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Eat Bass wrote:alright thanks ill try that.

btw i meant use the ohmicide on the original through a bus because you can still effect the original signal even if you freq split but i think it only gives you the wet signal but you can adjust the amount with sends, not sure if you follow me, but whatever that parts not really important just thinking out loud.

when i freq split i use the channel eq, should i try and use the multiprocessor, or? also, did you follow me in the sense that i split my bass into low, mid, high. then i add a separate sub layer, so theres 4 layers all together. but the low band of my bass i high pass it at 80hz or so its just that 100-300 warmth ontop of the sub layer. i just wasn't sure if that was common practice, but i feel like its nice because i can leave my sub bass as a clean sine and effect just above it for a tad bit of color.

btw i just got logic a couple of weeks ago so I'm still pretty new to it. coming from reason.

lloydy wrote:

Eat Bass wrote:alright thanks ill try that.

btw i meant use the ohmicide on the original through a bus because you can still effect the original signal even if you freq split but i think it only gives you the wet signal but you can adjust the amount with sends, not sure if you follow me, but whatever that parts not really important just thinking out loud.

when i freq split i use the channel eq, should i try and use the multiprocessor, or? also, did you follow me in the sense that i split my bass into low, mid, high. then i add a separate sub layer, so theres 4 layers all together. but the low band of my bass i high pass it at 80hz or so its just that 100-300 warmth ontop of the sub layer. i just wasn't sure if that was common practice, but i feel like its nice because i can leave my sub bass as a clean sine and effect just above it for a tad bit of color.

btw i just got logic a couple of weeks ago so I'm still pretty new to it. coming from reason.

I read on here sometime ago using logics eq to split was bad practice because of frequency's bleeding in to each other and possible phasing issues,if you think about it when you eq you are turning down frequencys' not completely cutting them.I think with the multipressor it literally cuts the frequency dead too where you set it(i think i don't know)so it is better at actually splitting then using the eq.
Also yes splitting like you are doing i think is common practice,i most certainly do it like that.Your sub should really be hitting below 100hz anyway so colouring above that is a good idea.I have routed my sub to a mono buss before and added slight distortion then high passed the bus to 80-100 hz so it adds a little bit of colour when the sub hits.Again if you think it sounds good it more then likely does.

Eat Bass wrote:
btw too bad ohmicide didn't have compression like trash. because with trash you can use the compressor and get parallel compression with the dry/wet fader.. that methods a lot easier than using busses for parallel compression in logic. seems like trash is really good for drums but ohmnicide everything else.

Depone wrote:

Eat Bass wrote:
btw too bad ohmicide didn't have compression like trash. because with trash you can use the compressor and get parallel compression with the dry/wet fader.. that methods a lot easier than using busses for parallel compression in logic. seems like trash is really good for drums but ohmnicide everything else.

It does have a gate, but not compressor.

Ohmicide all day my friend, But dont preset hop, load each band with the more subtle to extreme distortion types.
Saying that, camel phat/crusher has its place for specific sounds too. Namely drums in my experience

Filthzilla wrote:I find them both pretty overrated.

I'm into Camel Crusher.