Dubstepforum.com

LACE wrote:@keishacakesxxx (not sure if it's a parody) NSFW

wub wrote:

LACE wrote:@keishacakesxxx (not sure if it's a parody) NSFW

Not an image gallery to look at in the office then

LACE wrote:

wub wrote:

LACE wrote:@keishacakesxxx (not sure if it's a parody) NSFW

Not an image gallery to look at in the office then

i realize the XXX sounds appetizing but keishacakes twitter will make your eyes bleed..hehehe save it for home.

Pedro Sánchez wrote: Jaydot your thread ideas are fucking awful.

prisoner wrote:the one that posts excerts from boomkat reviews (should really make a fact one too...)

jaydot wrote:

Pedro Sánchez wrote: Jaydot your thread ideas are fucking awful.

Not rly.

jaydot wrote:

Pedro Sánchez wrote: Jaydot your thread ideas are fucking awful.

Not rly.

garethom wrote:

jaydot wrote:

Pedro Sánchez wrote: Jaydot your thread ideas are fucking awful.

Not rly.

This. Could've been a good thread if people weren't being unnecessarily wankerish.

Pedro Sánchez wrote:

prisoner wrote:the one that posts excerts from boomkat reviews (should really make a fact one too...)

The boomkat ones are obviously a pisstake, the FACT ones are trying to be serious, probably some wannabe music journo on work experience trying 'make his mark'

Agent 47 wrote:

Pedro Sánchez wrote:

prisoner wrote:the one that posts excerts from boomkat reviews (should really make a fact one too...)

The boomkat ones are obviously a pisstake, the FACT ones are trying to be serious, probably some wannabe music journo on work experience trying 'make his mark'

got links to these two?

Boomkat wrote:Zomby - With Love (Deluxe Vinyl Edition)
Underground provocateur and beat maverick triggers 33 sawn-off rave-refractions, 'With Love'. After maintaining an unusually low profile for the 2 years since 'Dedication', Zomby is set to convince more heads with this ambitious double album of gloomy electronics and UK soul. And that's not soul of the Beverley Knight type: it's a poignant, more relevant sorta soul; a metaphysical essence that percolates its dilated pulsewidth and comes laden with a very particular emotional and cultural baggage. On 'With Love' the glowing perspiration of '92 has long gone cold, its aura only just phosphorescing in the nuclear fall-out of rave substrains - mid-'90s darkcore and the ghosts of garage - memory mutated, crossbred with the Euro-trance pop and baroque R&B explored in 'Dedication' and synthesised as hollow, architectural models or 3D print-outs that amaze practically more than the full scale, "real" thing. On the first disc he oscillates between spidery bleep steppers, ghosted garage and distorted, Dillinja-esque jungle battery with that typical, contrary flux of stush concision and burned-out rave yearn, cycling through 17 fragments of a smashed and tortuous mind. The 2nd disc is markedly different, though, delineating darker, skittish trap tessellations and more private solo piano and crystalline arpeggio ponders in a chamber-like atmosphere. As with AFX and Burial before him, Zomby's supernaturally effective feel for melody and harmony is key to his appeal, but unlike them, his awareness of contemporary rhythms and his adroit ability to re-define gives his work a contemporary relevance and resonance they've sometimes failed to achieve.