Dubstepforum.com

Posted: **Thu Feb 21, 2008 3:41 pm**

Anyone use Ultrasone for production? Have heard they are the best Headphones. I am trying to find a shop that I can go into and try out the DJ/hifi range.

Posted: **Thu Feb 21, 2008 3:49 pm**

In before two oh one.

Posted: **Thu Feb 21, 2008 3:55 pm**

Auan wrote:In before two oh one.

?:)

Posted: **Thu Feb 21, 2008 3:59 pm**

two oh one loves a bit of ultrasone.

Posted: **Thu Feb 21, 2008 4:04 pm**

Yeah 2oh1 is always pimping them out. Think he might be on the Ultrasone payroll.

Posted: **Thu Feb 21, 2008 4:14 pm**

ahh I see. Well I see them pimped quite alot. Damn expensive headphones tho eh

Posted: **Thu Feb 21, 2008 4:44 pm**

I also love a bit of ultrasone... and yeah, two oh one's fault. i got mine for about 150 quid, expensive, but i've seen worse.

I've heard them described as the only headphones you can mixdown on, and they sound amazing.

Posted: **Thu Feb 21, 2008 4:45 pm**

Slim wrote:I also love a bit of ultrasone... and yeah, two oh one's fault. i got mine for about 150 quid, expensive, but i've seen worse.

I've heard them described as the only headphones you can mixdown on, and they sound amazing.

Which model you got?

Posted: **Thu Feb 21, 2008 4:47 pm**

Serox wrote:
Slim wrote:I also love a bit of ultrasone... and yeah, two oh one's fault. i got mine for about 150 quid, expensive, but i've seen worse.

I've heard them described as the only headphones you can mixdown on, and they sound amazing.
Which model you got?

Proline 750.

Posted: **Thu Feb 21, 2008 4:48 pm**

I've actually gone off mine and given them to my cousin. Because I hate him. I got myself a pair of Sanyo personal stereo headphones from the '80s instead. The foam has disintegrated, but they sound really nice if you learn to listen through the hiss.

Posted: **Thu Feb 21, 2008 4:54 pm**

Slim wrote:
Proline 750.

Could u mix out on them if you wanted? or is tha like driving a ferrari to tesco?

Posted: **Thu Feb 21, 2008 4:59 pm**

Of course you can mix with them. That's why they were designed. I know some pros who mix on them (despite having one of those studios that makes you jaw drop as soon as you step inside) and I know of a famous M.E who uses them.

After buying lots of headphones, these are the only headphones I would ever trust.

Posted: **Thu Feb 21, 2008 5:03 pm**

two oh one wrote:I've actually gone off mine and given them to my cousin. Because I hate him. I got myself a pair of Sanyo personal stereo headphones from the '80s instead. The foam has disintegrated, but they sound really nice if you learn to listen through the hiss.

For the record, I'm a big fan of the Beyer Dynamic DT100's, because my monitoring/acoustics situation doesn't really let me get a good mix on the subs either. And they're like half the price. And they've got that retro sex appeal that every producer craves

Posted: **Thu Feb 21, 2008 5:14 pm**

two oh one wrote:Of course you can mix with them. That's why they were designed. I know some pros who mix on them (despite having one of those studios that makes you jaw drop as soon as you step inside) and I know of a famous M.E who uses them.

After buying lots of headphones, these are the only headphones I would ever trust.

are they all good then? I see the 750s mentioned the most and hardly hear about the others.

Posted: **Thu Feb 21, 2008 5:23 pm**

Auan wrote:
two oh one wrote:I've actually gone off mine and given them to my cousin. Because I hate him. I got myself a pair of Sanyo personal stereo headphones from the '80s instead. The foam has disintegrated, but they sound really nice if you learn to listen through the hiss.

For the record, I'm a big fan of the Beyer Dynamic DT100's, because my monitoring/acoustics situation doesn't really let me get a good mix on the subs either. And they're like half the price. And they've got that retro sex appeal that every producer craves

Yeah, those look nice. You can pretend to be a pilot. I used to use Sennheiser 414 s because they looked retro and all the BBC seemed to use them.

I think a gnat farting has more bass.

Posted: **Thu Feb 21, 2008 5:24 pm**

Serox wrote:
two oh one wrote:Of course you can mix with them. That's why they were designed. I know some pros who mix on them (despite having one of those studios that makes you jaw drop as soon as you step inside) and I know of a famous M.E who uses them.

After buying lots of headphones, these are the only headphones I would ever trust.
are they all good then? I see the 750s mentioned the most and hardly hear about the others.

Yeah, the 750s seem to be what people go for. I'd go over to gearslutz and do some searches. You might find other headphones mentioned, too.

Posted: **Thu Feb 21, 2008 5:25 pm**

two oh one wrote:
Yeah, the 750s seem to be what people go for. I'd go over to gearslutz and do some searches. You might find other headphones mentioned, too.

2nd time I heard about that website today. Cheers.

Posted: **Thu Feb 21, 2008 5:27 pm**

heard good things about the sennheiser hd600 / hd650s too .

Posted: **Wed Aug 20, 2008 6:29 am**

Ultrasone this and that , truth is you can get the maudio stuiophiles for 150 bucks.a nd thye are better much better for electronic music mixing and tracking .! amazing sound. !
javascript:emoticon(':evil:')
Evil or Very Mad

Posted: **Wed Aug 20, 2008 10:53 am**

I just bought a pair of 750s thanks to all the praise on here. Paid about £160 ish for them which seems OK. Also I spoke to the Ultrasone guy and he said price is going up £25 or so after 1st September.