Dubstepforum.com

gwa wrote:what you rollin yer eyes at, i know and you know that you long for some decks

gwa wrote:the reward of a big mix with vinyl is 100% more satisfying than with traktor. traktor is made for house, to utilize the 4 decks.

djelements wrote:

gwa wrote:the reward of a big mix with vinyl is 100% more satisfying than with traktor. traktor is made for house, to utilize the 4 decks.

djelements wrote:

djekim wrote:

djelements wrote:

djekim wrote:it really dosent take any knowledge about music theory or anything.

Neither does vinyl.

i didnt say it did

So then why did you bring it up?

djekim wrote:

djelements wrote:

djekim wrote:

djelements wrote:

djekim wrote:it really dosent take any knowledge about music theory or anything.

Neither does vinyl.

i didnt say it did

So then why did you bring it up?

you brought that up actually.

but now that you mention it you have to throw the record on the right measure where as on ableton it will automatically throw it on a 16/32/ whatever you want it to.


so you pressed it and were proven wrong

2manynoobs wrote:it's a shame that our shitty economy also struck the music business. With digital and stuff, it's ugly as fuck. Why would you try to ruin a medium as nice as vinyl? I mean when becomes mobility and easyness more important than the actual sound itself? Why could ever anyone choose digital above vinyl?
Why??
If they just let it like it was, everybody would still be buying vinyl. Producers would earn money. So the producers who are shit a dj'ing wouldn't have use stupid digital stuff to be able to do gigs, so they can earn some money that they deserve for their hard work.
What is so special about going to see somebody live pressing every 2 minutes a button? If you go see a live show, you are expecting to hear some sick guitar or whatever. If you go to party, you want to see a skilled real dj no? You don't pay 5 euro entrance to see someone push buttons, and raising his hands like he's the badman..

2manynoobs wrote:If you go to party, you want to see a skilled real dj no? You don't pay 5 euro entrance to see someone push buttons, and raising his hands like he's the badman..

djekim wrote:

2manynoobs wrote:it's a shame that our shitty economy also struck the music business. With digital and stuff, it's ugly as fuck. Why would you try to ruin a medium as nice as vinyl? I mean when becomes mobility and easyness more important than the actual sound itself? Why could ever anyone choose digital above vinyl?
Why??
If they just let it like it was, everybody would still be buying vinyl. Producers would earn money. So the producers who are shit a dj'ing wouldn't have use stupid digital stuff to be able to do gigs, so they can earn some money that they deserve for their hard work.
What is so special about going to see somebody live pressing every 2 minutes a button? If you go see a live show, you are expecting to hear some sick guitar or whatever. If you go to party, you want to see a skilled real dj no? You don't pay 5 euro entrance to see someone push buttons, and raising his hands like he's the badman..

finally someone gets the full circle aspect of it all

Uncle Mike wrote:i put two (2) pieces of toast in my toaster in the morning, set that shit on 4 or 5 depending on how well-baked I want it too be/sound when I put it in my mouth before smearing on some grape jelly and/or
raspberry marmelade, depending on my mood at the time. The trick is in finding that balance between crunchy yet still nice and soft ( and to be fair, you can add some nice butter to gain the proper effect or filter)
yet I still keep that shit on an analog basis: standard butter knife, ceramic plate. Add some reverb: people usually waking up saying "yo wtf is that shit smells good make me some" and then you can still mix it all up digitally by writing about stupid unrelated shit like this on the internet.
So fair and square bro, I got the best of both worlds. My question for you: Got milk?

djekim wrote:there seems to be a trend of talentless people sitting there hitting buttons on a freaking apc40 and calling themselves djs. THEY ARE NOT DJS! instead i would call them posers.

i am personally holding the opinion that there should be producers and there should be djs. what happens when a producer has to dj or the other way around is you get a half assed product. im not saying that everyone that djs cant make a track or the producers can spin but to really be at the top of your game in either you dont have time for the other.

with that being said all of these jackasses that sit there and line up their tracks in ableton then hit the button to trigger the song ( and mind you they dont even have to hit the fucking buttons in time ) need to step down and let the big boys do the work on the decks. for fucks sake a retarded monkey can sit there and hit buttons.....

2manynoobs wrote:it's a shame that our shitty economy also struck the music business. With digital and stuff, it's ugly as fuck. Why would you try to ruin a medium as nice as vinyl? I mean when becomes mobility and easyness more important than the actual sound itself? Why could ever anyone choose digital above vinyl?
Why??
If they just let it like it was, everybody would still be buying vinyl. Producers would earn money. So the producers who are shit a dj'ing wouldn't have use stupid digital stuff to be able to do gigs, so they can earn some money that they deserve for their hard work.
What is so special about going to see somebody live pressing every 2 minutes a button? If you go see a live show, you are expecting to hear some sick guitar or whatever. If you go to party, you want to see a skilled real dj no? You don't pay 5 euro entrance to see someone push buttons, and raising his hands like he's the badman..

whitelight wrote:You guys are fucking ridiculous.

2manynoobs wrote:it's a shame that our shitty economy also struck the music business. With digital and stuff, it's ugly as fuck. Why would you try to ruin a medium as nice as vinyl? I mean when becomes mobility and easyness more important than the actual sound itself? Why could ever anyone choose digital above vinyl?
Why??
If they just let it like it was, everybody would still be buying vinyl. Producers would earn money. So the producers who are shit a dj'ing wouldn't have use stupid digital stuff to be able to do gigs, so they can earn some money that they deserve for their hard work.
What is so special about going to see somebody live pressing every 2 minutes a button? If you go see a live show, you are expecting to hear some sick guitar or whatever. If you go to party, you want to see a skilled real dj no? You don't pay 5 euro entrance to see someone push buttons, and raising his hands like he's the badman..

Oh really? I will personally prefer to pay to see someone press buttons, use tons of effects and manipulate sounds and tracks in ableton, mix multiple tracks at a time and have a good selection than someone else beatmatch one track after the other and be like "yeaaah, good beatmatch bro"...

Fuck off with your bullsht. I just can't belive people stick to vynil when there's another medium that sounds better, is cheaper, more practical and offers tons more possibilities. You guys are living in the past.

"When becomes mobility and easyness more important than the actual sound itself?"
When has "vynil culture" and "purism" become more important than the actual sound itself.

I say creativity is more important than being loyal to the roots of an abstract and useless vynil culture.

2manynoobs wrote:I don't say it's impossible to do something like that with dubstep