Acetate or vinyl? I have shure m447...
Posted: Thu Jun 04, 2009 7:30 am
can you advise me about dubplates? I know about quality and life but i wanna hear something by who already play real dubplates 
worldwide dubstep community
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very interesting words mate. thanksEops wrote:The only real problem is that acetate degrade so if you are likely to play it a lot over a few months then think on.
The sound is normally lovely but plates do tend to be heavy and inflexible so dont drop your bag from a hieght and dont overpack them or they can snap. Also sometimes the lead in can be slippy making it hard to count off the tune but its nothing that careful cueing wont solve.
In short they are lovely objects - its a dubplate bizniz .
thanks, I think the same. where do you cut them?Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time
thanks for infos!!!Eops wrote:Heres a few suggestions
http://www.low-life.fsnet.co.uk/pressin ... m#Pressing
http://www.curvedltd.com/sevi.htm
http://www.dubplates-mastering.com/faq.html
https://www.imastering.co.uk/
and although they dont cut vinyl you can get great advice and mastering at maccs company
http://www.subvertcentral.com/forum/cmps_index.php
Im about to send my next two tunes to him
TeReKeTe wrote:lower levels from dubplates, usually-- rarely a problem tho.
the lead in WILL get cue burn, it's just a fact of life.
Thought this is what was meant.Eops wrote:
When you cue up a record - by scraching the beat back and forth before you release - this bit always starts to skip after a while meaning you have to cue it gently and carefully - Fecking annoying tbh
Henry does a really good job!Bobby_Dozen wrote:
http://www.dubstudio.co.uk
Dubplates(lacquer)Do not nesasarily ware out they just get a bit more crackly over time but a dubplate even after 30 plays still sounds better than the one off vinyl alternatives(Not to be confused with a vinyl record manufactured from a three stage galvanic process).Trust me i have done the tests.Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time
can you ensure acetates are always better then vinyl dubs? ...Jtransition wrote:Dubplates(lacquer)Do not nesasarily ware out they just get a bit more crackly over time but a dubplate even after 30 plays still sounds better than the one off vinyl alternatives(Not to be confused with a vinyl record manufactured from a three stage galvanic process).Trust me i have done the tests.Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time
Jason
can you ensure acetates are always better then vinyl dubs? ...djfoster wrote:Jtransition wrote:Dubplates(lacquer)Do not nesasarily ware out they just get a bit more crackly over time but a dubplate even after 30 plays still sounds better than the one off vinyl alternatives(Not to be confused with a vinyl record manufactured from a three stage galvanic process).Trust me i have done the tests.Eops wrote:vinyl because I cant afford to press acetates that I am going to wear out after 100 plays - if I was earning big money in the clubs then fine but Im not so I want something that essentially I can keep and enjoy for a long time
Jason