Dubstepforum.com

metalheadz russian tour with goldie, fabio, rider & bukem in russian stadiums, 2005. dnb is far from dead. it's just not all centered in london anymore.

big up ltj...fer real

Madness!

Remember when the Metalheadz kru visited sweden in 1996. Mashing up the place for real!!!

baz wrote:it's funny - people talk about styles on here like it's street fighter 2... too much 'got the t-shirt' identification with scenes and not enough actual listening to music.

BRAP !!

methud wrote:I also recently heard a track in a distance set (i might be wrong could have been someone else) that had the "bludclott artattack" sample in it.

Just listening to that now, coincidentally. It's about thirty-five minutes into Distance's show from 3rd April. Appears to be by Pinch, tune called "Punisher".

so what are these junglists gonna do? riot like the french?

Spaceboy wrote:so what are these junglists gonna do? riot like the french?

they fucking could if they wanted to. imagine mc'ing for 20,000 kids.

ken identifies the business opportunity! doubt you'd get paid however! they'd expect you to pay them! haha

I just hope all the nu d'n'b converts don't just get into the half steppas at the expense of the fullsteppas such that it all becomes bland digidub and the step of garage becomes a whole nother genre separate form dubSTEP...

...darqwan, MRK1, S&D, SLT mob, vexd, even toasty and boxcutter etc have shown that you can have big bad nasty as stormers that don't have to be crankin along at 170bpm yet still have a conscious element

then again people like blackdown could argue that that's breakstep not dubstep...

...it's funny but me and El Sid went over this hammer and tong quite a while back on BBWW, was fun too

but the worst aspects of what happened to jungle then d'n'b I think, can only happen if the format and spread of the virus is contained within a localised setting centred around a few producers and limited to exclusive vinyl also if the mainstream (read big labels) starts chucking money at it to perpetuate the cycle and the music itself loses it's soul...

...one thing I am grateful for is the boring UK vs US thing that dn'b had going on for ages on DOA

now lets all join hands and sing...

WE ARE THE WORLD, WE ARE THE CHILDREN
WE ARE THE ONES WHO'LL MAKE A BRIGHTER DAY
SO LETS START GIVING
THERES A CHOICE WE'RE MAKING
WE'RE SAVING OUR OWN LIVES
IT'S TRUE WE'LL MAKE A BETTER DAY
JUST YOU AND ME

...the thing to watch out for is when the true breaksteppas start making dubstep of which quest and baobinga already have with exceptional results cos they operate around the same bpm and know how to step it up and smash a dancefloor to bits

then again that's looking at it from a producers point of view from lil ol isolated and ignorant NZ

IMHO

Spaceboy wrote:ken identifies the business opportunity! doubt you'd get paid however! they'd expect you to pay them! haha

i dunno, but as an mc in dnb...it doesn't get better than ^^^^ that. fuck the cash. you'd be showing that pic to your grandkids if it was you.

ah the old sid v martin: breakstep v dubstep debate.

i'm not interested. i'm impressed that martin is making indian fused dubstep

seckle wrote:

Spaceboy wrote:ken identifies the business opportunity! doubt you'd get paid however! they'd expect you to pay them! haha

i dunno, but as an mc in dnb...it doesn't get better than ^^^^ that. fuck the cash. you'd be showing that pic to your grandkids if it was you.

and getting busy with the plethora of russian babes. yeah i concur, i'm just playin on the whole french thing.

I just hope all the nu d'n'b converts don't just get into the half steppas at the expense of the fullsteppas such that it all becomes bland digidub and the step of garage becomes a whole nother genre separate form dubSTEP...

...darqwan, MRK1, S&D, SLT mob, vexd, even toasty and boxcutter etc have shown that you can have big bad nasty as stormers that don't have to be crankin along at 170bpm yet still have a conscious element

then again people like blackdown could argue that that's breakstep not dubstep...

...it's funny but me and El Sid went over this hammer and tong quite a while back on BBWW, was fun too

but the worst aspects of what happened to jungle then d'n'b I think, can only happen if the format and spread of the virus is contained within a localised setting centred around a few producers and limited to exclusive vinyl also if the mainstream (read big labels) starts chucking money at it to perpetuate the cycle and the music itself loses it's soul...

...one thing I am grateful for is the boring UK vs US thing that dn'b had going on for ages on DOA is non existent

now lets all join hands and sing...

WE ARE THE WORLD, WE ARE THE CHILDREN
WE ARE THE ONES WHO'LL MAKE A BRIGHTER DAY
SO LETS START GIVING
THERES A CHOICE WE'RE MAKING
WE'RE SAVING OUR OWN LIVES
IT'S TRUE WE'LL MAKE A BETTER DAY
JUST YOU AND ME

...the thing to watch out for is when the true breaksteppas start making dubstep of which quest and baobinga already have with exceptional results cos they operate around the same bpm and know how to step it up and smash a dancefloor to bits

then again that's looking at it from a producers point of view from lil ol isolated and ignorant NZ

IMHO

you guys still posting on bbww, huh

nope - i'm not active in music and thus not interested in shuving dubstep down their throats if they're not feeling it.

BBWW is a ghost town I'm pretty sure oddi is faking the stats too...

...no way do they get as much traffic as what they say is on line at any one time

then again what do i know...

Oh well, i had a good laugh at the time.

Dept of Hell Science wrote:BBWW is a ghost town I'm pretty sure oddi is faking the stats too...

...no way do they get as much traffic as what they say is on line at any one time

then again what do i know...

mmmm odissi

you met her spacey ???

she all that ???

don't think much of her tunage...

...glad we could entertain you m9918868