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its a gril^

that gril compresses

Sonika wrote:MORE EPOCH STYLE STUFF

epoch and wen and that shit man, the stuff blackdown plays on RinseFM....the 130 spaced out grime thing, that's what it's about

we will be onto the next ting by the time people start biting

fwd>>>>

epochalypso wrote:

Sonika wrote:MORE EPOCH STYLE STUFF

epoch and wen and that shit man, the stuff blackdown plays on RinseFM....the 130 spaced out grime thing, that's what it's about

we will be onto the next ting by the time people start biting

fwd>>>>

more trap claps with burial bass and garage hihats with girl unit synths.

less stupid emotionless nonsense that makes no fucking sense,
it's as if the more ignorant the music,
the more crowds respond.
(at least I'm speaking for what I see @ the shows in my town)
The intelligent shit get's no love,
the smarter it is, seems like people assume it's either over their head, or can't relate to it.

I do have a sense of humor, but rarely do I find it appealing in my sound.
I prefer darkness, and this trap shit is a joke, it's funny.
and yes per earlier in this amazing thread, americans ruin everything.
you know this, I know this, if my life was any indication of ruining everything, I deserve a fucking prize.

SO YEA TRAP to be replaced by SOUL in 2013, and we all shed tears @ shows.

just saying, wasnt talking so much about my own stuff because its not that great but i can see people copying the likes of wen in no time once he drops a couple releases. especially the way he does vocals and b lines

not gonna lie, ive prefered all the tunes ive heard you build over the last few years to what wen has been putting out.

both you and wen are killing it epoch, when you releasing some vinyl??

Nevalo wrote:not gonna lie, ive prefered all the tunes ive heard you build over the last few years to what wen has been putting out.

this.

wen is fucking sick, but your tunes are so much more intelligent imo. his is a little more garage-y, which is cool, but yours have so many fucking layers, it's insane...you try to follow the percussion, and you lose sight of it, but yet you still can follow the rhythm...the stop and start of the entire production is manufactured just right so it still has forward momentum, it's so sweet

how woud u know if a tune is intelligent sonik

ask it a few questions

terpit gave him some of his smart dnb

if u wanna suk his dicc sonnika it can be arranged

I wanna see more bass-weight and rudeness. Stand-out percussion needs to make a comeback as well. I wanna hear stuff that makes me go mad, in the same vein as old Vex'd, Loefah, El-B, ect. Keysound hit all the right buttons this year. LHF - Keepers of the Light was phenomenal, real forward-thinking, next level, electronic music that retains that ruffness and bass-weight that I desire. Beneath's EP is damn near perfect. It captures the vibe of classic eyes-down dubstep, but re-contextualizes it at the same time. Also, in regards to Wen, if you have heard Spark It or Hydraulics on a big rig, then you know he means fucking business. I'm loving all the cross-over grime stuff as well. Pedro1,2,3, P-Jam, Visionist, Filter Dread, Mr. Mitch, Bloom, and Kowton are all killing it!

I wanna see less euphoric happy stuff, that actually makes me sad while listening to it. Less formulas. LESS BORING 'DUNGEON' Far less boring 4x4. Trap can go die in a fire.

^ that sounds pretty accurate

Finally getting around to listening to Blackdown's Wen mix and yeah we need more of whatever that is

Staley wrote: Beneath's EP is damn near perfect. It captures the vibe of classic eyes-down dubstep, but re-contextualizes it at the same time.

Best description I've heard so far. Saw Beneath play out the other night, when he was mixing his stuff with tunes like Qawwali, etc. basically thought what you just put into words.

dubstep is ded

nxt big thing is juke

johney wrote:ask it a few questions