RESO, CASPA etc
Posted: Mon Feb 23, 2009 8:11 pm
how do they make that amazing gritty wobble?like in floor dem?
Page 1 of 3
Posted: Mon Feb 23, 2009 8:14 pm
you are kidding right?
Posted: Mon Feb 23, 2009 8:16 pm
not like standard LFO wobble and stuff.. you heard that track if you can bet em by reso?
Posted: Mon Feb 23, 2009 8:16 pm
this is gonna get instresting pretty fast
Posted: Mon Feb 23, 2009 8:17 pm
ha ok.. well hopefully in a constructive sense.. i can wobble in massive etc, thats not what im asking
Posted: Mon Feb 23, 2009 8:21 pm
this is the part where futures_untold comes in with that picture hes been edited and rinsing to fuck
Posted: Mon Feb 23, 2009 8:24 pm
interesting
Posted: Mon Feb 23, 2009 8:28 pm
FSTZ wrote:interesting
Posted: Mon Feb 23, 2009 8:31 pm
dead man, would be more appropriate for starting this thread...
Posted: Mon Feb 23, 2009 8:39 pm
Free entertainment! 
Posted: Mon Feb 23, 2009 8:45 pm
I'm just gunna be serious for a second
Processing, distortion, overdrive, etc etc etc....... You can't just make a sound and expect it to be perfect, thats the reason why FXs exist, to push more out of a basic sound to make it more interesting and such..Also layering an using buses to combine loads of sounds together and treat them with the same FX settings so they sit better together.
Ok, now ive been serious
"Whatcha talking about, Willis"
Processing, distortion, overdrive, etc etc etc....... You can't just make a sound and expect it to be perfect, thats the reason why FXs exist, to push more out of a basic sound to make it more interesting and such..Also layering an using buses to combine loads of sounds together and treat them with the same FX settings so they sit better together.
Ok, now ive been serious
"Whatcha talking about, Willis"
Posted: Mon Feb 23, 2009 8:49 pm
wtf gwannin with its neckPosted: Mon Feb 23, 2009 8:51 pm
Shaved, innit.
Posted: Mon Feb 23, 2009 8:53 pm
I'm sure this exact same question popped up a few days ago.
If your using massive try adding the S+H fully wet and the pitch real high at about 3 t0 4 0'clock. On the routing have it come after the filters.
Try a comb filter after the first low pass filter (in series) with the pitch at 2 to 3 oclock with damping and feedback reasonably high.
Try a bitcrusher after the filters too but personally don't rate the one in massive try one externally.
Also try the search function
If your using massive try adding the S+H fully wet and the pitch real high at about 3 t0 4 0'clock. On the routing have it come after the filters.
Try a comb filter after the first low pass filter (in series) with the pitch at 2 to 3 oclock with damping and feedback reasonably high.
Try a bitcrusher after the filters too but personally don't rate the one in massive try one externally.
Also try the search function
Posted: Mon Feb 23, 2009 8:54 pm
Posted: Mon Feb 23, 2009 8:57 pm
ooooLegendary wrote:Shaved, innit.
Posted: Mon Feb 23, 2009 8:58 pm
Fart down a digerydoo. Sample it, pitch it up a bit.
Should get you the sound your after.
Should get you the sound your after.
Posted: Mon Feb 23, 2009 8:59 pm
I am not even going to ask what is up with the sheep.
Posted: Mon Feb 23, 2009 9:01 pm
WHAT!?! how dare you, they are not sheepabZ wrote:I am not even going to ask what is up with the sheep.
Posted: Mon Feb 23, 2009 9:03 pm
Llamas my bag... I am still not asking.