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have you checked out the bpb for any free ones?

Honestly, used to use a lot of verbs as inserts out of lazyness. F that, always on a send now, always eq'ed, even verbs w a built in eq, I'll use my own.

Really wish the dev of redline reverb didn't die... Such an amazing reverb.

i need some new reverb plugs, fruity reverb just aint cuttin it anymore lol

ehbrums1 wrote:have you checked out the bpb for any free ones?

oh i know there are a ton of free ones out there, and i'll probably spend a month digging deep into each of them at some point. i really like to make sure i've fully understood a piece of kit that ive already got before i go looking for something new.

although I did break that rule recently when I paid $50 for the cubase 6.5 update just to get my hands on the new retrologue and padshop synths. retrologue is my main workhorse for software synths now, and the padshop is just fucking nuts

nowaysj wrote:Honestly, used to use a lot of verbs as inserts out of lazyness. F that, always on a send now, always eq'ed, even verbs w a built in eq, I'll use my own.

for me, there is still a time and place for reverb as inserts. but really to use as a special effect or musically or whatever. but yes, for mixing or "creating a space" sends sends sends. never tried using parametric EQ instead of the reverbs EQ, but that is definitely something I'll be trying now

ehbrums1 wrote:spent the last hour sampling reggae/ dub tunes and the creative juices be a flowing

I've been doing the same thing this whole week only been sampling house and techno, old school shit... Have a whole shit load of new tunes nearly finished

ethics teacher tell us to make an essay about a movie that shows a trial and identify the infractions to the code of ethics and lawyering during the trial. It's a north american movie.
trying to compose what should be a "singer friendly" riddim, as described by the mc.

Hircine wrote:trying to compose what should be a "singer friendly" riddim, as described by the mc.

what?

Hircine wrote:ethics teacher tell us to make an essay about a movie that shows a trial and identify the infractions to the code of ethics and lawyering during the trial. It's a north american movie.
trying to compose what should be a "singer friendly" riddim, as described by the mc.

I'm gonna take a shot in the dark and say To kill a mockingbird

ehbrums1 wrote:

Hircine wrote:ethics teacher tell us to make an essay about a movie that shows a trial and identify the infractions to the code of ethics and lawyering during the trial. It's a north american movie.
trying to compose what should be a "singer friendly" riddim, as described by the mc.

I'm gonna take a shot in the dark and say To kill a mockingbird

nah, I don't remember the name in english. The fact is, it's a total different law system, with different procedures.

Hircine wrote:

ehbrums1 wrote:

Hircine wrote:ethics teacher tell us to make an essay about a movie that shows a trial and identify the infractions to the code of ethics and lawyering during the trial. It's a north american movie.
trying to compose what should be a "singer friendly" riddim, as described by the mc.

I'm gonna take a shot in the dark and say To kill a mockingbird

nah, I don't remember the name in english. The fact is, it's a total different law system, with different procedures.

Ull like this being a law student, so this kid in town close to mine is filing a lawsuit against a another kid who lit him up in a hockey match the the prosecution said and I quote “If this (check) was off the rink, on a public way, that is gross, negligent assault and battery

Wha? Assault and battery are both intentional torts? Negligence has nothing to do with it? Wha?

Also, that is like arguing that a boxer being punched in the ring is the victim of battery, because if he was punched like that on the street it would be battery. Redic.

was in the studio 'till 3 last nite, then back here writing bridges and mixing from 10-8, and just got back from seeing a vocalist I work with do her solo set. making music is exhausting but awesome when working with good people. It's extremely easy to get discouraged but the truth remains that the world will always need good songs.

regarding verb, always keep a spring reverb on a send-- can really help give midrangey things depth/thickness/width/whatever useless word we want to use/ without sounding 'verb-y.

try using bandpassed 1/8th-note delays rather than 'verb, as well-- reverb as an effect is great; reverb as an effort to make things feel bigger often makes them feel cheap. got a real love/hate relationship w/ verb.

Reverb Pro Tip: Reverb is your front to back pan knob.

i like sidechaining reverb. then again i like sidechaining everything.

I just sidechain my master to my kick

I love room and spring reverbs

ChadDub wrote:

Hircine wrote:trying to compose what should be a "singer friendly" riddim, as described by the mc.

what?

It's 02:30 am so my english is not at its best I'm working with a ragga mc, we are trying to make a song together, but every time I come up with a riddim he says it's too dark, he's not feeling it, it doesn't flows well.

nowaysj wrote:Reverb Pro Tip: Reverb is your front to back pan knob.

Just learned this a couple weeks ago wish I realized it a loooong time ago

157bpm

boom...2.boom.clap...boom...5...boom...clap...8...

ChadDub wrote:I just sidechain my master to my kick

why have i never thought of this before

JizzMan wrote:

ChadDub wrote:I just sidechain my master to my kick

why have i never thought of this before

Because the kick will also be affected by the sidechain? You're ducking every element when you do this, or am I just not thinking right?