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the only sentence that makes sense in a bucket of bollockstheo parrish wrote: Next time I come here I want to hear the guy with 20 records in his box, and blows my mind.
lol he doesn't know anything about digital filesdjelements wrote:Wow, what a cock.jdw wrote:http://www.redbullmusicacademy.com/vide ... _for_the_dTheo Parrish wrote:I’m pretty sure Herbie didn’t want this digitally downloaded. I’m pretty sure. He probably didn’t even have it in mind to have it spun somewhere, DJed or pitched up and down. But the idea is when you pitch something up and down the record still remains a record. When you take it out of this form you no longer associate this imagery with that individual, these sounds. Now they become abstract concepts. “Who’s Herbie Hancock? Who gives a fuck, I got that song.” See that’s where it goes, and that’s the danger. It’s convenient, ain’t got to carry around records. Ain’t got to worry about customs. You can bring your whole collection to a party. Your whole collection? I mean, I walk into a party and I know you got access to 50.000 records. 50.000! You know what I’m going to expect out of you? I’m going to want my DNA changed! (laughter) You’re going to have to change my DNA because you got 50.000 records and an hour to play. An hour to play? How the fuck are you going to play 50.000 records and an hour to play? Alright, OK, change my life! I walk in, my life is not changed. I leave, I’m mad. I’m at the door, I’m starting with the promoter because I’m drunk, and they told me the guy had 50.000 songs to play. "I came in with expectations and I had six gin-tonics, dammit! I want my money back. You better not pay him tonight! Don’t pay that DJ nothing! Next time I come here I want to hear the guy with 20 records in his box, and blows my mind."[...]
That’s the other scary thing, it’ll take you the better part of ten years to collect, in my opinion, the amount of vinyl that’s worthy of being presented to other people. Take you, what? A couple minutes? To download somebody’s whole collection. Now the question is, is it worth the convenience? Maybe. But are you missing out on all of the knowledge that goes into looking for those specific records? Specifically, because you know ‘so-and-so’ played on this record, ‘so-and-so’ played on that record, are you going to take that time and get your knuckles dusty, and go meet another crazy obsessed individual just like yourself? You got to take that time. Oh, you can meet somebody online, their name is James and they got a big dick and big eyes. What is that shit? Motherfucker’s name is Jones, she got 36 double D’s, no! You meet somebody at the record store and they’re picking out records. See, that’s the problem with a lot of things now: the community is going from being something where you go out and have conversations with people and deal with individuals. Now everybody can hide behind these phoney masks. Do whatever they want. You never know what you’re getting.[...]
But more importantly, what I want to focus on is that you can’t replace a record collection with a file collection. There’s no way to replace it, and it’s up to every one of you if you’re interested in playing music out, to decide if you’re going to deal with both types of formats. Realise, they’re two different types of camps, you’re really cutting yourself off from individuals who respect the idea of collection. It’s a family and they will be able to tell if you don’t have those records. And they’re not going to look for you for those records. They’re not going to be interested in replacing an important piece that you might have lost or damaged. If they knew that you went the cheap way and just downloaded it anyway, that’s the other part of it.
Pistonsbeneath wrote:yep they did...i have em...i have all the dmz they had up before it was taken downesfandyar wrote:on bleep they did. for a fact.bagelator wrote:neither horrorshow nor mud got digital release
esfandyar wrote:on bleep they did. for a fact.bagelator wrote:neither horrorshow nor mud got digital release
i have mud on wax as well...bagelator wrote:Pistonsbeneath wrote:yep they did...i have em...i have all the dmz they had up before it was taken downesfandyar wrote:on bleep they did. for a fact.bagelator wrote:neither horrorshow nor mud got digital releaseesfandyar wrote:on bleep they did. for a fact.bagelator wrote:neither horrorshow nor mud got digital release
i stand corrected.
