Dubstepforum.com

Posted: **Sat May 23, 2009 2:15 pm**

hey got in too dubstep around the time spongebob got pressed and since then theres not been much from these legends! Anyone know the low down or have they always been this infrequent?

Posted: **Sat May 23, 2009 2:26 pm**

they have a game plan and it strives for quality over quantity. makes every release a "must have".

Posted: **Sat May 23, 2009 2:34 pm**

i think Mala is focused on his Deep Medi label right now and Loefah is concentrating on his Swamp 81 label...

i think we would all like to see at least 1 or 2 DMZ releases this year though no doubt...

Posted: **Sat May 23, 2009 2:55 pm**

Burn wrote:quality over quantity.

exactly.

Posted: **Sat May 23, 2009 3:01 pm**

I'm intrigued to see how a label like DMZ playing the long game might help dubstep ride out some of the hype turbulence that comes with sub-genres coming and going...

Posted: **Sat May 23, 2009 3:09 pm**

funnily enough i interviewed mala last night for the bassmusicblog.com site and asked him about this - but he said it wasn't down to any particular game plan, that's just the way it happens...

anyway, will transcribe it shortly, hope to have it up on the site in the next couple of days

Posted: **Sat May 23, 2009 3:49 pm**

seckle wrote:
Burn wrote:quality over quantity.
exactly.

to be fair, there is alot of unreleased quality from those 3

Posted: **Sat May 23, 2009 3:53 pm**

Joe Muggs wrote:I'm intrigued to see how a label like DMZ playing the long game might help dubstep ride out some of the hype turbulence that comes with sub-genres coming and going...

hmm... good insight

Posted: **Sat May 23, 2009 4:09 pm**

The Acid Never Lies wrote:
Joe Muggs wrote:I'm intrigued to see how a label like DMZ playing the long game might help dubstep ride out some of the hype turbulence that comes with sub-genres coming and going...
hmm... good insight

Dubstep is bigger than a sub-genre TBF - I'm sure in its current "popular" form it will continue for some time. What we have now is a small continuum of what the sound stood for all those years ago becoming a sub-genre including the UK Funky thing and the deeper sub-genres of that movement that echo some of the ideals we saw in the early DMZ releases. It'll be interesting to see where the label goes next if indeed it continues to release music.

Posted: **Sat May 23, 2009 4:49 pm**

this interview (imo, one of the best interviews on you tube, in relation to this scene) explains a lot of the reasons why the dmz label is so important, and its already created its own legacy. quality over everything else. sound first...then everything else.
http://www.youtube.com/watch?v=v8cKAXLTc6o

Posted: **Sat May 23, 2009 4:59 pm**

seckle wrote:this interview (imo, one of the best interviews on you tube, in relation to this scene) explains a lot of the reasons why the dmz label is so important, and its already created its own legacy. quality over everything else. sound first...then everything else.
http://www.youtube.com/watch?v=v8cKAXLTc6o

cheers for the tip

Posted: **Sat May 23, 2009 5:45 pm**

seckle wrote:
Burn wrote:quality over quantity.
exactly.

i'll probably get shit for saying this, but i don't think the last plate was very quality at all....D:

Posted: **Sat May 23, 2009 6:55 pm**

bobsabarker wrote:
seckle wrote:
Burn wrote:quality over quantity.
exactly.
i'll probably get shit for saying this, but i don't think the last plate was very quality at all....D:

i think the same mate, each to their own. Every1 has diff taste and has the right to say they don't like a track without getting shit. But if ya gonna be rude and say tracks are shit, then expect to get some shit. But i must say DMZ have some very very fine music. It's not about the lable it is simply down to the great artists that release the music on the lable. Thing i love about DMZ releases is the diversity, there is somrthing for every1

Dubstepforum.com

DMZ doing one plate a year now or something?

DMZ doing one plate a year now or something?