Parallel Processing
Posted: Fri Dec 06, 2013 8:11 pm
I rarely add parallel effects like compression or distortion and I kind of think I'm missing out on some potential good tricks. One thing I've been thinking about is how to re-mix the wet set signal back in with the dry.
So for example if I have a piano on channel 1, I send that to channel 2 @ 50% - channel 2 is for example a heavy compression chain, now since I use busses before my master can I just send both channel 1 (original) and channel 2 (parallel comp) both to my "orchestra buss", or should I re-buss the channels before then?
I feel like I'm making this more complicated than neccessary but something that kinda worries me is the phase effects of recombining the signals, specifically if I start parallell processing basses.
So any advice from people that regularly do this would be appreciated - what sort of effects do you add in parallel, how do you mix the wet signals back into your mix, and how do you keep the sound clean etc...
Thanks!
So for example if I have a piano on channel 1, I send that to channel 2 @ 50% - channel 2 is for example a heavy compression chain, now since I use busses before my master can I just send both channel 1 (original) and channel 2 (parallel comp) both to my "orchestra buss", or should I re-buss the channels before then?
I feel like I'm making this more complicated than neccessary but something that kinda worries me is the phase effects of recombining the signals, specifically if I start parallell processing basses.
So any advice from people that regularly do this would be appreciated - what sort of effects do you add in parallel, how do you mix the wet signals back into your mix, and how do you keep the sound clean etc...
Thanks!