still, my vinyls of them sound better than your hooky mpfrees
jdw wrote:http://www.redbullmusicacademy.com/vide ... _for_the_dTheo Parrish wrote:I’m pretty sure Herbie didn’t want this digitally downloaded. I’m pretty sure. He probably didn’t even have it in mind to have it spun somewhere, DJed or pitched up and down. But the idea is when you pitch something up and down the record still remains a record. When you take it out of this form you no longer associate this imagery with that individual, these sounds. Now they become abstract concepts. “Who’s Herbie Hancock? Who gives a fuck, I got that song.” See that’s where it goes, and that’s the danger. It’s convenient, ain’t got to carry around records. Ain’t got to worry about customs. You can bring your whole collection to a party. Your whole collection? I mean, I walk into a party and I know you got access to 50.000 records. 50.000! You know what I’m going to expect out of you? I’m going to want my DNA changed! (laughter) You’re going to have to change my DNA because you got 50.000 records and an hour to play. An hour to play? How the fuck are you going to play 50.000 records and an hour to play? Alright, OK, change my life! I walk in, my life is not changed. I leave, I’m mad. I’m at the door, I’m starting with the promoter because I’m drunk, and they told me the guy had 50.000 songs to play. "I came in with expectations and I had six gin-tonics, dammit! I want my money back. You better not pay him tonight! Don’t pay that DJ nothing! Next time I come here I want to hear the guy with 20 records in his box, and blows my mind."[...]
That’s the other scary thing, it’ll take you the better part of ten years to collect, in my opinion, the amount of vinyl that’s worthy of being presented to other people. Take you, what? A couple minutes? To download somebody’s whole collection. Now the question is, is it worth the convenience? Maybe. But are you missing out on all of the knowledge that goes into looking for those specific records? Specifically, because you know ‘so-and-so’ played on this record, ‘so-and-so’ played on that record, are you going to take that time and get your knuckles dusty, and go meet another crazy obsessed individual just like yourself? You got to take that time. Oh, you can meet somebody online, their name is James and they got a big dick and big eyes. What is that shit? Motherfucker’s name is Jones, she got 36 double D’s, no! You meet somebody at the record store and they’re picking out records. See, that’s the problem with a lot of things now: the community is going from being something where you go out and have conversations with people and deal with individuals. Now everybody can hide behind these phoney masks. Do whatever they want. You never know what you’re getting.[...]
But more importantly, what I want to focus on is that you can’t replace a record collection with a file collection. There’s no way to replace it, and it’s up to every one of you if you’re interested in playing music out, to decide if you’re going to deal with both types of formats. Realise, they’re two different types of camps, you’re really cutting yourself off from individuals who respect the idea of collection. It’s a family and they will be able to tell if you don’t have those records. And they’re not going to look for you for those records. They’re not going to be interested in replacing an important piece that you might have lost or damaged. If they knew that you went the cheap way and just downloaded it anyway, that’s the other part of it.
i come from rock and pop music. got into producing recently. i know a LOT of people who say that playing two records together takes about as much talent as fiddling one's dick. a lot of people would say that because people use turntables and a crossfader instead of guitars and drums, that all music as we know it is headed down the drain... but it's not true. just a matter of perspective. nothing ever stays the same, not even for a couple years.. you have to either embrace that or get used to living in the past.esfandyar wrote:narcissus wrote:whatever, dude. you're clearly not worth arguing with because you're not willing to see my point of view.esfandyar wrote:fuck that dude. i have such a better time when i hear djs creatively mixing, double dropping, rinsing tunes, and keeping the dancefloor rolling rather than an abrupt switch or a horrid trainwreck. Beatmatching is DJing 101, PERIOD. My problem is looking around on the dancefloor and being disgusted with the fact that people dont give a shit how the performer is "performing", who all paid good money to get into a club, only to hear music being played as if the guy just bought his first setup and thought he was a fucking dj! You have a point when you say people don't give a damn, no most dont, but fuck them. Does that mean that because they have low expectations and standards that every human can now go buy abelton or two tables and become a performer and run a night?narcissus wrote:to some of you is about how good the DJ is at beatmatching with vinyl, but look around... do the people on the dance floor give a damn? no, they're trying to have a good time. you should be getting into that spirit instead of flipping a bitch about what the DJ uses to make the woofers move.. cuz honestly that's just negative energy period, and that's exactly what we don't need in this world, and especially this movement we have going...
i see what you're saying -- you like the music to flow nicely. i don't disagree...
what i do know is this....
if we went to the club and the DJ was playing good music but just pressed a button to play each track, i'd be having a great time dancing with cute chicks and getting hyped up.
you'd be getting pissed off about it and ruining your own night.
you gotta just learn to relax and enjoy man..
I do see your point, of course I do. Its kinda like my love for Lil Wayne, I don't listen to him to become enlightened or find a deeper meaning. Its just plain fun. Not everything has to be this epic revolution... but..
Ive been going to raves/parties/clubs/whatever since I was 15. Im 26 now. Im not sure how old you are, but performers had to meet a standard... and that standard seems to be deteriorating... for fucks sake.. at least beatmatching..... jesus lord.
