consideration for pitch bends and bassline movement, if that makes any sense

sub basses don't have any harmonics if you think your sub should be twisting with your baseline your kidding yourself

I know it doesn't but if there is a pitch bend, it follows it if that makes sense, not just playing 1 smooth note -
Lol i'm only trying to help, I found it off some music magazine, im sorry if I seemed really stupid because you sound pretty offended lol.

again pitch bending your sub is pretty point less but beside that I'm not offended just trying to prevent bad production habits

when I meant bassline movement i didnt mean like phasing etc im talking about pitch bends and the sort.

all good bruv

If you want proof look at this track
Flux Pavilion - Jump back
http://www.youtube.com/watch?v=BSawLopEwjA
And notice how the sub bass isnt static and follows that kind of glidy motion pitch bend thing with portmento. Hopefully you understand what I mean.

x ParaTroXic wrote:If you want proof look at this track
Flux Pavilion - Jump back
http://www.youtube.com/watch?v=BSawLopEwjA
And notice how the sub bass isnt static and follows that kind of glidy motion pitch bend thing with portmento. Hopefully you understand what I mean.

thats not a pure sine I'm guessing, probably a sine he used in the same patch...what I'm saying is that with a pure sine theres no point in modulating anything but the level, because of the lack of harmonics.

ehbrums1 wrote:what I'm saying is that with a pure sine theres no point in modulating anything but the level, because of the lack of harmonics.

pitch

Project EX wrote:

ehbrums1 wrote:what I'm saying is that with a pure sine theres no point in modulating anything but the level, because of the lack of harmonics.

pitch

wouldn't that change the level being reproduced though? because different systems reproduce different freq's differently

Glide? if thats what your on about just press the glide button

Yeah I can defenitly hear some reverb and flanger/phase. And some genious automation.

Obviously pitch still effects the sub bass, you know when the sub bass is gliding up or down etc, so therefore im saying by compressing the lows /getting the lows up in the mix, the sub frequencies will follows the midrange bass so, there im saying that the sub doesnt feel disjointed from the midrange bassline - i find it hard to explain my self, but i know its true.

x ParaTroXic wrote:Obviously pitch still effects the sub bass, you know when the sub bass is gliding up or down etc, so therefore im saying by compressing the lows /getting the lows up in the mix, the sub frequencies will follows the midrange bass so, there im saying that the sub doesnt feel disjointed from the midrange bassline - i find it hard to explain my self, but i know its true.

but why would you compress a sub.....

this thread is jokes

With a hammer

ehbrums1 wrote:

Project EX wrote:

ehbrums1 wrote:what I'm saying is that with a pure sine theres no point in modulating anything but the level, because of the lack of harmonics.

pitch

wouldn't that change the level being reproduced though? because different systems reproduce different freq's differently

That's more down to the resonance and inperfection of the system methinks.

Try playing ascending/descendung sequence with your sub

Turn up the glide